Robert William Service (January 16, 1874 – September 11, 1958) was a poet and writer who has often been called "the Bard of the Yukon". He was born in Preston, Lancashire, England and he is best known for his poems "The Shooting of Dan McGrew" and "The Cremation of Sam McGee", from his first book, Songs of a Sourdough (1907; also published as The Spell of the Yukon and Other Verses).

Wannabe poet/writer - Not a published author, I've likely discarded, gifted, or lost more literary works than... well, more than a few! 😂 Writers are alchemists, turning mere words into gold, weaving tapestries of imagination. Whether etching sonnets or code, the love of writing is a compass, guiding us through the labyrinth of existence. It whispers, “You are here; you matter.” And so, we write—because within these sentences, we discover echoes of our own souls. My love of writing started in high school. My problem is I’m never satisfied and always too critical of myself to ever let anyone read my musings. And when I would win an award in high school, I would be so embarrassed that I would do anything I could to disguise my works or just avoid everyone, hahaha. Recently I went to a high school reunion and low and behold, someone had one of my short stories and a couple poems out on a table with other students works that had been written in 1973 and 1974. And when I re-read them I was amazed at myself. Then somehow my older sister came across some of my poems and said she wanted them and praised me again. I don’t know what has changed other than just getting older and not caring one iota any more about what people think or say. It’s therapy for me to jot down words that mean something at the time, and if someone reading them happens to identify then all the better… and yes, I have a severe inferiority complex.

Carl Sandburg was born in Galesburg, Illinois, on January 6, 1878. His parents, August and Clara Johnson, had emigrated to America from the north of Sweden. After encountering several August Johnsons in his job for the railroad, the Sandburg's father renamed the family. The Sandburgs were very poor; Carl left school at the age of thirteen to work odd jobs, from laying bricks to dishwashing, to help support his family. At seventeen, he traveled west to Kansas as a hobo. He then served eight months in Puerto Rico during the Spanish-American war. While serving, Sandburg met a student at Lombard College, the small school located in Sandburg's hometown. The young man convinced Sandburg to enroll in Lombard after his return from the war.

William Shakespeare (baptised 26 April 1564; died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright. Authorship Around 230 years after Shakespeare’s death, doubts began to be expressed about the authorship of the works attributed to him. Proposed alternative candidates include Francis Bacon, Christopher Marlowe, and Edward de Vere, 17th Earl of Oxford. Several “group theories” have also been proposed. All but a few Shakespeare scholars and literary historians consider it a fringe theory, with only a small minority of academics who believe that there is reason to question the traditional attribution, but interest in the subject, particularly the Oxfordian theory of Shakespeare authorship, continues into the 21st century.

Published at heart. Anticipate, my book will be published soon.

Sheldon Allan Shel Silverstein (September 25, 1930 – May 10, 1999), was an American poet, singer-songwriter, cartoonist, screenwriter, and author of children's books. He styled himself as Uncle Shelby in some works. Translated into more than 30 languages, his books have sold over 20 million copies.

When all the drama's sold and gone, I'll still be here writing away.

Anne Sexton (November 9, 1928, Newton, Massachusetts – October 4, 1974, Weston, Massachusetts) was an American poetese, known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967. Themes of her poetry include her suicidal tendencies, long battle against depression and various intimate details from her private life, including her relationships with her husband and children. Sexton suffered from severe mental illness for much of her life, her first manic episode taking place in 1954.

Hello and welcome. I don't know what brought you to my profile, but I do hope you enjoy my few pieces. I lack form and style, and could care less about using either in my poetry to be quite frank. I write my poetry from the heart (sorry for the -true- cliché), it is my escape, and I do hope that my words can reach others. But that's enough about me, take a look at a few of my poems if you so desire and send me critiques/commentary if you feel inclined to do so. Thanks for considering viewing my page as being worth your time.

Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894) was a Scottish novelist, poet, essayist and travel writer. His best-known books include Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. A literary celebrity during his lifetime, Stevenson now ranks among the 26 most translated authors in the world. He has been greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling, Marcel Schwob, Vladimir Nabokov, J. M. Barrie, and G. K. Chesterton, who said of him that he “seemed to pick the right word up on the point of his pen, like a man playing spillikins”.

18 Year old college freshman. Music Fanatic. Friend.

Percy Bysshe Shelley (4 August 1792 – 8 July 1822) was one of the major English Romantic poets and is critically regarded as among the finest lyric poets in the English language. Shelley was famous for his association with John Keats and Lord Byron. The novelist Mary Shelley (née Godwin) was his second wife. Shelley's unconventional life and uncompromising idealism, combined with his strong disapproving voice, made him a marginalized figure during his life, important in a fairly small circle of admirers, and opened him to criticism as well as praise afterward.

From Canada

Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar, and soldier who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry), and The Countess of Pembroke’s Arcadia.

I started writing when I was incarcerated in feb 2013. It is and was very cathartic, it has in many ways helped me express and reflect on myself. It has become very important to me. Every piece I write is a small piece of myself. Hope you enjoy.

Sir Walter Scott, 1st Baronet, FRSE (15 August 1771 – 21 September 1832) was a Scottish historical novelist, playwright and poet with many contemporary readers in Europe, Australia, and North America. Scott’s novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, Old Mortality, The Lady of the Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor.

Not for sale.

Siegfried Loraine Sassoon (8 September 1886 – 1 September 1967) was an English poet, author and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches, and satirised the patriotic pretensions of those who, in Sassoon's view, were responsible for a vainglorious war. He later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the "Sherston Trilogy". Motivated by patriotism, Sassoon joined the British Army just as the threat of World War I was realised, and was in service with the Sussex Yeomanry on the day the United Kingdom declared war (4 August 1914). He broke his arm badly in a riding accident and was put out of action before even leaving England, spending the spring of 1915 convalescing.

raprobate.com for books and artworks

Edmund Spenser (c. 1552 – 13 January 1599) was an English poet best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognised as one of the premier craftsmen of Modern English verse in its infancy, and is considered one of the greatest poets in the English language.

I'm a passionate young poet, I've been a art student for 7 years, I was born in London spent most of my life here. But when I was 6 I moved to Paris, I'm a wedding and party events planner. I enjoy travel, listening to soft and loud music also love reading.

Dora Maria Sigerson Shorter (16 August 1866 – 6 January 1918) was an Irish poet and sculptor, who after her marriage in 1895 wrote under the name Dora Sigerson Shorter. She was born in Dublin, Ireland, the daughter of George Sigerson, a surgeon and writer, and Hester (née Varian), also a writer. She was a major figure of the Irish Literary Revival, publishing many collections of poetry from 1893. Her friends included Katharine Tynan, Rose Kavanagh and Alice Furlong, writers and poets. In 1895 she married Clement King Shorter, an English journalist and literary critic. They lived together in London, until her death at age 51 from undisclosed causes.

I am many things, but I am first and foremost a follower of Christ. As a result, many of my poems revolve around or hint at this fact. My favorite verses are Psalm 23:4 and Proverbs 16:1-4.

Wallace Stevens was born in Reading, Pennsylvania, on October 2, 1879. He attended Harvard University as an undergraduate from 1897 to 1900. He planned to travel to Paris as a writer, but after working briefly as a reporter for the New York Herald Times, he decided to study law. He graduated with a degree from New York Law School in 1903 and was admitted to the U.S. Bar in 1904. He practiced law in New York City until 1916.

I just write not really much to say here

Charlotte Turner Smith (4 May 1749 – 28 October 1806) was an English Romantic poet and novelist. She initiated a revival of the English sonnet, helped establish the conventions of Gothic fiction, and wrote political novels of sensibility. Smith was born into a wealthy family and received a typical education for a woman during the late 18th century. However, her father’s reckless spending forced her to marry early. In a marriage that she later described as prostitution, she was given by her father to the violent and profligate Benjamin Smith. Their marriage was deeply unhappy, although they had twelve children together. Charlotte joined Benjamin in debtor’s prison, where she wrote her first book of poetry, Elegiac Sonnets. Its success allowed her to help pay for Benjamin’s release. Benjamin’s father attempted to leave money to Charlotte and her children upon his death, but legal technicalities prevented her from ever acquiring it.

MultiLingual HSE Professional, world traveler ExPat. VietNam Vet - Medic - JW

Algernon Charles Swinburne (5 April 1837– 10 April 1909) was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. A controversial figure at the time, Swinburne was a sado-masochist and alcoholic and was obsessed with the Middle Ages and lesbianism. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the Ocean, Time, and Death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. “Galilean”) and Catullus ("To Catullus").

I'm just an emotional person, id rather live in my world than the actual one.

Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known in English as George Santayana (December 16, 1863 – September 26, 1952), was a philosopher, essayist, poet, and novelist. Originally from Spain, Santayana was raised and educated in the United States from the age of eight and identified himself as an American, although he always kept a valid Spanish passport. He wrote in English and is generally considered an American man of letters. At the age of forty-eight, Santayana left his position at Harvard and returned to Europe permanently, never to return to the United States. His last wish was to be buried in the Spanish pantheon in Rome. Santayana is popularly known for aphorisms, such as “Those who cannot remember the past are condemned to repeat it”, “Only the dead have seen the end of war”, and the definition of beauty as “pleasure objectified”. Although an atheist, he always treasured the Spanish Catholic values, practices and world-view with which he was brought up. Santayana was a broad-ranging cultural critic spanning many disciplines.

My poems are off the wall like me. I am not conventional and I'm ok with it. Some are dark n some are crazy n silly but each time I write it depends on the journey the unwritten words want to take me. Apologies if I offend. My poems are not about anyone unless I dedicate it. I have more but I'm saving a few for me It's there to enjoy so take what you get from it and be thankful we have words that seem poetic in their own right. Put them together and sometime magic happens

Joseph Skipsey (1832– 1903) was a Northumberland born poet and songwriter in the middle and late 19th century. His best known work is arguably “The Hartley Calamity” about the Hartley Colliery Disaster, a devastating mining accident in Hartley, Northumberland, England in 1862 in which 204 lives were lost. He was known as “The Pitman Poet”.

I write to voice my thoughts, convey my feelings and exercise my communicative abilities. Much of my inspiration comes from the darker places; both in the world and in my mind. I present my poems publicly in the hope that someone, somewhere, will find solace and affinity through my words. Comment is free.

Gertrude Stein was born in Allegheny, Pennsylvania, on February 3, 1874, to wealthy German-Jewish immigrants. At the age of three, her family moved first to Vienna and then to Paris. They returned to America in 1878 and settled in Oakland, California. Her mother, Amelia, died of cancer in 1888 and her father, Daniel, died 1891. Stein attended Radcliffe College from 1893 to 1897, where she specialized in Psychology under noted psychologist William James. After leaving Radcliffe, she enrolled at the Johns Hopkins University, where she studied medicine for four years, leaving in 1901. Stein did not receive a formal degree from either institution. In 1903, Stein moved to Paris with Alice B. Toklas, a younger friend from San Francisco who would remain her partner and secretary throughout her life. The couple did not return to the United States for over thirty years. Together with Toklas and her brother Leo, an art critic and painter, Stein took an apartment on the Left Bank. Their home, 27 rue de Fleurus, soon became gathering spot for many young artists and writers including Henri Matisse, Ezra Pound, Pablo Picasso, Max Jacob, and Guillaume Apollinaire. She was a passionate advocate for the "new" in art, her literary friendships grew to include writers as diverse as William Carlos Williams, Djuana Barnes, F. Scott Fitzgerald, James Joyce, and Ernest Hemingway. It was to Hemingway that Stein coined the phrase "the lost generation" to describe the expatriate writers living abroad between the wars. By 1913, Stein's support of cubist painters and her increasingly avant-garde writing caused a split with her brother Leo, who moved to Florence. Her first book, Three Lives, was published in 1909. She followed it with Tender Buttons in 1914. Tender Buttons clearly showed the profound effect modern painting had on her writing. In these small prose poems, images and phrases come together in often surprising ways—similar in manner to cubist painting. Her writing, characterized by its use of words for their associations and sounds rather than their meanings, received considerable interest from other artists and writers, but did not find a wide audience. Sherwood Anderson in the introduction to Geography and Plays (1922) wrote that her writing "consists in a rebuilding, and entire new recasting of life, in the city of words." Among Stein's most influential works are The Making of Americans (1925); How to Write (1931); The Autobiography of Alice B. Toklas (1933), which was a best-seller; and Stanzas in Meditation and Other Poems [1929-1933] (1956). In 1934, the biographer T. S. Matthews described her as a "solid elderly woman, dressed in no-nonsense rough-spun clothes," with "deep black eyes that make her grave face and its archaic smile come alive." Stein died at the American Hospital at Neuilly on July 27, 1946, of inoperable cancer.

I started writing poetry in 2009. My main influences are Kahlil Gibran and Hafiz.

Robert Southey (August 12, 1774 in Bristol– March 21, 1843 in London) was an English poet of the Romantic school, one of the so-called “Lake Poets”, and Poet Laureate for 30 years from 1813 to his death in 1843. Although his fame has long been eclipsed by that of his contemporaries and friends William Wordsworth and Samuel Taylor Coleridge, Southey’s verse still enjoys some popularity.

I always lose my journals.

Alan Seeger (22 June 1888 – 4 July 1916) was an American poet who fought and died in World War I during the Battle of the Somme serving in the French Foreign Legion. Seeger was the uncle of American folk singer Pete Seeger, and was a classmate of T.S. Eliot at Harvard. He is most well known for having authored the poem, I Have a Rendezvous with Death, a favorite of President John F. Kennedy. A statue modeled after Seeger is found on the monument honoring fallen Americans who volunteered for France during the war, located at the Place des États-Unis, Paris. He is sometimes called the “American Rupert Brooke.”

Receiving my graduate degree from JFK University in Consciousness and the Arts and undergraduate education in Language and Sociology from Howard University, my contributions to society include: improving the status of women in the American Society, consulting on family education and management. Before retiring, I worked as the Secretary for the U.S. Treasury, Proofreader for the Office of the Price Administration and was a Researcher and Public Relations Director for the Eisenhower Congressional Committee. I am now a Professional Volunteer. Some of my achievements are as follows: Senior Senator to the California Senior Legislature Past Presidency and/or Advisor: AAUW, Business and Professional Women, Richmond Plaza Neighborhood Council, Council for Civic Unity, Advisory Council on Aging, Mental Health Task Force on Aging, Elder Abuse Consortium, Ethnic and Handicapped Task Force. I am a proud parent of three children and grandparent of four grandchildren and I share my life with Joe, my husband, who retired as a General Dentist.

Arthur William Symons (28 February 1865– 22 January 1945), was a British poet, critic and magazine editor. Life Born in Milford Haven, Wales, of Cornish parents, Symons was educated privately, spending much of his time in France and Italy. In 1884–1886 he edited four of Bernard Quaritch’s Shakespeare Quarto Facsimiles, and in 1888–1889 seven plays of the “Henry Irving” Shakespeare. He became a member of the staff of the Athenaeum in 1891, and of the Saturday Review in 1894, but his major editorial feat was his work with the short-lived Savoy. His first volume of verse, Days and Nights (1889), consisted of dramatic monologues. His later verse is influenced by a close study of modern French writers, of Charles Baudelaire, and especially of Paul Verlaine. He reflects French tendencies both in the subject-matter and style of his poems, in their eroticism and their vividness of description. Symons contributed poems and essays to The Yellow Book, including an important piece which was later expanded into The Symbolist Movement in Literature, which would have a major influence on William Butler Yeats and T. S. Eliot. From late 1895 through 1896 he edited, along with Aubrey Beardsley and Leonard Smithers, The Savoy, a literary magazine which published both art and literature. Noteworthy contributors included Yeats, George Bernard Shaw, and Joseph Conrad. Symons was also a member of the Rhymer’s Club founded by Yeats in 1890. In 1892, The Minister’s Call, Symons’s first play, was produced by the Independent Theatre Society– a private club– to avoid censorship by the Lord Chamberlain’s Office. In 1902 Symons made a selection from his earlier verse, published as Poems. He translated from the Italian of Gabriele D’Annunzio The Dead City (1900) and The Child of Pleasure (1898), and from the French of Émile Verhaeren The Dawn (1898). To The Poems of Ernest Dowson (1905) he prefixed an essay on the deceased poet, who was a kind of English Verlaine and had many attractions for Symons. In 1909 Symons suffered a psychotic breakdown, and published very little new work for a period of more than twenty years. His Confessions: A Study in Pathology (1930) has a moving description of his breakdown and treatment. Verse Days and Nights (1889) Silhouettes (1892) London Nights (1895) Amoris victima (1897) Images of Good and Evil (1899) Poems in 2 volumes.(Contains: The Loom of Dreams in the second Volume, 1901), (1902) Lyrics (1903) An anthology of poetry published in the USA only. A Book of Twenty Songs (1905) The Fool of the World and other Poems (1906) Knave of Hearts (1913). Poems written between 1894 and 1908. Love’s Cruelty (1923) Jezebel Mort, and other poems (1931) Essays An Introduction to the study of Browning (1886) Studies in Two Literatures (1897) Aubrey Beardsley: An Essay with a Preface (1898) The Symbolist Movement in Literature (1899; 1919) Cities (1903), word-pictures of Rome, Venice, Naples, Seville, etc. Plays, Acting and Music (1903) Studies in Prose and Verse (1904) Studies in Seven Arts (1906). Figures of Several Centuries (1916) Cities and Sea-Coasts and Islands (1918) Studies in the Elizabethan Drama (1919) Charles Baudelaire: A Study (1920) Dramatis Personae (1925 - US edition 1923) From Toulouse-Lautrec to Rodin (1929) Studies in Strange Souls (1929) Confessions: A Study in Pathology (1930). A book containing Symons’s description of his breakdown and treatment. Wanderings (1931) A Study of Walter Pater (1932) Fiction Spiritual Adventures (1905). With an autobiographical sketch. References Wikipedia—https://en.wikipedia.org/wiki/Arthur_Symons

Hi, my name is, Paul Schreiner. I was born somewhere in the country of, Brasil. I don't know when or even where, I was born. Or who my biological parents may be. In fact, nobody in the American or the Brasilian government, really knows who I am or anything about me or my past. All that is known, is how I miraculously appeared in an orphanage with no birth certificate, due to my sister and I being kidnapped for sex trafficking. In 1988, my two loving parents flew down from America to Brasil, and adopted me. They gave me a name, a birthday, a home, a new country, and most of all, a family to call my own! Since I was a child, in a foreign country with no one to communicate with; I gravitated towards books, the Encyclopedia, history, and poetry. For some reason, I was able to comprehend the English language and it's structure more easily, through poetry. I love and appreciate poetry, because in a way, it explains an emotion, thoughts, or just life, in a way no other written structure can. I am so grateful for sights like these! It's sad, because poetry, I believe, is a dying art. Sights like these keep it alive and well for poets and fans, like ourselves. I hope you enjoy some of mine, almost as much as I enjoyed writing them! Go write on!!

