Michael Palmer

I Do Not

“Je ne sais pas l’anglais”
Georges Hugnet

I do not know English.
 
I do not know English, and therefore I can have nothing to
       say about this latest war, flowering through a night–
       scope in the evening sky.
 
I do not know English, and therefore, when hungry, can do no
       more than repeatedly point to my mouth.
 
Yet such a gesture may be taken to mean a number of
       things.
 
I do not know English, and therefore cannot seek the requisite
       permissions, as outlined in the recent protocol.
 
Such as: May I utter a term of endearment; may I now proceed
       to put my arm or arms around you and apply gentle
       pressure; may I know kiss you directly on the lips; now
       on the left tendon of the neck; now on the nipple of
       each breast? And so on.
 
Would not in any case be able to decipher her response.
 
I do not know English. Therefore I have no way of
       communicating that I prefer this painting of nothing to
       that one of something.
 
No way to speak of my past or my hopes for the future, of my
       glasses mysteriously shattered in Rotterdam, the statue
       of Eros and Psyche in the Summer Garden, the sudden,
       shrill cries in the streets of Sao Paulo, a watch
       abruptly stopping in Paris.
 
No way to tell the joke about the rabbi and the parrot, the
       bartender and the duck, the Pope and the porte-cochere.
 
You will understand why you have received no letters from me
       and why yours have gone unread.
 
Those, that is, where you write so precisely of the
       confluence of the visible universe with the invisible,
       and the lens of dark matter.
 
No way to differentiate the hall of mirrors from the meadow
       of mullein, the beetlebung from the pinkeltink, the
       kettlehole from the ventifact.
 
Nor can I utter the words science, seance, silence, language
       and languish.
 
Nor can I tell of the arboreal shadows elongated and shifting
       along the wall as the sun’s angle approaches maximum
       hibernal declination.
 
Cannot tell of the almond-eyed face that peered from the
       well, the ship of stone whose sail was a tongue.
 
And I cannot report that this rose has twenty-four petals,
       one slightly cankered.
 
Cannot tell how I dismantled it myself at this desk.
 
Cannot ask the name of this rose.
 
I cannot repeat the words of the Recording Angel or those of
       the Angel of Erasure.
 
Can speak neither of things abounding nor of things
       disappearing.
 
Still the games continue. A muscular man waves a stick at a
       ball. A woman in white, arms outstretched, carves a true
       circle in space. A village turns to dust in the chalk
       hills.
 
Because I do not know English I have variously been called
       Mr. Twisted, The One Undone, The Nonrespondent, The
       Truly Lost Boy, and Laughed-At-By-Horses.
 
The war is declared ended, almost before it has begun.
 
They have named it The Ultimate Combat Between Nearness and
       Distance.
 
I do not know English.
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