View of Lambeth Palace on Thames, by David Cox
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Sarojini Naidu Sarojini Naidu

Sarojini Naidu (née Chattopadhyaya; 13 February 1879 – 2 March 1949), also known by the sobriquet The Nightingale of India (Bharatiya Kokila), was a child prodigy, Indian independence activist and poet. Naidu was the second Indian woman to become the President of the Indian National Congress and the first woman to become the Governor of Uttar Pradesh state. Her birthday is celebrated as Women's Day in India. Early years Sarojini Chattopadhyay, later Naidu, belonged to a Bengali family of Kulin Brahmins. She was born in Hyderabad, India as the eldest daughter of scientist, philosopher, linguist and educator Aghornath Chattopadhyaya, and Barada Sundari Devi, a Bengali poetess. After receiving a doctor of science degree from Edinburgh University, her father settled in Hyderabad State, where he founded and administered the Hyderabad College, which later became the Nizam College in Hyderabad. Her father was a linguist and thinker, and the first member of Indian National Congress in Hyderabad. Her mother, Barada Sundari Devi, was a poetess baji and used to write poetry in Bengali. Sarojini Naidu was the eldest among the eight siblings. One of her brothers Birendranath was a revolutionary and her other brother Harindranath was a poet, dramatist, and actor. Education Sarojini Naidu was a brilliant student. She was proficient in Urdu, Telugu, English, Bengali, and Persian. At the age of 12, Sarojini Naidu attained national fame when she topped the matriculation examination at Madras University. Her father wanted her to become a mathematician or scientist but Sarojini Naidu was interested in poetry. She started writing poems in English. Impressed by her play Maher Muneer, the Nizam of Hyderabad gave her scholarship to study abroad. At the age of 16, she traveled to England to study first at King's College London and later at Girton College, Cambridge. There she met famous laureates of her time such as Arthur, Symons and Edmond Gosse. It was Gosse who convinced Sarojini to stick to Indian themes-India's great mountains, rivers, temples, social milieu, to express her poetry. She depicted contemporary Indian life and events. Her collections "The golden threshold (1905)", "The bird of time (1912)", and "The broken wing (1912)" attracted huge Indian and English readership. Indian Freedom Fighter Sarojini Naidu joined the Indian national movement in the wake of partition of Bengal in 1905. She came into contact with Gopal Krishna Gokhale, Rabindranath Tagore, Muhammad Ali Jinnah, Annie Besant, C. P. Ramaswami Iyer, Mahatma Gandhi and Jawaharlal Nehru. During 1915-1918, she traveled to different regions in India delivering lectures on social welfare, women empowerment, and nationalism. She awakened the women of India and brought them out of the kitchen. She also helped to establish the Women's Indian Association (WIA) in 1917. She was sent to London along with Annie Besant, President of WIA, to present the case for the women's vote to the Joint Select Committee. President of the Congress In 1925, Sarojini Naidu presided over the annual session of Indian National Congress at Kanpur. In 1929, she presided over East African Indian Congress in South Africa. She was awarded the Kaiser-i-Hind medal by the British government for her work during the plague epidemic in India. In 1931, she participated in the Round table conference with Gandhiji and Madan Mohan Malaviya. Sarojini Naidu played a leading role during the Civil Disobedience Movement and was jailed along with Gandhiji and other leaders. In 1942, Sarojini Naidu was arrested during the "Quit India" movement and was jailed for 21 months with Gandhiji. She shared a very warm relationship with Gandhiji and used to call him "Mickey Mouse". Literary career Sarojini Naidu began writing at the age of 12. Her play, Maher Muneer, impressed the Nawab of Hyderabad. In 1905, her collection of poems, named "The Broken Wings" was published. Her poems were admired by many prominent Indian politicians like Gopala Krishna Gokhale and Jawaharlal Nehru.