Delmore Schwartz (December 8, 1913– July 11, 1966) was an American poet and short story writer. Biography Schwartz was born in 1913 in Brooklyn, New York, where he also grew up. His parents, Harry and Rose, both Romanian Jews, separated when Schwartz was nine, and their divorce had a profound effect on him. In 1930, Schwartz’s father suddenly died at the age of 49. Though Harry had accumulated a good deal of wealth from his dealings in the real estate business, Delmore only inherited a small amount of that money as the result of the shady dealings of the executor of Harry’s estate. According to Schwartz’s biographer, James Atlas, "Delmore continued to hope that he would eventually receive his legacy [even] as late as 1946.” Schwartz spent time at Columbia University and the University of Wisconsin before finally graduating from New York University in 1935. He then did some graduate work in philosophy at Harvard University, where he studied with the philosopher Alfred North Whitehead, but left and returned to New York without receiving a degree. Soon thereafter, he made his parents’ disastrous marriage the subject of his most famous short story, “In Dreams Begin Responsibilities”, which was published in 1937 in the first issue of Partisan Review. This story and other short stories and poems became his first book, also entitled In Dreams Begin Responsibilities, published in 1938 when Schwartz was only 25 years old. The book was well received, and made him a well-known figure in New York intellectual circles. His work received praise from some of the most respected people in literature, including T. S. Eliot, William Carlos Williams, and Ezra Pound, and Schwartz was considered one of the most gifted and promising young writers of his generation. According to James Atlas, Allen Tate responded to the book by stating that "[Schwartz’s] poetic style marked 'the first real innovation we’ve had since Eliot and Pound.'” In 1937, he also married Gertrude Buckman, a book reviewer for Partisan Review, whom he divorced after six years. For the next couple of decades, he continued to publish stories, poems, plays, and essays, and edited the Partisan Review from 1943 to 1955, as well as The New Republic. Schwartz was deeply upset when his epic poem, Genesis, which he published in 1943 and hoped would stand alongside other Modernist epics like The Waste Land and The Cantos as a masterpiece, received a negative critical response. Later, in 1948, he married the much younger novelist, Elizabeth Pollet. This relationship also ended in divorce. In 1959, he became the youngest-ever recipient of the Bollingen Prize, awarded for a collection of poetry he published that year, Summer Knowledge: New and Selected Poems. His poetry differed from his stories in that it was less autobiographical and more philosophical. His verse also became increasingly abstract in his later years. He taught creative writing at six universities, including Syracuse, Princeton, and Kenyon College. In addition to being known as a gifted writer, Schwartz was considered a great conversationalist and spent much time entertaining friends at the White Horse Tavern in New York City. Much of Schwartz’s work is notable for its philosophical and deeply meditative nature, and the literary critic, R.W. Flint, wrote that Schwartz’s stories were “the definitive portrait of the Jewish middle class in New York during the Depression.” In particular, Schwartz emphasized the large divide that existed between his generation (which came of age during the Depression) and his parents’ generation (who had often come to the United States as first-generation immigrants and whose idealistic view of America differed greatly from his own). In another take on Schwartz’s fiction, Morris Dickstein wrote that “Schwartz’s best stories are either poker-faced satirical takes on the bohemians and outright failures of his generation, as in 'The World Is a Wedding’ and 'New Year’s Eve,' or chronicles of the distressed lives of his parents’ generation, for whom the promise of American life has not panned out.” Schwartz was unable to repeat or build on his early successes later in life as a result of alcoholism and mental illness, and his last years were spent in reclusion at the Columbia Hotel in New York City. In fact, Schwartz was so isolated from the rest of the world that when he died on July 11, 1966, at age 52, of a heart attack, two days passed before his body was identified at the morgue. Schwartz was interred at Cedar Park Cemetery, in Emerson, New Jersey. A selection of his short stories was published posthumously in 1978 under the title In Dreams Begin Responsibilities and Other Stories and was edited by James Atlas who had written a biography of Schwartz, Delmore Schwartz: The Life of An American Poet, two years earlier. Later, another collection of Schwartz’s work, Screeno: Stories & Poems, was published in 2004. This collection contained fewer stories than In Dreams Begin Responsibilities and Other Stories but it also included a selection of some of Schwartz’s best-known poems like “The Heavy Bear Who Goes With Me” and “In The Naked Bed, In Plato’s Cave”. Screeno also featured an introduction by the fiction writer and essayist, Cynthia Ozick. Tributes to Schwartz One of the earliest well-known tributes to Schwartz came from Schwartz’s friend, fellow poet Robert Lowell, who published the poem “To Delmore Schwartz” in 1959 (while Schwartz was still alive) in the book Life Studies. In it Lowell reminisces about the time that the two poets lived together in Cambridge, Massachusetts in 1946, writing that they were "underseas fellows, nobly mad,/ we talked away our friends.” One year following Schwartz’s death, in 1967, his former student at Syracuse University, the rock musician Lou Reed, dedicated his song “European Son” to Schwartz (although the lyrics themselves made no direct reference to Schwartz). Then, in 1968, Schwartz’s friend and peer, fellow poet John Berryman, dedicated his book His Toy, His Dream, His Rest “to the sacred memory of Delmore Schwartz,” including 12 elegiac poems about Schwartz in the book. In "Dream Song #149," Berryman wrote of Schwartz, In the brightness of his promise, unstained, I saw him thro’ the mist of the actual blazing with insight, warm with gossip thro’ all our Harvard years when both of us were just becoming known I got him out of a police-station once, in Washington, the world is tref and grief too astray for tears. The most ambitious literary tribute to Schwartz came in 1975 when Saul Bellow, a one-time protégé of Schwartz’s, published his Pulitzer Prize-winning novel Humboldt’s Gift which was based on his relationship with Schwartz. Although the character of Von Humboldt Fleischer is Bellow’s portrait of Schwartz during Schwartz’s declining years, the book is actually a testament to Schwartz’s lasting artistic influence on Bellow. Although he is a genius, the Fleischer/Schwartz character struggles financially and has trouble finding a secure university teaching position. He becomes increasingly paranoid and jealous of the success of the main character, Charlie Citrine (who is based upon Bellow himself), becoming isolated and descending into alcoholism and madness. Lou Reed’s 1982 album The Blue Mask included his second Schwartz homage with the song “My House”. The song is a more direct tribute to Schwartz than the above-mentioned “European Son” in that the lyrics of “My House” are about Reed’s relationship with Schwartz. In the song, Reed writes that Schwartz “was the first great man that I ever met”. Much later, in the June 2012 issue of Poetry magazine, Lou Reed published a short prose tribute to Schwartz entitled “O Delmore How I Miss You.” In the piece, Reed quotes and references a number of Schwartz’s short stories and poems including “In Dreams Begin Responsibilities,” “The World is a Wedding,” and “The Heavy Bear Who Goes With Me.” “O Delmore How I Miss You” was re-published as the preface to the New Directions 2012 reissue of Schwartz’s posthumously published story collection In Dreams Begin Responsibilities and Other Stories. In John A. McDermott’s poetry collection, The Idea of God in Tennessee, he includes a poem written for and referencing Schwartz, titled The Poet’s Body, Unclaimed in the Manhattan Morgue. The poem makes mention of Schwartz’s writing, daily habits, and death. Cultural references Scott Spencer uses the final six lines of Schwartz’s poem “I Am a Book I Neither Wrote nor Read” as an epigraph for his National Book Award nominated novel, Endless Love. The words “endless love” are the final two words of that poem. In the film Star Trek Generations, the villain Tolian Soran quotes from Schwartz’s poem, “Calmly We Walk Through This April’s Day”, telling Captain Jean-Luc Picard, “They say time is the fire in which we burn.” Playwright Philip Ridley uses the same line as one of the epigraphs for his 2012 play Shivered. The German symphonic metal band Agathodaimon uses the line “Time is the fire” as the title to one of the songs on the album Phoenix. Grant Morrison named a story in his DC Comics miniseries Multiversity, Pax Americana, after the same line as well as quoting it on the cover. In 1996, Donald Margulies wrote the play Collected Stories, in which the aging writer and teacher Ruth Steiner (a fictional character) reveals that she once had a great affair in her youth with Delmore Schwartz in Greenwich Village (during the period of time when Schwartz was in declining health from alcoholism and mental illness) to her young student, Lisa. Lisa then controversially uses the affair revelation as the basis for a successful novel. The play was produced twice off-Broadway and once on Broadway. Published works The Poets’ Pack (Rudge, New York, 1932), school anthology including four poems by Schwartz. In Dreams Begin Responsibilities. (New Directions, 1938), ISBN 978-0-8112-0680-8, a collection of short stories and poems. Shenandoah and Other Verse Plays (New Directions, 1941). Genesis: Book One (New Directions, 1943), book-length poem about the growth of a human being. The World Is a Wedding (New Directions, 1948), a collection of short stories. Vaudeville for a Princess and Other Poems (New Directions, 1950). Summer Knowledge: New and Selected Poems. (New Directions, 1959; reprinted 1967), ISBN 978-0-8112-0191-9. Successful Love and Other Stories (Corinth Books, 1961; Persea Books, 1985), ISBN 978-0-89255-094-4 Published posthumously Donald Dike, David Zucker (ed.) Selected Essays (1970; University of Chicago Press, 1985), ISBN 978-0-226-74214-4 In Dreams Begin Responsibilities and Other Stories (New Directions, 1978), a short story collection. Letters of Delmore Schwartz, ed. Robert Phillips (1984) ISBN 978-0-86538-048-6 The Ego Is Always at the Wheel: Bagatelles, ed. Robert Phillips (1986), a collection of humorously whimsical short essays Last and Lost Poems. ed. Robert Phillips (New Directions, 1989) ISBN 978-0-8112-1096-6 Screeno: Stories & Poems. New Directions. 2004. ISBN 978-0-8112-1573-2. References Wikipedia—https://en.wikipedia.org/wiki/Delmore_Schwartz

