William Matthews

A Small Room in Aspen

Stains on the casements,
dustmotes, spiderless webs.
No chairs, and a man waking up,
or he’s falling asleep
 
Many first novels begin
with the hero waking up,
which saves their authors
from writing well about sleep.
 
His life is the only novel
about him. Mornings
he walks past the park:
Tai Ch’i students practicing
 
like slow lorises.
A room on the second floor.
He’d dreamed of a ground floor
room, an insistent cat
 
at the door, its mouth pink
with wrath he couldn’t salve
and grew to hate. All afternoon
he’s a cloud that can’t rain.
 
There’s no ordinary life
in a resort town, he thinks,
though he’s wrong: it laces
through the silt of tourists
 
like worm life. At dusk
the light rises in his room.
A beautiful day, all laziness
and surface, true without
 
translation. Wherever I go
I’m at home, he thinks,
smug and scared both,
fierce as a secret,
 
8,ooo feet above sea level.
The dark on its way down
has passed him, so he seems
to be rising, after the risen
 
light, as if he were to keep watch
while the dark sleeps,
as if he and it were each
other’s future and children.
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