John Newton John Newton

John Newton (24 July 1725– 21 December 1807) was an English sailor, in the Royal Navy for a period, and later a captain of slave ships. He became ordained as an evangelical Anglican cleric, served Olney, Buckinghamshire for two decades, and also wrote hymns, known for “Amazing Grace” and “Glorious Things of Thee Are Spoken”. Newton started his career at sea at a young age, and worked on slave ships in the slave trade for several years. After experiencing a period of Christian conversion Newton eventually renounced his trade and became a prominent supporter of abolitionism, living to see Britain’s abolition of the African slave trade in 1807. Early life John Newton was born in Wapping, London, in 1725, the son of Elizabeth (née Scatliff) and John Newton Sr., a shipmaster in the Mediterranean service. Elizabeth was the only daughter of Simon Scatliff, an instrument maker from London (the marriage register records her maiden name as Seatcliffe). Elizabeth was brought up as a Nonconformist. She died of tuberculosis (then called consumption) in July 1732, about two weeks before John’s seventh birthday. Newton spent two years at boarding school before going to live in Aveley in Essex, the home of his father’s new wife. At age eleven he first went to sea with his father. Newton sailed six voyages before his father retired in 1742. At that time, Newton’s father made plans for him to work at a sugarcane plantation in Jamaica. Instead, Newton signed on with a merchant ship sailing to the Mediterranean Sea. Impressment into naval service In 1743, while going to visit friends, Newton was captured and pressed into the naval service by the Royal Navy. He became a midshipman aboard HMS Harwich. At one point Newton tried to desert and was punished in front of the crew of 350. Stripped to the waist and tied to the grating, he received a flogging of eight dozen lashes and was reduced to the rank of a common seaman. Following that disgrace and humiliation, Newton initially contemplated murdering the captain and committing suicide by throwing himself overboard. He recovered, both physically and mentally. Later, while Harwich was en route to India, he transferred to Pegasus, a slave ship bound for West Africa. The ship carried goods to Africa and traded them for slaves to be shipped to the colonies in the Caribbean and North America. Enslavement and rescue Newton did not get along with the crew of Pegasus. They left him in West Africa with Amos Clowe, a slave dealer. Clowe took Newton to the coast and gave him to his wife, Princess Peye of the Sherbro people. She abused and mistreated Newton equally as much as she did her other slaves. Newton later recounted this period as the time he was “once an infidel and libertine, a servant of slaves in West Africa.” Early in 1748 he was rescued by a sea captain who had been asked by Newton’s father to search for him, and returned to England on the merchant ship Greyhound, which was carrying beeswax and dyer’s wood, now referred to as camwood. Spiritual conversion During his 1748 voyage to England after his rescue, Newton had a spiritual conversion. The ship encountered a severe storm off the coast of County Donegal in Ulster, Ireland, and almost sank. Newton awoke in the middle of the night and, as the ship filled with water, called out to God. The cargo shifted and stopped up the hole, and the ship drifted to safety. Newton marked this experience as the beginning of his conversion to evangelical Christianity. He began to read the Bible and other religious literature. By the time he reached Britain, he had accepted the doctrines of evangelical Christianity. The date was 10 March 1748, an anniversary he marked for the rest of his life. From that point on, he avoided profanity, gambling, and drinking. Although he continued to work in the slave trade, he had gained sympathy for the slaves during his time in Africa. He later said that his true conversion did not happen until some time later: “I cannot consider myself to have been a believer in the full sense of the word, until a considerable time afterwards.” Slave trading Newton returned in 1748 to Liverpool, England, a major port for the Triangle Trade. Partly due to the influence of his father’s friend Joseph Manesty, he obtained a position as first mate aboard the slave ship Brownlow, bound for the West Indies via the coast of Guinea. While in west Africa (1748–49), Newton acknowledged the inadequacy of his spiritual life. He became ill with a fever and professed his full belief in Christ, asking God to take control of his destiny. He later said that this was the first time he felt totally at peace with God. Newton did not however immediately renounce working in the slave trade. After his return to England in 1750, he made three