Ashraf ul Alam Shikder (28th February 1964 Friday) Now a full time writer. Even thou he designs pre-press, web, Ads; write film Scripts. Worked for few Advertising Agencies since 1990 as a Creative Director.

Kenneth Adolf Slessor OBE (27 March 1901– 30 June 1971) was an Australian poet, journalist and official War Correspondent in World War II. He was one of Australia’s leading poets, notable particularly for the absorption of modernist influences into Australian poetry. The Kenneth Slessor Prize for Poetry is named after him. Early life Slessor was born Kenneth Adolphe Schloesser in Orange, New South Wales. As a boy, he lived in England for a time with his parents and in Australia visited the mines of rural New South Wales with his father, a Jewish mining engineer whose father and grandfather had been distinguished musicians in Germany. His family moved to Sydney in 1903. Slessor attended Mowbray House School (1910–1914) and the Sydney Church of England Grammar School (1915–1918), where he began to write poetry. His first published poem was in 1917 about a digger in Europe, remembering Sydney and its icons. Slessor passed the 1918 NSW Leaving Certificate with first-class honours in English and joined the Sydney Sun as a journalist. In 1919, seven of his poems were published. He married for the first time in 1922. Career Slessor made his living as a newspaper journalist, mostly for the Sydney Sun, and was a war correspondent during World War II (1939–1945). Slessor counted Norman Lindsay, Hugh McCrae and Jack Lindsay among his friends. As the Australian Official War Correspondent during World War II, Slessor reported not only from Australia but from Greece, Syria, Libya, Egypt, and New Guinea. Slessor also wrote on rugby league football for the popular publication Smith’s Weekly. Poetry The bulk of Slessor’s poetic work was produced before the end of the Second World War. His poem “Five Bells”—relating to Sydney Harbour, time, the past, memory, and the death of the artist, friend and colleague of Slessor at Smith’s Weekly, Joe Lynch—remains probably his best known poem, followed by “Beach Burial”, a tribute to Australian troops who fought in World War II. In 1965, Australian writer Hal Porter wrote of having met and stayed with Slessor in the 1930s. He described Slessor as: ...a city lover, fastidious and excessively courteous, in those qualities resembles Baudelaire, as he does in being incapable of sentimentalizing over vegetation, in finding in nature something cruel, something bordering on effrontery. He prefers chiselled stone to the disorganization of grass. Awards In the New Year’s Honours of 1959, Slessor was appointed an Officer of the Order of the British Empire (OBE) for services to literature. Personal life At the age of 21, Slessor married 28-year-old Noëla Glasson in Ashfield, Sydney, on 18 August 1922. Noëla died of cancer on 22 October 1945. He married Pauline Wallace in 1951; and a year later celebrated the birth of his only child, Paul Slessor, before the marriage dissolved in 1961. Death He died alone and suddenly of a heart attack on 30 June 1971 at the Mater Misericordiae Hospital, North Sydney. Bibliography Poetry collections * Thief of the Moon, Sydney: Hand press of J. T. Kirtley (1924) * Earth-Visitors, London: Fanfrolico Press (1926) * Trio: a book of poems, with Harley Matthews and Colin Simpson, Sydney: Sunnybrook Press (1931) * Cuckooz Contrey, Sydney: Frank Johnson (1932) * Darlinghurst Nights: and Morning glories: being 47 strange sights, Sydney (1933) * Funny Farmyard: Nursery Rhymes and Painting Book, with drawings by Sydney Miller, Sydney: Frank Johnson (1933) * Five Bells: XX Poems, Sydney: F.C. Johnson (1939) * One Hundred Poems, 1919–1939, Sydney: Angus & Robertson (1944) * “Beach Burial” 1944 * “The Night Ride” * “Sleep” * “Out of Time” 1930 Essays/prose * Bread and Wine, Sydney, Angus & Robertson (1970) Edited * Australian Poetry (1945) * The Penguin Book of Modern Australian Verse (Melbourne, 1961) Recognition Slessor has a street in the Canberra suburb of McKellar named after him. The bells motif in “Five Bells” is referenced at the end of the 1999 song “You Gotta Love This City” by The Whitlams, which also involves a drowning death in Sydney Harbour. Slessor’s poetry was chosen to be placed on the Higher School Certificate English reading lists, and was also examined in the final English exam. References Wikipedia—https://en.wikipedia.org/wiki/Kenneth_Slessor

I like to express my feelings and post poems of the things im going through hope yall like my poems and follow me

James Brunton Stephens (17 June 1835– 29 June 1902) was a Scottish-born Australian poet, author of Convict Once. Born at Borrowstounness, on the Firth of Forth, Scotland; the son of John Stephens, the parish schoolmaster, and his wife Jane, née Brunton. J. B. Stephens was educated at his father’s school, then at a free boarding school and at the University of Edinburgh from 1849 to 1854 without obtaining a degree. For three years he was a travelling tutor on the continent, and from 1859 became a school teacher in Scotland. While teaching at Greenock Academy, Stephens wrote some minor verse and two short novels ('Rutson Morley’ and 'Virtue Le Moyne’) which were published in Sharpe’s London Magazine in 1861-63.

LA Love life Think bright Write beautiful things

Jonathan Swift (30 November 1667– 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St Patrick’s Cathedral, Dublin. Swift is remembered for works such as Gulliver’s Travels, A Modest Proposal, A Journal to Stella, Drapier’s Letters, The Battle of the Books, An Argument Against Abolishing Christianity and A Tale of a Tub. He is regarded by the Encyclopædia Britannica as the foremost prose satirist in the English language, and is less well known for his poetry.

Snap/IG: Cody_swank

William Shenstone (18 November 1714 – 11 February 1763) was an English poet and one of the earliest practitioners of landscape gardening through the development of his estate, The Leasowes. He went up to Pembroke College, Oxford in 1732 and made a firm friend there in Richard Graves, the author of The Spiritual Quixote. Shenstone took no degree, but, while still at Oxford, he published Poems on various occasions, written for the entertainment of the author (1737).

Welcome!! I have some emotions that have poetic symphony. I have some philosophy and my own stories and experiences in my own perspective; I have not judged them whether they are symmetrical with anyone or differentiate with others. I love writing about the bad luck I bear, the curse I fear and the death, ridiculously, I dare. I am grateful if you read - just like a sudden visitor of an unknown grave, someone came, stood, smiled and wished - "Rest In Peace". I was born in 1979, July 26 just at 12 am. I have no siblings. My two assets are everything, One I lost in 2004; My father; Still one I have, My mother. I am an MBA of University of Chittagong. I have served a lot of companies, Branded-Non branded, Multinational-Local, Authorized-Unknown, Financial-Not Financial, Established-Liquidated, Rising-Falling, Fortunate-Misfortune, Proprietor-Public etc. I like job devotion, I hate impose of discrimination, I am always leader at the beginning, however demonstrator at the ending. I belief Pragmatic is not Truth, Real means partial Truth. I decided to suicide. Before that, I want to keep my creation safe, where they will obscure but they will survive. I can never get the recognition. Better my creations need freedom anywhere in the world. So welcome again my friend before I decay. Thank you.

