Robert Louis Stevenson
An Elegy
High on his Patmos of the Southern Seas
Our northern dreamer sleeps,
Strange stars above him, and above his grave
Strange leaves and wings their tropic splendours wave,
While, far beneath, mile after shimmering mile,
The great Pacific, with its faery deeps,
Smiles all day long its silken secret smile.
Son of a race nomadic, finding still
Its home in regions furthest from its home,
Ranging untired the borders of the world,
And resting but to roam;
Loved of his land, and making all his boast
The birthright of the blood from which he came,
Heir to those lights that guard the Scottish coast,
And caring only for a filial fame;
Proud, if a poet, he was Scotsman most,
And bore a Scottish name.
Death, that long sought our poet, finds at last,
Death, that pursued him over land and sea:
Not his the flight of fear, the heart aghast
With stony dread of immortality,
He fled 'not cowardly’;
Fled, as some captain, in whose shaping hand
Lie the momentous fortunes of his land,
Sheds not vainglorious blood upon the field,
Death! why at last he finds his treasure isle,
And he the pirate of its hidden hoard;
Life! ’twas the ship he sailed to seek it in,
And Death is but the pilot come aboard,
Methinks I see him smile a boy’s glad smile
On maddened winds and waters, reefs unknown,
As thunders in the sail the dread typhoon,
And in the surf the shuddering timbers groan;
Horror ahead, and Death beside the wheel:
Then—spreading stillness of the broad lagoon,
And lap of waters round the resting keel.
Strange Isle of Voices! must we ask in vain,
In vain beseech and win no answering word,
Save mocking echoes of our lonely pain
From lonely hill and bird?
Island beneath whose unrelenting coast,
As though it never in the sun had been,
The whole world’s treasure lieth sunk and lost,
Unsunned, unseen.
For, either sunk beyond the diver’s skill,
There, fathoms deep, our gold is all arust,
Or in that island it is hoarded still.
Yea, some have said, within thy dreadful wall
There is a folk that know not death at all,
The loved we lost, the lost we love, are there.
Will no kind voice make answer to our cry,
Give to our aching hearts some little trust,
Show how ’tis good to live, but best to die?
Some voice that knows
Whither the dead man goes:
We hear his music from the other side,
Maybe a little tapping on the door,
A something called, a something sighed—
No more.
O for some voice to valiantly declare
The best news true!
Then, Happy Island of the Happy Dead,
How gladly would we spread
Impatient sail for you!
O vanished loveliness of flowers and faces,
Treasure of hair, and great immortal eyes,
Are there for these no safe and secret places?
And is it true that beauty never dies?
Soldiers and saints, haughty and lovely names,
Women who set the whole wide world in flames,
Poets who sang their passion to the skies,
And lovers wild and wise:
Fought they and prayed for some poor flitting gleam,
Was all they loved and worshipped but a dream?
Is Love a lie and fame indeed a breath,
And is there no sure thing in life—but death?
Or may it be, within that guarded shore,
He meets Her now whom I shall meet no more
Till kind Death fold me 'neath his shadowy wing:
She whom within my heart I softly tell
That he is dead whom once we loved so well,
He, the immortal master whom I sing.
Immortal! yea, dare we the word again,
If aught remaineth of our mortal day,
That which is written—shall it not remain?
That which is sung, is it not built for aye?
Faces must fade, for all their golden looks,
Unless some poet them eternalise,
Make live those golden looks in golden books;
Death, soon or late, will quench the brightest eyes—
’Tis only what is written never dies.
Yea, memories that guard like sacred gold
Some sainted face, they also must grow old,
Pass and forget, and think—or darest thou not!—
On all the beauty that is quite forgot.
Strange craft of words, strange magic of the pen,
Whereby the dead still talk with living men;
Whereby a sentence, in its trivial scope,
May centre all we love and all we hope;
And in a couplet, like a rosebud furled,
Lie all the wistful wonder of the world.
Old are the stars, and yet they still endure,
Old are the flowers, yet never fail the spring:
Why is the song that is so old so new,
Known and yet strange each sweet small shape and hue?
How may a poet thus for ever sing,
Thus build his climbing music sweet and sure,
As builds in stars and flowers the Eternal mind?
Ah, Poet, that is yours to seek and find!
Yea, yours that magisterial skill whereby
God put all Heaven in a woman’s eye,
Nature’s own mighty and mysterious art
That knows to pack the whole within the part:
The shell that hums the music of the sea,
The little word big with Eternity,
The cosmic rhythm in microcosmic things—
One song the lark and one the planet sings,
One kind heart beating warm in bird and tree—
To hear it beat, who knew so well as he?
Virgil of prose! far distant is the day
When at the mention of your heartfelt name
Shall shake the head, and men, oblivious, say:
‘We know him not, this master, nor his fame.’
Not for so swift forgetfulness you wrought,
Day upon day, with rapt fastidious pen,
Turning, like precious stones, with anxious thought,
This word and that again and yet again,
Seeking to match its meaning with the world;
Nor to the morning stars gave ears attent,
That you, indeed, might ever dare to be
With other praise than immortality
Unworthily content.
Not while a boy still whistles on the earth,
Not while a single human heart beats true,
Not while Love lasts, and Honour, and the Brave,
Has earth a grave,
O well-beloved, for you!