voyages as captain of the slave ships Duke of Argyle (1750) and African (1752–53 and 1753–54). After suffering a severe stroke in 1754, he gave up seafaring and slave-trading activities. But he continued to invest in Manesty’s slaving operations. Marriage and family In 1750 Newton married his childhood sweetheart, Mary Catlett, in St. Margaret’s Church, Rochester. Newton adopted his two orphaned nieces, Elizabeth and Eliza Catlett, children of one of his brothers-in-law and his wife. Newton’s niece Alys Newton later married Mehul, a prince from India. Anglican priest In 1755 Newton was appointed as tide surveyor (a tax collector) of the Port of Liverpool, again through the influence of Manesty. In his spare time, he studied Greek, Hebrew, and Syriac, preparing for serious religious study. He became well known as an evangelical lay minister. In 1757, he applied to be ordained as a priest in the Church of England, but it was more than seven years before he was eventually accepted. During this period, he also applied to the Methodists, Independents and Presbyterians. He mailed applications directly to the Bishops of Chester and Lincoln and the Archbishops of Canterbury and York. Eventually, in 1764, he was introduced by Thomas Haweis to William Legge, 2nd Earl of Dartmouth, who was influential in recommending Newton to William Markham, Bishop of Chester. Haweis suggested Newton for the living of Olney, Buckinghamshire. On 29 April 1764 Newton received deacon’s orders, and finally was ordained as a priest on 17 June. As curate of Olney, Newton was partly sponsored by John Thornton, a wealthy merchant and evangelical philanthropist. He supplemented Newton’s stipend of £60 a year with £200 a year “for hospitality and to help the poor”. Newton soon became well known for his pastoral care, as much as for his beliefs. His friendship with Dissenters and evangelical clergy led to his being respected by Anglicans and Nonconformists alike. He spent sixteen years at Olney. His preaching was so popular that the congregation added a gallery to the church to accommodate the many persons who flocked to hear him. Some five years later, in 1772, Thomas Scott took up the curacy of the neighbouring parishes of Stoke Goldington and Weston Underwood. Newton was instrumental in converting Scott from a cynical ‘career priest’ to a true believer, a conversion which Scott related in his spiritual autobiography The Force Of Truth (1779). Later Scott became a biblical commentator and co-founder of the Church Missionary Society, In 1779 Newton was invited by John Thornton to become Rector of St Mary Woolnoth, Lombard Street, London, where he officiated until his death. The church had been built by Nicholas Hawksmoor in 1727 in the fashionable Baroque style. Newton was one of only two evangelical Anglican priests in the capital, and he soon found himself gaining in popularity amongst the growing evangelical party. He was a strong supporter of evangelicalism in the Church of England. He remained a friend of Dissenters (such as Methodists and Baptists) as well as Anglicans. Young churchmen and people struggling with faith sought his advice, including such well-known social figures as the writer and philanthropist Hannah More, and the young William Wilberforce, a Member of Parliament who had recently suffered a crisis of conscience and religious conversion while contemplating leaving politics. The younger man consulted with Newton, who encouraged Wilberforce to stay in Parliament and “serve God where he was”. In 1792, Newton was presented with the degree of Doctor of Divinity by the College of New Jersey (now Princeton University). Abolitionist In 1788, 34 years after he had retired from the slave trade, Newton broke a long silence on the subject with the publication of a forceful pamphlet Thoughts Upon the Slave Trade, in which he described the horrific conditions of the slave ships during the Middle Passage. He apologized for “a confession, which... comes too late... It will always be a subject of humiliating reflection to me, that I was once an active instrument in a business at which my heart now shudders.” He had copies sent to every MP, and the pamphlet sold so well that it swiftly required reprinting. Newton became an ally of William Wilberforce, leader of the Parliamentary campaign to abolish the African slave trade. He lived to see the British passage of the Slave Trade Act 1807, which enacted this event. Some modern writers have criticised Newton for continuing to participate in the slave trade after his religious conversion, but Christianity did not deter thousands of slaveholders in the colonies from owning other men, nor many others from profiting by the slave trade. Newton came to believe that during the first five of his nine years as a slave trader he