Charles Simic (born Dušan Simić; May 9, 1938) is a Serbian-American poet and was co-poetry editor of the Paris Review. He received the Pulitzer Prize for Poetry in 1990 for The World Doesn’t End, and was a finalist of the Pulitzer Prize in 1986 for Selected Poems, 1963-1983 and in 1987 for Unending Blues. He was appointed the fifteenth Poet Laureate Consultant in Poetry to the Library of Congress in 2007. Biography Early years Dušan Simić was born in Belgrade. In his early childhood, during World War II, he and his family were forced to evacuate their home several times to escape indiscriminate bombing of Belgrade. Growing up as a child in war-torn Europe shaped much of his world-view, Simic states. In an interview from the Cortland Review he said, “Being one of the millions of displaced persons made an impression on me. In addition to my own little story of bad luck, I heard plenty of others. I’m still amazed by all the vileness and stupidity I witnessed in my life.” Simic immigrated to the United States with his brother and mother in order to join his father in 1954 when he was sixteen. He grew up in Chicago. In 1961 he was drafted into the U.S. Army, and in 1966 he earned his B.A. from New York University while working at night to cover the costs of tuition. He is professor emeritus of American literature and creative writing at the University of New Hampshire, where he has taught since 1973 and lives on the shore of Bow Lake in Strafford, New Hampshire. Career He began to make a name for himself in the early to mid-1970s as a literary minimalist, writing terse, imagistic poems. Critics have referred to Simic’s poems as “tightly constructed Chinese puzzle boxes”. He himself stated: “Words make love on the page like flies in the summer heat and the poet is merely the bemused spectator.” Simic writes on such diverse topics as jazz, art, and philosophy. He is a translator, essayist and philosopher, opining on the current state of contemporary American poetry. He held the position of poetry editor of The Paris Review and was replaced by Dan Chiasson. He was elected to The American Academy of Arts and Letters in 1995, received the Academy Fellowship in 1998, and was elected a Chancellor of the Academy of American Poets in 2000. Simic was one of the judges for the 2007 Griffin Poetry Prize and continues to contribute poetry and prose to The New York Review of Books. Simic received the US$100,000 Wallace Stevens Award in 2007 from the Academy of American Poets. He was selected by James Billington, Librarian of Congress, to be the fifteenth Poet Laureate Consultant in Poetry to the Library of Congress, succeeding Donald Hall. In choosing Simic as the poet laureate, Billington cited “the rather stunning and original quality of his poetry”. In 2011, he was the recipient of the Frost Medal, presented annually for “lifetime achievement in poetry.” Awards * PEN Translation Prize (1980) * Ingram Merrill Foundation Fellowship (1983) * MacArthur Fellowship (1984–1989) * Pulitzer Prize finalist (1986) * Pulitzer Prize finalist (1987) * Pulitzer Prize for Poetry (1990) * Wallace Stevens Award (2007) * Frost Medal (2011) * Vilcek Prize in Literature (2011) * The Zbigniew Herbert International Literary Award (2014) * Golden Wreath of the Struga Poetry Evenings (2017) Bibliography References Wikipedia—https://en.wikipedia.org/wiki/Charles_Simic

Just a kido living in his own imagination cause he can't bear the world's nonsense anymore.world is cruel yet beautiful.

