The Pangolin
Another armored animal—scale
lapping scale with spruce—cone regularity until they
form the uninterrupted central
tail—row! This near artichoke with head and legs and grit—equipped
gizzard,
the night miniature artist engineer is,
yes, Leonardo da Vinci’s replica—
impressive animal and toiler of whom we seldom hear.
Armor seems extra. But for him,
the closing ear—ridge—
or bare ear lacking even this small
eminence and similarly safe
contracting nose and eye apertures
impenetrably closable, are not; a true ant—eater,
not cockroach eater, who endures
exhausting solitary trips through unfamiliar ground at night,
returning before sunrise, stepping in the moonlight,
on the moonlight peculiarly, that the outside
edges of his hands may bear the weight and save the claws
for digging. Serpentined about
the tree, he draws
away from danger unpugnaciously,
with no sound but a harmless hiss; keeping
the fragile grace of the Thomas—
of—Leighton Buzzard Westminster Abbey wrought—iron vine, or
rolls himself into a ball that has
power to defy all effort to unroll it; strongly intailed, neat
head for core, on neck not breaking off, with curled—in—feet.
Nevertheless he has sting—proof scales; and nest
of rocks closed with earth from inside, which can thus
darken.
Sun and moon and day and night and man and beast
each with a splendor
which man in all his vileness cannot
set aside; each with an excellence!
“Fearfull yet to be feared,” the armored
ant—eater met by the driver—ant does not turn back, but
engulfs what he can, the flattened sword—
edged leafpoints on the tail and artichoke set leg—and body—plates
quivering violently when it retaliates
and swarms on him. Compact like the furled fringed frill
on the hat—brim of Gargallo’s hollow iron head of a
matador, he will drop and will
then walk away
unhurt, although if unintruded on,
he cautiously works down the tree, helped
by his tail. The giant—pangolin—
tail, graceful tool, as a prop or hand or broom or ax, tipped like
an elephant’s trunkwith special skin,
is not lost on this ant—and stone—swallowing uninjurable
artichoke which simpletons thought a living fable
whom the stones had nourished, whereas ants had done
so. Pangolins are not aggressive animals; between
dusk and day they have not unchain—like machine—like
form and frictionless creep of a thing
made graceful by adversities, con—
versities. To explain grace requires
a curious hand. If that which is at all were not forever,
why would those who graced the spires
with animals and gathered there to rest, on cold luxurious
low stone seats—a monk and monk and monk—between the thus
ingenious roof supports, have slaved to confuse
grace with a kindly manner, time in which to pay a debt,
the cure for sins, a graceful use
of what are yet
approved stone mullions branching out across
the perpendiculars? A sailboat
was the first machine. Pangolins, made
for moving quietly also, are models of exactness,
on four legs; on hind feet plantigrade,
with certain postures of a man. Beneath sun and moon, man slaving
to make his life more sweet, leaves half the flowers worth having,
needing to choose wisely how to use his strength;
a paper—maker like the wasp; a tractor of foodstuffs,
like the ant; spidering a length
of web from bluffs
above a stream; in fighting, mechanicked
like the pangolin; capsizing in
disheartenment. Bedizened or stark
naked, man, the self, the being we call human, writing—
masters to this world, griffons a dark
“Like does not like like that is abnoxious”; and writes error with four
r’s. Among animals, one has sense of humor.
Humor saves a few steps, it saves years. Unignorant,
modest and unemotional, and all emotion,
he has everlasting vigor,
power to grow,
though there are few creatures who can make one
breathe faster and make one erecter.
Not afraid of anything is he,
and then goes cowering forth, tread paced to meet an obstacle
at every step. Consistent with the
formula—warm blood, no gills, two pairs of hands and a few hairs—
that
is a mammal; there he sits on his own habitat,
serge—clad, strong—shod. The prey of fear, he, always
curtailed, extinguished, thwarted by the dusk, work partly
done,
says to the alternating blaze,
“Again the sun!
anew each day; and new and new and new,
that comes into and steadies my soul.”