had not been a Christian in the full sense of the term. In 1763 he wrote: “I was greatly deficient in many respects... I cannot consider myself to have been a believer in the full sense of the word, until a considerable time afterwards.” Writer and hymnist In 1767 William Cowper, the poet, moved to Olney. He worshipped in Newton’s church, and collaborated with the priest on a volume of hymns; it was published as Olney Hymns in 1779. This work had a great influence on English hymnology. The volume included Newton’s well-known hymns: “Glorious Things of Thee Are Spoken,” “How Sweet the Name of Jesus Sounds!,” “Let Us Love, and Sing, and Wonder,” “Come, My Soul, Thy Suit Prepare,” “Approach, My Soul, the Mercy-seat”, and “Faith’s Review and Expectation,” which has come to be known by its opening phrase, “Amazing Grace”. Many of Newton’s (as well as Cowper’s) hymns are preserved in the Sacred Harp, a hymnal used in the American South during the Second Great Awakening. Hymns were scored according to the tonal scale for shape note singing. Easily learned and incorporating singers into four-part harmony, shape note music was widely used by evangelical preachers to reach new congregants. Newton also contributed to the Cheap Repository Tracts. He wrote an autobiography entitled An Authentic Narrative of Some Remarkable And Interesting Particulars in the Life of———Communicated, in a Series of Letters, to the Reverend T. Haweiss, which he published anonymously. It was later described as 'written in an easy style, distinguished by great natural shrewdness, and sanctified by the Lord God and prayer’. Final years Newton’s wife Mary Catlett died in 1790, after which he published Letters to a Wife (1793), in which he expressed his grief. Plagued by ill health and failing eyesight, Newton died on 21 December 1807 in London. He was buried beside his wife in St. Mary Woolnoth in London. Both were reinterred at the Church of St. Peter and Paul in Olney in 1893. Commemoration Newton is memorialized with his self-penned epitaph on his gravestone at Olney. When he was initially interred in London, a memorial plaque to Newton, containing his self-penned epitaph, was installed on the wall of St Mary Woolnoth. At the bottom of the plaque are the words: "The above Epitaph was written by the Deceased who directed it to be inscribed on a plain Marble Tablet. He died on December the 21st December 1807. Aged 82 Years, and his Mortal Remains are deposited in the Vault beneath the Church.” The town of Newton, Sierra Leone is named after him. To this day his former town of Olney provides philanthropy for the African town. In 1982, Newton was recognized for his influential hymns by the Gospel Music Association when he was inducted into the Gospel Music Hall of Fame. Portrayals in media Film The film Amazing Grace (2006) highlights Newton’s influence on William Wilberforce. Albert Finney portrays Newton, Ioan Gruffudd is Wilberforce, and the film was directed by Michael Apted. The film portrays Newton as a penitent haunted by the ghosts of 20,000 slaves. The Nigerian film The Amazing Grace (2006), the creation of Nigerian director/writer/producer Jeta Amata, provides an African perspective on the slave trade. Nigerian actors Joke Silva, Mbong Odungide, and Fred Amata (brother of the director) portray Africans who are captured and taken away from their homeland by slave traders. Newton is played by Nick Moran. The 2014 film Freedom tells the story of an American slave (Samuel Woodward, played by Cuba Gooding, Jr.) escaping to freedom via the Underground Railroad. A parallel earlier story depicts John Newton (played by Bernhard Forcher) as the captain of a slave ship bound for America carrying Samuel’s grandfather. Newton’s conversion is explored as well. Stage productions African Snow (2007), a play by Murray Watts, takes place in the mind of John Newton. It was first produced at the York Theatre Royal as a co-production with Riding Lights Theatre Company, transferring to the Trafalgar Studios in London’s West End and a National Tour. Newton was played by Roger Alborough and Olaudah Equiano by Israel Oyelumade. The musical Amazing Grace is a dramatisation of Newton’s life. The 2014 pre-Broadway and 2015 Broadway productions starred Josh Young as Newton. Television Newton is portrayed by actor John Castle in the British television miniseries, The Fight Against Slavery (1975). Novels Caryl Phillips’ novel, Crossing the River (1993), includes nearly verbatim excerpts of Newton’s logs from his Journal of a Slave Trader. References Wikipedia—https://en.wikipedia.org/wiki/John_Newton

Henry Newbolt Henry Newbolt