Gary Snyder (born May 8, 1930) is an American man of letters. Perhaps best known as a poet (often associated with the Beat Generation and the San Francisco Renaissance), he is also an essayist, lecturer, and environmental activist. He has been described as the "poet laureate of Deep Ecology". Snyder is a winner of a Pulitzer Prize for Poetry and the American Book Award. His work, in his various roles, reflects an immersion in both Buddhist spirituality and nature. Snyder has translated literature into English from ancient Chinese and modern Japanese. For many years, Snyder served as a faculty member at the University of California, Davis, and he also served for a time on the California Arts Council. Early life Gary Sherman Snyder was born in San Francisco, California to Harold and Lois Hennessy Snyder. Snyder is of German, Scots-Irish, and English ancestry. His family, impoverished by the Great Depression, moved to King County, Washington, when he was two years old. There they tended dairy cows, kept laying hens, had a small orchard, and made cedar-wood shingles, until moving to Portland, Oregon ten years later. At the age of seven, Snyder was laid up for four months by an accident. "So my folks brought me piles of books from the Seattle Public Library," he recalled in interview, "and it was then I really learned to read and from that time on was voracious — I figure that accident changed my life. At the end of four months, I had read more than most kids do by the time they're eighteen. And I didn't stop." Also during his ten childhood years in Washington, Snyder became aware of the presence of the Coast Salish people and developed an interest in the Native American peoples in general and their traditional relationship with nature. In 1942, following his parents' divorce, Snyder moved to Portland, Oregon with his mother and his younger sister, Anthea. Their mother, Lois Snyder Hennessy (born Wilkey), worked during this period as a reporter for The Oregonian. One of Gary's boyhood jobs was as a newspaper copy boy, also at the Oregonian. Also, during his teen years, he attended Lincoln High School, worked as a camp counselor, and went mountain climbing with the Mazamas youth group. Climbing remained an interest of his, especially during his twenties and thirties. In 1947, he started attending Reed College on a scholarship. Here he met, and for a time, roomed with the education author Carl Proujan and Philip Whalen and Lew Welch. At Reed, Snyder published his first poems in a student journal. He also spent the summer of 1948 working as a seaman. He joined the now defunct Marine Cooks and Stewards union to get this job, and would later work as a seaman in the mid-1950s to gain experience of other cultures in port cities. Snyder married Alison Gass in 1950; they separated after seven months, and divorced in 1952. While attending Reed, Snyder did folklore research on the Warm Springs Indian Reservation in central Oregon. He graduated with a dual degree in anthropology and literature in 1951. He spent the following few summers working as a timber scaler at Warm Springs, developing relationships with its people that were less rooted in academia. This experience formed the basis for some of his earliest published poems (including "A Berry Feast"), later collected in the book The Back Country. He also encountered the basic ideas of Buddhism and, through its arts, some of the Far East's traditional attitudes toward nature. He went to Indiana University with a graduate fellowship to study anthropology. (Snyder also began practicing self-taught Zen meditation.) He left after a single semester to return to San Francisco and to 'sink or swim as a poet'. Snyder worked for two summers in the North Cascades in Washington as a fire lookout, on Crater Mountain in 1952 and Sourdough Mountain in 1953 (both locations on the upper Skagit River). His attempts to get another lookout stint in 1954 (at the peak of McCarthyism), however, failed. He had been barred from working for the government, due to his association with the Marine Cooks and Stewards. Instead, he went back to Warm Springs to work in logging as a chokersetter (fastening cables to logs). This experience contributed to his Myths and Texts and the essay Ancient Forests of the Far West. The Beats Back in San Francisco, Snyder lived with Whalen, who shared his growing interest in Zen. Snyder's reading of the writings of D.T. Suzuki had in fact been a factor in his decision not to continue as a graduate-student in anthropology, and in 1953 he enrolled at the University of California, Berkeley to study Asian culture and languages. He studied ink and wash painting under Chiura Obata and Tang Dynasty poetry under Ch'en Shih-hsiang. Snyder continued to spend summers working in the forests, including one summer as a trail-builder in Yosemite. He spent some months in 1955 and 1956 living in a cabin (which he dubbed "Marin-an") outside Mill Valley, California with Jack Kerouac. It was also at this time that Snyder was an occasional student at the American Academy of Asian Studies, where Saburō Hasegawa and Alan Watts, among others, were teaching. Hasegawa introduced Snyder to the treatment of landscape painting as a meditative practice. This inspired Snyder to attempt something equivalent in poetry, and with Hasegawa's encouragement, he began work on Mountains and Rivers without End, which would be completed and published forty years later. During these years, Snyder was writing and collecting his own work, as well as embarking on the translation of the "Cold Mountain" poems by the 8th-century Chinese recluse Han Shan; this work appeared in chapbook-form in 1969, under the title Riprap & Cold Mountain Poems. Snyder met Allen Ginsberg when the latter sought Snyder out on the recommendation of Kenneth Rexroth. Then, through Ginsberg, Snyder and Kerouac came to know each other. This period provided the materials for Kerouac's novel The Dharma Bums, and Snyder was the inspiration for the novel's main character, Japhy Ryder, in the same way Neal Cassady had inspired Dean Moriarty in On the Road. As the large majority of people in the Beat movement had urban backgrounds, writers like Ginsberg and Kerouac found Snyder, with his backcountry and manual-labor experience and interest in things rural, a refreshing and almost exotic individual. Lawrence Ferlinghetti later referred to Snyder as 'the Thoreau of the Beat Generation'. Snyder read his poem "A Berry Feast" at the poetry reading at the Six Gallery in San Francisco (October 7, 1955) that heralded what was to become known as the San Francisco Renaissance. This also marked Snyder's first involvement with the Beats, although he was not a member of the original New York circle, but rather entered the scene through his association with Kenneth Rexroth. As recounted in Kerouac's Dharma Bums, even at age 25 Snyder felt he could have a role in the fateful future meeting of West and East. Snyder's first book, Riprap, which drew on his experiences as a forest lookout and on the trail-crew in Yosemite, was published in 1959. Japan and India Independently, some of the Beats, including Philip Whalen, had become interested in Zen, but Snyder was one of the more serious scholars of the subject among them, preparing in every way he could think of for eventual study in Japan. In 1955, the First Zen Institute of America offered him a scholarship for a year of Zen training in Japan, but the State Department refused to issue him a passport, informing him that "it has been alleged you are a Communist." A subsequent District of Columbia Court of Appeals ruling forced a change in policy, and Snyder got his passport. In the end, his expenses were paid by Ruth Fuller Sasaki, for whom he was supposed to work; but initially he served as personal attendant and English tutor to Zen abbot Miura Isshu, at Rinko-in, a temple in Shokoku-ji in Kyoto, where Dwight Goddard and R. H. Blyth had preceded him. Mornings, after zazen, sutra chanting, and chores for Miura, he took Japanese classes, bringing his spoken Japanese up to a level sufficient for kōan study. He developed a friendship with Philip Yampolsky, who took him around Kyoto. In early July 1955, he took refuge and requested to become Miura's disciple, thus formally becoming a Buddhist. He returned to California via the Persian Gulf, Turkey, Sri Lanka and various Pacific Islands, in 1958, voyaging as a crewman in the engine room on the oil freighter Sappa Creek, and took up residence at Marin-an again. He turned one room into a zendo, with about six regular participants. In early June, he met the poet Joanne Kyger. She became his girlfriend, and eventually his wife. In 1959, he shipped for Japan again, where he rented a cottage outside Kyoto. He became the first foreign disciple of Oda Sesso Roshi, the new abbot of Daitoku-ji. He married Kyger on February 28, 1960, immediately after her arrival, which Sasaki insisted they do, if they were to live together and be associated with the First Zen Institute of America. Snyder and Joanne Kyger were married from 1960 to 1965. During the period between 1956 and 1969, Snyder went back and forth between California and Japan, studying Zen, working on translations with Ruth Fuller Sasaki, and finally living for a while with a group of other people on the small, volcanic island of Suwanosejima. His previous study of written Chinese assisted his immersion in the Zen tradition (with its roots in Tang Dynasty China) and enabled him to take on certain professional projects while he was living in Japan. Snyder received the Zen precepts and a dharma name (Chofu, "Listen to the Wind"), and lived sometimes as a de facto monk, but never registered to become a priest and planned eventually to return to the United States to 'turn the wheel of the dharma'. During this time, he published a collection of his poems from the early to mid '50s, Myths & Texts (1960), and Six Sections from Mountains and Rivers Without End (1965). This last was the beginning of a project that he was to continue working on until the late 1990s. Much of Snyder's poetry expresses experiences, environments, and insights involved with the work he has done for a living: logger, fire-lookout, steam-freighter crew, translator, carpenter, and itinerant poet, among other things. During his years in Japan, Snyder was also initiated into Shugendo, a form of ancient Japanese animism, (see also Yamabushi). In the early 1960s he traveled for six months through India with his wife Joanne, Allen Ginsberg, and Peter Orlovsky. Snyder and Joanne Kyger separated soon after a trip to India, and divorced in 1965. Dharma Bums In the 1950s, Snyder took part in the rise of a strand of Buddhist anarchism emerging from the Beat movement. Snyder was the inspiration for the character Japhy Rider in Jack Kerouac's novel The Dharma Bums (1958). Snyder had spent considerable time in Japan studying Zen Buddhism, and in 1961 published an essay, Buddhist Anarchism, where he described the connection he saw between these two traditions, originating in different parts of the world: "The mercy of the West has been social revolution; the mercy of the East has been individual insight into the basic self/void." He advocated "using such means as civil disobedience, outspoken criticism, protest, pacifism, voluntary poverty and even gentle violence" and defended "the right of individuals to smoke ganja, eat peyote, be polygymous, polyandrous or homosexual" which he saw as being banned by "the Judaeo-Capitalist-Christian-Marxist West". Kitkitdizze In 1966, Snyder joined Allen Ginsberg, Zentatsu Richard Baker, Roshi of the San Francisco Zen Center, and Donald Walters, a.k.a. "Swami Kriyananda," to buy 100 acres (0.40 km2) in the Sierra foothills, north of Nevada City, California. In 1970, this would become his home, with the Snyder family's portion being named Kitkitdizze. Snyder spent the summers of 1967 and 1968 with a group of Japanese back-to-the-land drop-outs known as "the Tribe" on Suwanosejima (a small Japanese island in the East China Sea), where they combed the beaches, gathered edible plants, and fished. On the island, on August 6, 1967, he married Masa Uehara, whom he had met in Osaka a year earlier. In 1968, they moved to California with their infant son, Kai (born April 1968). Their second son, Gen, was born a year later. In 1971, they moved to the San Juan Ridge in the foothills of the Sierra Nevada of Northern California, near the South Yuba River, where they and friends built a house that drew on rural-Japanese and Native-American architectural ideas. In 1967 his book The Back Country appeared, again mainly a collection of poems stretching back over about fifteen years. Snyder devoted a section at the