Claudia Emerson

The Mannequin above Main Street Motors

When the only ladies’ dress shop closed,
she was left on the street for trash, unsalvageable,
 
one arm missing, lost at the shoulder, one leg
at the hip. But she was wearing a blue-sequined negligee
 
and blonde wig, so they helped themselves to her
on a lark—drunken impulse—and for years kept her
 
leaning in a corner, beside an attic
window, rendered invisible. The dusk
 
was also perpetual in the garage below,
punctuated only by bare bulbs hung close
 
over the engines. An oily grime coated
the walls, and a decade of calendars promoted
 
stock-car drivers, women in dated swimsuits,
even their bodies out of fashion. Radio distorted
 
there; cigarette smoke moaned, the pedal steel
conceding to that place a greater, echoing
 
sorrow. So, lame, forgotten prank, she remained,
back turned forever to the dark storage
 
behind her, gaze leveled just above
anyone’s who could have looked up
 
to mistake in the cast of her face fresh longing—
her expression still reluctant figure for it.
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