Sir Henry John Newbolt, CH (6 June 1862– 19 April 1938) was an English poet, novelist and historian. He also had a very powerful role as a government adviser, particularly on Irish issues and with regard to the study of English in England. He is perhaps best remembered for his poems "Vitaï Lampada" and “Drake’s Drum”. Background Henry John Newbolt was born in Bilston, Wolverhampton (then located in Staffordshire, but now in the West Midlands), son of the vicar of St Mary’s Church, the Rev. Henry Francis Newbolt, and his second wife, Emily. After his father’s death, the family moved to Walsall, where Henry was educated. Education Newbolt attended Queen Mary’s Grammar School, Walsall, and Caistor Grammar School, from where he gained a scholarship to Clifton College, where he was head of the school (1881) and edited the school magazine. His contemporaries there included John McTaggart, Arthur Quiller-Couch, Roger Fry, William Birdwood, Francis Younghusband and Douglas Haig. Graduating from Corpus Christi College, Oxford, Newbolt was called to the bar at Lincoln’s Inn in 1887 and practised until 1899. Family He married Margaret Edwina Duckworth of the prominent publishing family; they had two children; a boy, Francis and a daughter, Celia. In 1914 Celia Newbolt married Lt. Col. Sir Ralph Dolignon Furse (1887–1973), the Head of Recruitment at HM Colonial Service from 1931 to 1948; they had four children. Lady Furse died in 1975. Subsequently it became apparent that behind the prim Edwardian exterior lay a far more complicated domestic life for Newbolt: a ménage à trois. His wife had a long-running lesbian affair with her cousin and childhood love, Ella Coltman. One of his poems, in which he refers to someone as “dearest”, is entitled “To E.C.” He became Coltman’s lover after a couple of years of marriage, and according to Chitty he divided his time between the two women so there was no jealousy. Publications * His first book was a novel, Taken from the Enemy (1892), and in 1895 he published a tragedy, Mordred; but it was the publication of his ballads, Admirals All (1897), that created his literary reputation. By far the best-known of these is "Vitaï Lampada". They were followed by other volumes of stirring verse, including The Island Race (1898), The Sailing of the Long-ships (1902), Songs of the Sea (1904) and Songs of the Fleet (1910). * In 1914, Newbolt published Aladore, a fantasy novel about a bored but dutiful knight who abruptly abandons his estate and wealth to discover his heart’s desire and woo a half-fae enchantress. It is a tale filled with allegories about the nature of youth, service, individuality and tradition. It was reissued in a new edition by Newcastle Publishing Company in 1975. "Vitaï Lampada" * Probably the best known of all Newbolt’s poems which was written in 1892, and for which he is now chiefly remembered is "Vitaï Lampada". The title is taken from a quotation by Lucretius and means “the torch of life”. It refers to how a schoolboy, a future soldier, learns selfless commitment to duty in cricket matches in the famous Close at Clifton College: * There’s a breathless hush in the Close to-night— * Ten to make and the match to win— * A bumping pitch and a blinding light, * An hour to play and the last man in. * And it’s not for the sake of a ribboned coat, * Or the selfish hope of a season’s fame, * But his captain’s hand on his shoulder smote * “Play up! play up! and play the game!” * The sand of the desert is sodden red,— * Red with the wreck of a square that broke;— * The Gatling’s jammed and the Colonel dead, * And the regiment blind with dust and smoke. * The river of death has brimmed his banks, * And England’s far, and Honour a name, * But the voice of a schoolboy rallies the ranks: * “Play up! play up! and play the game!” * This is the word that year by year, * While in her place the school is set, * Every one of her sons must hear, * And none that hears it dare forget. * This they all with a joyful mind * Bear through life like a torch in flame, * And falling fling to the host behind— * “Play up! play up! and play the game!” * The engagement mentioned in verse two is the Battle of Abu Klea in Sudan in January 1885 during the unsuccessful expedition to rescue General Gordon. Frederick Gustavus Burnaby is the colonel referred to in the line “The Gatling’s jammed and the Colonel’s dead...”, although it was a Gardner machine gun which jammed. The poem was both highly regarded and repeatedly satirised by those who experienced World War I. Drake’s Drum * According to legend a drum owned by Sir Francis Drake will beat in times of national crisis and the spirit of Drake will return to aid his country. Sir Henry reinforced the myth with his 1897 poem Drake’s Drum, “Drake he’s in his hammock an’ a thousand mile away...”, which has been widely anthologised. * The poem has been set to both classical and folk tunes. “'Drakes Drum” is the first of five poetic settings