end of the book to his translations of eighteen poems by Kenji Miyazawa. Later life and writings Regarding Wave appeared in 1969, a stylistic departure offering poems that were more emotional, metaphoric, and lyrical. From the late 1960s, the content of Snyder's poetry increasingly had to do with family, friends, and community. He continued to publish poetry throughout the 1970s, much of it reflecting his re-immersion in life on the American continent and his involvement in the back-to-the-land movement in the Sierra foothills. His 1974 book Turtle Island, titled after a Native American name for the North American continent, won a Pulitzer Prize. It also influenced numerous West Coast Generation X writers, including Alex Steffen, Bruce Barcott and Mark Morford. His 1983 book Axe Handles, won an American Book Award. Snyder wrote numerous essays setting forth his views on poetry, culture, social experimentation, and the environment. Many of these were collected in Earth House Hold (1969), The Old Ways (1977), The Real Work (1980), The Practice of the Wild (1990), A Place in Space (1995), and The Gary Snyder Reader (1999). In 1979, Snyder published He Who Hunted Birds in His Father's Village: The Dimensions of a Haida Myth, based on his Reed thesis. Snyder's journals from his travel in India in the mid-1960s appeared in 1983 under the title Passage Through India. In these, his wide-ranging interests in cultures, natural history, religions, social critique, contemporary America, and hands-on aspects of rural life, as well as his ideas on literature, were given full-blown articulation. In 1986, Snyder became a professor in the writing-program at the University of California, Davis. Snyder is now professor emeritus of English. Snyder was married to Uehara for twenty-two years; the couple divorced in 1989. Snyder married Carole Lynn Koda (October 3, 1947 – June 29, 2006), who would write Homegrown: Thirteen brothers and sisters, a century in America, in 1991, and remained married to her until her death of cancer. She had been born in the third generation of a successful Japanese-American farming family, noted for its excellent rice. She shared Buddhism, extensive travels, and work with Snyder, and performed independent work as a naturalist. As Snyder's involvement in environmental issues and his teaching grew, he seemed to move away from poetry for much of the 1980s and early 1990s. However, in 1996 he published the complete Mountains and Rivers Without End, a mixture of the lyrical and epic modes celebrating the act of inhabitation on a specific place on the planet. This work was written over a 40-year period. It has been translated into Japanese and French. In 2004 Snyder published Danger on Peaks, his first collection of new poems in twenty years. Snyder was awarded the Levinson Prize from the journal Poetry, the American Poetry Society Shelley Memorial Award (1986), was inducted into the American Academy of Arts and Letters (1987), and won the 1997 Bollingen Prize for Poetry and, that same year, the John Hay Award for Nature Writing. Snyder also has the distinction of being the first American to receive the Buddhism Transmission Award (for 1998) from the Japan-based Bukkyo Dendo Kyokai Foundation. For his ecological and social activism, Snyder was named as one of the 100 visionaries selected in 1995 by Utne Reader. Snyder's life and work was celebrated in John J. Healy's 2010 documentary The Practice of the Wild. The film, which debuted at the 53rd San Francisco International Film Festival, features wide-ranging, running conversations between Snyder and poet, writer and longtime colleague Jim Harrison, filmed mostly on the Hearst Ranch in San Simeon, California. The film also shows archival photographs and film of Snyder's life. Poetic work Gary Snyder uses mainly common speech-patterns as the basis for his lines, though his style has been noted for its "flexibility" and the variety of different forms his poems have taken. He does not typically use conventional meters nor intentional rhyme. "Love and respect for the primitive tribe, honour accorded the Earth, the escape from city and industry into both the past and the possible, contemplation, the communal", such, according to Glyn Maxwell, is the awareness and commitment behind the specific poems. The author and editor Stewart Brand once wrote: "Gary Snyder's poetry addresses the life-planet identification with unusual simplicity of style and complexity of effect." According to Jody Norton, this simplicity and complexity derives from Snyder's use of natural imagery (geographical formations, flora, and fauna)in his poems. Such imagery can be both sensual at a personal level yet universal and generic in nature. In the 1968 poem "Beneath My Hand and Eye the Distant Hills, Your Body," the author compares the intimate experience of a lover's caress with the mountains, hills, cinder cones, and craters of the Uintah Mountains. Readers become explorers on both a very private level as well as a very public and grand level. A simplistic touch becoming a very complex interaction occurring at multiple levels. This is the effect Snyder intended. In an interview with Faas, he states." There is a direction which is very beautiful, and that's the direction of the organism being less and less locked into itself, less and less locked into its own body structure and its relatively inadequate sense organs, towards a state where the organism can actually go out from itself and share itself with others." Snyder has always maintained that his personal sensibility arose from his interest in Native Americans and their involvement with nature and knowledge of it; indeed, their ways seemed to resonate with his own. And he has sought something akin to this through Buddhist practices, Yamabushi initiation, and other experiences and involvements. However, since his youth he has been quite literate, and he has written about his appreciation of writers of similar sensibilities, like D. H. Lawrence, William Butler Yeats, and some of the great ancient Chinese poets. William Carlos Williams was another influence, especially on Snyder's earliest published work. Starting in high school, Snyder read and loved the work of Robinson Jeffers, his predecessor in poetry of the landscape of the American West; but, whereas Jeffers valued nature over humankind, Snyder saw humankind as part of nature. Snyder commented in interview "I have some concerns that I'm continually investigating that tie together biology, mysticism, prehistory, general systems theory". Snyder argues that poets, and humans in general, need to adjust to very long timescales, especially when judging the consequences of their actions. His poetry examines the gap between nature and culture so as to point to ways in which the two can be more closely integrated. In 2004, receiving the Masaoka Shiki International Haiku Awards Grand Prize, Snyder highlighted traditional ballads and folk songs, Native American songs and poems, William Blake, Walt Whitman, Jeffers, Ezra Pound, Noh drama, Zen aphorisms, Federico García Lorca, and Robert Duncan as significant influences on his poetry, but added, "the influence from haiku and from the Chinese is, I think, the deepest." Romanticism Snyder is among those writers who have sought to dis-entrench conventional thinking about primitive peoples that has viewed them as simple-minded, ignorantly superstitious, brutish, and prone to violent emotionalism. In the 1960s Snyder developed a "neo-tribalist" view akin to the "post-modernist" theory of French Sociologist Michel Maffesoli. The "re-tribalization" of the modern, mass-society world envisioned by Marshall McLuhan, with all of the ominous, dystopian possibilities that McLuhan warned of, subsequently accepted by many modern intellectuals, is not the future that Snyder expects or works toward. Snyder's is a positive interpretation of the tribe and of the possible future. Todd Ensign describes Snyder's interpretation as blending ancient tribal beliefs and traditions, philosophy, physicality, and nature with politics to create his own form of Postmodern-environmentalism. Snyder rejects the perspective which portrays nature and humanity in direct opposition to one another. Instead, he chooses to write from multiple viewpoints. He purposely sets out to bring about change on the emotional, physical, and political levels by emphasizing the ecological problems faced by today's society. Beat Gary Snyder is widely regarded as a member of the Beat Generation circle of writers: he was one of the poets that read at the famous Six Gallery event, and was written about in one of Kerouac's most popular novels, The Dharma Bums. Some critics argue that Snyder's connection with the Beats is exaggerated and that he might better be regarded as a member of the West-Coast group the San Francisco Renaissance, which developed independently. Snyder himself has some reservations about the label "Beat", but does not appear to have any strong objection to being included in the group. He often talks about the Beats in the first person plural, referring to the group as "we" and "us". A quotation from a 1974 interview at the University of North Dakota Writers Conference (published in The Beat Vision): I never did know exactly what was meant by the term 'The Beats', but let's say that the original meeting, association, comradeship of Allen [Ginsberg], myself, Michael [McClure], Lawrence [Ferlinghetti], Philip Whalen, who's not here, Lew Welch, who's dead, Gregory [Corso], for me, to a somewhat lesser extent (I never knew Gregory as well as the others) did embody a criticism and a vision which we shared in various ways, and then went our own ways for many years. Where we began to come really close together again, in the late '60s, and gradually working toward this point, it seems to me, was when Allen began to take a deep interest in Oriental thought and then in Buddhism which added another dimension to our levels of agreement; and later through Allen's influence, Lawrence began to draw toward that; and from another angle, Michael and I after the lapse of some years of contact, found our heads very much in the same place, and it's very curious and interesting now; and Lawrence went off in a very political direction for a while, which none of us had any objection with, except that wasn't my main focus. It's very interesting that we find ourselves so much on the same ground again, after having explored divergent paths; and find ourselves united on this position of powerful environmental concern, critique of the future of the individual state, and an essentially shared poetics, and only half-stated but in the background very powerfully there, a basic agreement on some Buddhist type psychological views of human nature and human possibilities. Snyder has also commented "The term Beat is better used for a smaller group of writers ... the immediate group around Allen Ginsberg and Jack Kerouac, plus Gregory Corso and a few others. Many of us ... belong together in the category of the San Francisco Renaissance. ... Still, beat can also be defined as a particular state of mind ... and I was in that mind for a while". Bibliography * Myths & Texts (1960) * Six Sections from Mountains and Rivers Without End (1965) * The Back Country (1967) * Riprap and Cold Mountain Poems (1969) * Regarding Wave (1969) * Earth House Hold (1969) * Turtle Island (1974) * The Old Ways (1977) * He Who Hunted Birds in His Father's Village: The Dimensions of a Haida Myth (1979) * The Real Work: Interviews & Talks 1964-1979 (1980) * Axe Handles (1983) * Passage Through India (1983) * Left Out in the Rain (1988) * The Practice of the Wild (1990) * No Nature: New and Selected Poems (1992) * A Place in Space (1995) * narrator of the audio book version of Kazuaki Tanahashi's Moon in a Dewdrop from Dōgen's Shōbōgenzō * Mountains and Rivers Without End (1996) * The Gary Snyder Reader: Prose, Poetry, and Translations (1999) * The High Sierra of California, with Tom Killion (2002) * Look Out: a Selection of Writings (November 2002) * Danger on Peaks (2005) * Back on the Fire: Essays (2007) * The Selected Letters of Allen Ginsberg and Gary Snyder, 1956-1991"(2009) * Tamalpais Walking, with Tom Killion (2009) * The Etiquette of Freedom, with Jim Harrison (2010) film by Will Hearst with book edited by Paul Ebenkamp * Nobody Home: Writing, Buddhism, and Living in Places, with Julia Martin, Trinity University Press (2014). * This Present Moment (April 2015) * Distant Neighbors: The Selected Letters of Wendell Berry and Gary Snyder (May 2015) * The Great Clod: Notes and Memories on the Natural History of China and Japan (March 2016) References Wikipedia—https://en.wikipedia.org/wiki/Gary_Snyder

