Charles Bukowski

Ham on Rye: 34

The next day in bed I got tired of waiting for the airplanes and I
found a large yellow notebook that had been meant for high school work. It was empty. I found a pen. I went to bed with the notebook and the pen. I made some drawings. I drew women in high-heeled shoes with their legs crossed and their skirts pulled back.
Then I began writing. It was about a German aviator in World War 1.
Baron Von Himmlen. He flew a red Fokker. And he was not popular with his fellow fliers. He didn’t talk to them. He drank alone and he flew alone. He didn’t bother with women, although they all loved him. He was above that. He was too busy. He was busy shooting Allied planes out of the sky. Already he had shot down 110 and the war wasn’t over. His red Fokker, which he referred to as the “October Bird of Death,” was known everywhere. Even the enemy ground troops knew him as he often flew low over them, taking their gunfire and laughing, dropping bottles of champagne to them suspended from little parachutes. Baron Von Himmlen was never attacked by less than five Allied planes at a time. He was an ugly man with scars on his face, but he was beautiful if you looked long enough—it was in the eyes, his style, his courage, his fierce aloneness.
I wrote pages and pages about the Baron’s dog fights, how he would knock down three or four planes, fly back, almost nothing left of his red Fokker. He’d bounce down, leap out of the plane while it was still rolling and head for the bar where he’d grab a bottle and sit at a table alone, pouring shots and slamming them down. Nobody drank like the Baron. The others just stood at the bar and watched him. One time one of the other fliers said, “What is it, Himmlen? You think you’re too good for us?” It was Willie Schmidt, the biggest, strongest guy in the outfit. The Baron downed his drink, set down his glass, stood up and slowly started walking toward Willie who was standing at the bar. The other fliers backed off.
“Jesus, what are you going to do?” asked Willie as the Baron advanced.
The Baron kept moving slowly toward Willie, not answering. “Jesus, Baron, I was just kidding! Mother’s honor! Listen to me, Baron . . . Baron . . . the enemy is elsewhere! Baron!”
The Baron let go with his right. You couldn’t see it. It smashed into
Willie’s face propelling him over the top of the bar, flipping him over completely! He crashed into the bar mirror like a cannonball and the bottles tumbled down. The Baron pulled a cigar out and lit it, then walked back to his table, sat down and poured another drink. They didn’t bother the Baron after that. Behind the bar they picked Willie up. His face was a mass of blood.
The Baron shot plane after plane out of the sky. Nobody seemed to understand him and nobody knew how he had become so skillful with the red Fokker and in his other strange ways. Like fighting. Or the graceful way he walked. He went on and on. His luck was sometimes bad. One day flying back after downing three Allied planes, limping in low over enemy lines, he was
hit by shrapnel. It blew off his right hand at the wrist. He managed to
bring the red Fokker in. From that time on he flew with an iron
hand in place of his original right hand. It didn’t affect his flying.
And the fellows at the bar were more careful than ever when they talked to him.
Many more things happened to the Baron after that. Twice he crashed in no-man’s-land and each time he crawled back to his squadron, half-dead, through barbed wire and flares and enemy fire. Many times he was given up for dead by his comrades. Once he was gone for eight days and the other flyers were sitting in the bar, talking about what an exceptional man he had been. When they looked up, there was the Baron standing in the doorway, eight– day beard, uniform torn and muddy, eyes red and bleary, iron hand glinting in the bar light. He stood there and he said, “There
better be some god-damned whiskey in this place or I’m tearing it
apart!”
The Baron went on doing magic things. Half the notebook was filled with Baron Von Himmlen. It made me feel good to write about the Baron. A man needed somebody. There wasn’t anybody around, so you had to make up somebody, make him up to be like a man should be. It wasn’t make– believe or cheating. The other way was make-believe and cheating: living your life without a man like him around.

Autres oeuvres par Charles Bukowski...



Haut