by the composer Charles Villiers Stanford. Stanford has two song cycles, both using the poetry of Newbolt, the Songs of the Sea and also Songs of the Fleet. Monthly Review * Between 1900 and 1905, Newbolt was the editor of the Monthly Review. He was also a member of the Athenaeum and the Coefficients dining club. War and history * At the start of the First World War, Newbolt– along with over 20 other leading British writers– was brought into the War Propaganda Bureau which had been formed to promote Britain’s interests during the war and maintain public opinion in favour of the war. * He subsequently became Controller of Telecommunications at the Foreign Office. His poems about the war include “The War Films”, printed on the leader page of The Times on 14 October 1916, which seeks to temper the shock effect on cinema audiences of footage of the Battle of the Somme. * Newbolt was knighted in 1915 and was appointed Companion of Honour in 1922. * In 1921 he had been the author of a government Report entitled “The Teaching of English in England” which established the foundations for modern English Studies and professionalised the forms of teaching of English Literature. It established a canon, argued that English must become the linguistic and literary standard throughout the British Empire, and even proposed salary rates for lecturers. For many years it was a standard work for English teachers in teacher training Colleges. * Newbolt was also part of the inner advisory circle of Herbert Asquith’s government and would subsequently advise governments on policy in Ireland. Legacy * In his home town of Bilston, a public house was named after him, and a blue plaque is displayed on Barclay’s bank near the street where he was born. * In June 2013 a campaign was launched by The Black Country Bugle to erect a statue in Newbolt’s memory. * Recordings were made of Newbolt reading some of his own poems. They were on four 78rpm sides in the Columbia Records “International Educational Society” Lecture series, Lecture 92 (D40181/2). Death * Newbolt died at his home in Campden Hill, Kensington, London, on 19 April 1938, aged 75. A blue plaque there commemorates his residency. He is buried in the churchyard of St Mary’s church on an island in the lake on the Orchardleigh Estate of the Duckworth family in Somerset. Works * * Mordred: A Tragedy– an Arthurian drama * Admirals All (1897)– including Drake’s Drum * The Old Country (1906) * The New June (1909) * Aladore (1914)– a novel * St George’s Day & Other Poems (1918)– published by John Murray. * The Naval History of the Great War: Based on Official Documents Volumes IV and V– Newbolt took over after Sir Julian Corbett died * A Ballad of Sir Pertab Singh * He Fell among Thieves * Story of the Oxfordshire & Buckinghamshire Light Infantry (The Old 43rd & 52nd Regiments) * My World as in My Time (1932)– his autobiography * A Note on the History of Submarine War * Submarine and Anti-Submarine (1919) Sources and references * * This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). “article name needed”. Encyclopædia Britannica (11th ed.). Cambridge University Press. External links * * Works by Henry John Newbolt at Project Gutenberg * Works by or about Henry Newbolt at Internet Archive * Works by Henry Newbolt at LibriVox (public domain audiobooks) * Text of the poem Mors Janua . References Wikipedia—https://en.wikipedia.org/wiki/Henry_Newbolt

Lorine Niedecker Lorine Niedecker

Lorine Faith Niedecker (English: pronounced Needecker) (May 12, 1903 – December 31, 1970) was a Wisconsin poet and the only woman associated with the Objectivist poets. She is widely credited for demonstrating how an Objectivist poetic could handle the personal as subject matter. Niedecker was born on Black Hawk Island near Fort Atkinson, Wisconsin to Theresa (Daisy) Kunz and Henry Niedecker and lived most of her life in rural isolation. She grew up surrounded by the sights and sounds of the river until she moved to Fort Atkinson to attend school. This world of birds, trees, water and marsh was to inform her poetry for the rest of her life. On graduating from high school in 1922, she went to Beloit College to study literature but left after two years because her father was no longer able to pay her tuition. She devoted herself to caring for her ailing deaf mother, who was deeply depressed by her husband's flagrant affair with a neighbor woman. Niedecker married Frank Hartwig in 1928 but this relationship lasted only two years. Hartwig's fledgling road construction business foundered during the onset of the Great Depression while Lorine lost her job at the Fort Atkinson Library. The two separated in 1930 but were not legally divorced until 1942. Early writings Niedecker's earliest poetry was marked by her reading of the