John Ericsson Day Memorial, 1918
INTO the gulf and the pit of the dark night, the cold night, there is a man goes into the dark and the cold and when he comes back to his people he brings fire in his hands and they remember him in the years afterward as the fire bringer—they remember or forget—the man whose head kept singing to the want of his home, the want of his people.
For this man there is no name thought of—he has broken from jungles and the old oxen and the old wagons—circled the earth with ships—belted the earth with steel—swung with wings and a drumming motor in the high blue sky—shot his words on a wireless way through shattering sea storms:—out from the night and out from the jungles his head keeps singing—there is no road for him but on and on.
Against the sea bastions and the land bastions, against the great air pockets of stars and atoms, he points a finger, finds a release clutch, touches a button no man knew before.
The soldier with a smoking gun and a gas mask—the workshop man under the smokestacks and the blueprints—these two are brothers of the handshake never forgotten—for these two we give the salt tears of our eyes, the salute of red roses, the flame-won scarlet of poppies.
For the soldier who gives all, for the workshop man who gives all, for these the red bar is on the flag—the red bar is the heart’s-blood of the mother who gave him, the land that gave him.
The gray foam and the great wheels of war go by and take all—and the years give mist and ashes—and our feet stand at these, the memory places of the known and the unknown, and our hands give a flame-won poppy—our hands touch the red bar of a flag for the sake of those who gave—and gave all.
Cornhuskers. 1918.