I'm 15 years old. I live in Missouri in the United States. I like soccer, singing, and writing. I've been writing poems and songs ever since I could pick up a pencil. Please read my poems and feedback would literally mean the world to me. You'll learn much more about me through my poems than through reading this stupid box.

Florence Margaret Smith, known as Stevie Smith (20 September 1902– 7 March 1971) was an English poet and novelist. Life Stevie Smith, born Florence Margaret Smith in Kingston upon Hull, was the second daughter of Ethel and Charles Smith. She was called “Peggy” within her family, but acquired the name “Stevie” as a young woman when she was riding in the park with a friend who said that she reminded him of the jockey Steve Donoghue. Her father was a shipping agent, a business that he had inherited from his father. As the company and his marriage began to fall apart, he ran away to sea and Smith saw very little of her father after that. He appeared occasionally on 24-hour shore leave and sent very brief postcards ("Off to Valparaiso, Love Daddy"). When she was three years old she moved with her mother and sister to Palmers Green in North London where Smith would live until her death in 1971. She resented the fact that her father had abandoned his family. Later, when her mother became ill, her aunt Madge Spear (whom Smith called “The Lion Aunt”) came to live with them, raised Smith and her elder sister Molly and became the most important person in Smith’s life. Spear was a feminist who claimed to have “no patience” with men and, as Smith wrote, “she also had 'no patience’ with Hitler”. Smith and Molly were raised without men and thus became attached to their own independence, in contrast to what Smith described as the typical Victorian family atmosphere of “father knows best”. When Smith was five she developed tubercular peritonitis and was sent to a sanatorium near Broadstairs, Kent, where she remained for three years. She related that her preoccupation with death began when she was seven, at a time when she was very distressed at being sent away from her mother. Death and fear fascinated her and provide the subjects of many of her poems. Her mother died when Smith was 16. When suffering from the depression to which she was subject all her life she was so consoled by the thought of death as a release that, as she put it, she did not have to commit suicide. She wrote in several poems that death was “the only god who must come when he is called”. Smith suffered throughout her life from an acute nervousness, described as a mix of shyness and intense sensitivity. In the Poem “A House of Mercy”, she wrote of her childhood house in North London: It was a house of female habitation, Two ladies fair inhabited the house, And they were brave. For although Fear knocked loud Upon the door, and said he must come in, They did not let him in. Smith was educated at Palmers Green High School and North London Collegiate School for Girls. She spent the remainder of her life with her aunt, and worked as private secretary to Sir Neville Pearson with Sir George Newnes at Newnes Publishing Company in London from 1923 to 1953. Despite her secluded life, she corresponded and socialised widely with other writers and creative artists, including Elisabeth Lutyens, Sally Chilver, Inez Holden, Naomi Mitchison, Isobel English and Anna Kallin. After she retired from Sir Neville Pearson’s service following a nervous breakdown she gave poetry readings and broadcasts on the BBC that gained her new friends and readers among a younger generation. Sylvia Plath became a fan of her poetry and sent Smith a letter in 1962, describing herself as “a desperate Smith-addict.” Plath expressed interest in meeting in person but committed suicide soon after sending the letter. Smith was described by her friends as being naive and selfish in some ways and formidably intelligent in others, having been raised by her aunt as both a spoiled child and a resolutely autonomous woman. Likewise, her political views vacillated between her aunt’s Toryism and her friends’ left-wing tendencies. Smith was celibate for most of her life, although she rejected the idea that she was lonely as a result, alleging that she had a number of intimate relationships with friends and family that kept her fulfilled. She never entirely abandoned or accepted the Anglican faith of her childhood, describing herself as a “lapsed atheist”, and wrote sensitively about theological puzzles;"There is a God in whom I do not believe/Yet to this God my love stretches." Her 14-page essay of 1958, “The Necessity of Not Believing”, concludes: “There is no reason to be sad, as some people are sad when they feel religion slipping off from them. There is no reason to be sad, it is a good thing.” Smith died of a brain tumour on 7 March 1971. Her last collection, Scorpion and other Poems was published posthumously in 1972, and the Collected Poems followed in 1975. Three novels were republished and there was a successful play based on her life, Stevie, written by Hugh Whitemore. It was filmed in 1978 by Robert Enders and starred Glenda Jackson and Mona Washbourne. Fiction Smith wrote three novels, the first of which, Novel on Yellow Paper, was published in 1936. Apart from death, common subjects in her writing include loneliness; myth and legend; absurd vignettes, usually drawn from middle-class British life, war, human cruelty and religion. All her novels are lightly fictionalised accounts of her own life, which got her into trouble at times as people recognised themselves. Smith said that two of the male characters in her last book are different aspects of George Orwell, who was close to Smith. There were rumours that they were lovers; he was married to his first wife at the time. Novel on Yellow Paper (Cape, 1936) Smith’s first novel is structured as the random typings of a bored secretary, Pompey. She plays word games, retells stories from classical and popular culture, remembers events from her childhood, gossips about her friends and describes her family, particularly her beloved Aunt. As with all Smith’s novels, there is an early scene where the heroine expresses feelings and beliefs which she will later feel significant, although ambiguous, regret for. In Novel on Yellow Paper that belief is anti-Semitism, where she feels elation at being the “only Goy” at a Jewish party. This apparently throwaway scene acts as a timebomb, which detonates at the centre of the novel when Pompey visits Germany as the Nazis are gaining power. With horror, she acknowledges the continuity between her feeling “Hurray for being a Goy” at the party and the madness that is overtaking Germany. The German scenes stand out in the novel, but perhaps equally powerful is her dissection of failed love. She describes two unsuccessful relationships, first with the German Karl and then with the suburban Freddy. The final section of the novel describes with unusual clarity the intense pain of her break-up with Freddy. Over the Frontier (Cape, 1938) Smith herself dismissed her second novel as a failed experiment, but its attempt to parody popular genre fiction to explore profound political issues now seems to anticipate post-modern fiction. If anti-Semitism was one of the key themes of Novel on Yellow Paper, Over the Frontier is concerned with militarism. In particular, she asks how the necessity of fighting Fascism can be achieved without descending into the nationalism and dehumanisation that fascism represents. After a failed romance the heroine, Pompey, suffers a breakdown and is sent to Germany to recuperate. At this point the novel changes style radically, as Pompey becomes part of an adventure/spy yarn in the style of John Buchan or Dornford Yates. As the novel becomes increasingly dreamlike, Pompey crosses over the frontier to become a spy and soldier. If her initial motives are idealistic, she becomes seduced by the intrigue and, ultimately, violence. The vision Smith offers is a bleak one: “Power and cruelty are the strengths of our lives, and only in their weakness is there love.” The Holiday (Chapman and Hall, 1949) Smith’s final novel is her own favourite, and most fully realised. It is concerned with personal and political malaise in the immediate post-war period. Most of the characters are either employed in the army or civil service in post-war reconstruction, and its heroine, Celia, works for the Ministry as a cryptographer and propagandist. The Holiday describes a series of hopeless relationships. Celia and her cousin Caz are in love, but cannot pursue their affair since it is believed that, because of their parents’ adultery, they are half-brother and sister. Celia’s other cousin Tom is in love with her, Basil is love with Tom, Tom is estranged from his father, Celia’s beloved Uncle Heber, who pines for a reconciliation; and Celia’s best friend Tiny longs for the married Vera. These unhappy, futureless but intractable relationships are mirrored by the novel’s political concerns. The unsustainability of the British Empire and the uncertainty over Britain’s post-war role are constant themes, and many of the characters discuss their personal and political concerns as if they were seamlessly linked. Caz is on leave from Palestine and is deeply disillusioned, Tom goes mad during the war, and it is telling that the family scandal that blights Celia and Caz’s lives took place in India. Just as Pompey’s anti-semitism was tested in Novel on Yellow Paper, so Celia’s traditional nationalism and sentimental support for colonialism is challenged throughout The Holiday. Poetry Smith’s first volume of poetry, the self-illustrated A Good Time Was Had By All, was published in 1937 and established her as a poet. Soon her poems were found in periodicals. Her style was often very dark; her characters were perpetually saying “goodbye” to their friends or welcoming death. At the same time her work has an eerie levity and can be very funny though it is neither light nor whimsical. “Stevie Smith often uses the word 'peculiar’ and it is the best word to describe her effects” (Hermione Lee). She was never sentimental, undercutting any pathetic effects with the ruthless honesty of her humour. “A good time was had by all” itself became a catch phrase, still occasionally used to this day. Smith said she got the phrase from parish magazines, where descriptions of church picnics often included this phrase. This saying has become so familiar that it is recognised even by those who are unaware of its origin. Variations appear in pop culture, including “Being for the Benefit of Mr. Kite!” by the Beatles. Though her poems were remarkably consistent in tone and quality throughout her life, their subject matter changed over time, with less of the outrageous wit of her youth and more reflection on suffering, faith and the end of life. Her best-known poem is “Not Waving but Drowning”. She was awarded the Cholmondeley Award for Poets in 1966 and won the Queen’s Gold Medal for poetry in 1969. She published nine volumes of poems in her lifetime (three more were released posthumously).

Most of my writings are me expressing what I can't verbalise. Or when I have no idea what I'm feeling. I write from the heart. I don't think I feel

William Edgar Stafford (January 17, 1914 – August 28, 1993) was an American poet and pacifist, and the father of poet and essayist Kim Stafford. He was appointed the twentieth Consultant in Poetry to the Library of Congress in 1970. One striking feature of his career is its late start. Stafford was 46 years old when his first major collection of poetry was published, Traveling Through the Dark, which won the 1963 National Book Award for Poetry.

I am a very passionate winsome lad,my name is Vusumzi Mathews Sono born in the year of 1989 the 28th of December and I was born here in South Africa at a place called Cape Town,grew up in Eastern Cape.Vusi is a nickname coming from my full name Vusumzi and Oulik is just a nickname given by friends it is a Afrikaans name and it means "cute" .I never knew that one day I would be enthusiastic about poetry,but I loved writting since primary school,but then we used to just write songs that didn't even make sense but because I've never had an easy life as a child so I took out my emotions on writing as I was writing I noticed that everything I wrote was just poetic even at school when we were suppose to do orals,presentations or just anything I ended up flowing poetically,then that is when I found my first love "POETRY" inspired by roman ancient movies and some of Celine Dion's songs e.g the titanic song.