Imagists, whose work she greatly admired and of surrealism. In 1931, she read the Objectivist issue of Poetry. She was fascinated by what she saw and immediately wrote to Louis Zukofsky, who had edited the issue, sending him her latest poems. This was the beginning of what proved to be a most important relationship for her development as a poet. Zukofsky suggested sending them to Poetry, where they were accepted for publication. Suddenly, Niedecker found herself in direct contact with the American poetic avant-garde. Near the end of 1933, Niedecker visited Zukofsky in New York City for the first time and became pregnant with his child. He insisted that she have an abortion, which she did, although they remained friends and continued to carry on a mutually beneficial correspondence following Niedecker's return to Fort Atkinson. From the mid 1930s, Niedecker moved away from surrealism and started writing poems that engaged more directly with social and political realities and on her own immediate rural surroundings. Her first book, New Goose (1946), collected many of these poems. Neglect Niedecker was not to publish another book for fifteen years. In 1949, she began work on a poem sequence called For Paul, named for Zukofsky's son. Unfortunately, Zukofsky was uncomfortable with what he viewed as the overly personal and intrusive nature of the content of the 72 poems she eventually collected under this title and discouraged publication. Partly because of her geographical isolation, even magazine publication was not easily available and in 1955 she claimed that she had published work only six times in the previous ten years. Late flowering The 1960s saw a revival of interest in Niedecker's work. Wild Hawthorn Press and Fulcrum Press, both British-based, published books and magazine publication became regular. She was also befriended by a number of poets, including Cid Corman, Basil Bunting and several younger British and US poets who were interested in reclaiming the modernist heritage. Her books published in the last few decades of her life included My Friend Tree, T & G: The Collected Poems, 1936–1966, North Central, and My Life By Water. Encouraged by this interest, Niedecker started writing again. She had previously earned her living scrubbing hospital floors in Fort Atkinson, "reading proof" at a local magazine, renting cottages and living in near-poverty for years. However, her marriage in May 1963 to Albert Millen, an industrial painter at Ladish Drop Forge on Milwaukee's south side, brought financial stability back into her life. When Millen retired in 1968, the couple moved back to Blackhawk Island, taking up residence in a small cottage Lorine had built on property she inherited from her father. Niedecker died in 1970 from a cerebral hemorrhage, leaving behind several unpublished typescripts. Many other Niedecker papers were burned by Millen, who said he did so at Niedecker's request. Her name was added to her parents' headstone which uses the original spelling of the family name, Neidecker. Lorine had her name changed to the Niedecker spelling when she was in her twenties. The primary Niedecker archives are in the Dwight Foster Public Library (which inherited Niedecker's personal library) and the Hoard Museum in Fort Atkinson (which holds a collection of Niedecker's papers, as preserved and donated by her neighbor and close friend, Gail Roub). Niedecker's comprehensive Collected Works, edited by Jenny Penberthy, were published by the University of California Press in 2002. A centennial celebration of Niedecker's life and work, held in Milwaukee and Fort Atkinson in 2003, included treks to her two Rock River-edged homes on Black Hawk Island and symposium sessions including presentations by scholars and poets. Corman, Niedecker's literary executor who lived most of his creative life in Japan, made his last appearance in the United States during this event.

Marilyn Nelson Marilyn Nelson

Marilyn Nelson (born April 26, 1946) is an American poet, translator, and children’s book author. She is a professor emeritus at the University of Connecticut, the former poet laureate of Connecticut, and the 2017 winner of the NSK Neustadt Prize for Children’s Literature. From 1978 to 1994 she published under the name Marilyn Nelson Waniek. She is the author or translator of over twenty books and five chapbooks of poetry for adults and children. While most of her work deals with historical subjects, in 2014 she published a memoir, named one of NPR’s Best Books of 2014, entitled How I Discovered Poetry. Early life Nelson was born on April 26, 1946 in Cleveland, Ohio, to Melvin M. Nelson, a U.S. serviceman in the Air Force, and Johnnie Mitchell Nelson, a teacher. She grew up on military bases, and began writing while in elementary school. She earned a B.A. from the University of California-Davis, an M.A. from the University of Pennsylvania in 1970, and a Ph.D. from the University of Minnesota in 1979. Career She is a professor emeritus of English at the University of Connecticut and the founder and director of Soul Mountain Retreat. She was poet laureate of the State of Connecticut from 2001 to 2006.Her poetry collections include The Homeplace (Louisiana State University Press), which won the 1992 Anisfield-Wolf Award and was a finalist for the 1991 National Book Award; and The Fields Of Praise: New And Selected Poems (Louisiana State University Press), which won the Poets’ Prize in 1999 and was a finalist for the 1997 National Book Award. Her honors include two NEA creative writing fellowships, the 1990 Connecticut Arts Award, a Fulbright Teaching Fellowship, and a 2001 Guggenheim Fellowship. In 2011, she spent a semester as a Brown Foundation Fellow at the University of the South in Sewanee, Tennessee. In 2012, the Poetry Society of America awarded her the Frost Medal. In 2013, Nelson was elected a chancellor of the Academy of American Poets. Published works Poetry booksSweethearts of Rhythm: The Story Of The Greatest All-Girl Swing Band In The World (Dial Books, 2009, Illustrator Jerry Pinkney, ISBN 9780803731875) The Freedom Business: Including A Narrative of the Life and Adventures of Venture, a Native of Africa (Front Street, 2008, ISBN 978-1-932425-57-4) A Wreath for Emmett Till (Houghton Mifflin, 2005, Illustrator Philippe Lardy, ISBN 978-0-618-39752-5) The Cachoeira Tales, and Other Poems (Louisiana State University Press, 2005, ISBN 978-0-8071-3064-3) Fortune’s Bones: The Manumission Requiem (Front Street, 2004, notes and annotations by Pamela Espeland) Carver, a Life in Poems (Front Street, 2001, ISBN 978-1-886910-53-9) The Fields of Praise: New and Selected Poems (Louisiana State University Press, 1997, ISBN 978-0-8071-2175-7) Magnificat (Louisiana State University Press, 1994, ISBN 978-0-8071-1921-1) The Homeplace (Louisiana State University Press, 1990, ISBN 978-0-8071-1641-8) Mama’s Promises (Louisiana State University Press, 1985, ISBN 978-0-8071-1250-2) For the Body (Louisiana State University Press, 1978, ISBN 978-0-8071-0464-4)ChapbooksShe-Devil Circus (Aralia Press, 2001) Triolets for Triolet (Curbstone Press, 2001) Partial Truth (The Kutenai Press, 1992) The Freedom Business: Connecticut Landscapes Through the Eyes of Venture Smith (Lyme Historical Society, Florence Griswold Museum, 2006, illustrated by American paintings from the Florence Griswold Museum)Collaborative booksMiss Crandall’s School for Young Ladies and Little Misses of Color (Wordsong, 2007, with Elizabeth Alexander, illustrated by Floyd Cooper, ISBN 978-1-59078-456-3) Pemba’s Song: A Ghost Story (Scholastic Press, 2008, with Tonya Hegamin) The Cat Walked Through the Casserole (Carolrhoda Books, 1984, with Pamela Espeland, various illustrators)TranslationsThe Ladder by Halfdan Rasmussen (translated from Danish, Candlewick, 2006, illustrated by Pierre Pratt) The Thirteenth Month by Inge Pedersen (translated from Danish, Oberlin College Press, 2005) Hecuba by Euripides, in Euripides I, Penn Greek Drama Series (translated from earlier English translations, University of Pennsylvania Press, 1998) Hundreds of Hens and Other Poems for Children by Halfdan Rasmussen (translated from Danish, Black Willow Press, 1982, with Pamela Espeland, illustrations by D.M. Robinson)Books for young childrenSnook Alone (Candlewick Press, 2010, illustrated by Timothy Basil Ering, ISBN 978-0-7636-2667-9) Beautiful Ballerina (Scholastic Press, 2009, photographs by Susan Kuklin, ISBN 978-0-545-08920-3) The Cat Walked Through the Casserole (Carolrhoda Books, 1984)In AnthologyGhost Fishing: An Eco-Justice Poetry Anthology (University of Georgia Press, 2018) Honors and awards Kent fellowship, 1976; National Endowment for the Arts fellowships, 1981, 1990; Connecticut Arts Award, 1990; National Book Award finalist for poetry, 1991; Annisfield-Wolf Award, 1992; Fulbright teaching fellowship, 1995; National Book Award finalist for poetry, 1997; Poets’ Prize, 1999, for The Fields of Praise: New and Selected Poems; Contemplative Practices fellowship, American Council of Learned Societies, 2000; named Poet Laureate for the State of Connecticut, Connecticut Commission on the Arts, 2001; J.S. Guggenheim Memorial Foundation fellowship, 2001; Boston Globe/Horn Book Award and National Book Award finalist in young-people’s literature category, both 2001, and Coretta Scott King Honor Book designation, Flora Stieglitz Straus Award for Nonfiction, and Newbery Honor designation, all 2002, all for Carver: A Life in Poems; Coretta Scott King Book Award, 2005, for Fortune’s Bones: The Manumission Requiem; two Pushcart prizes; Michael L. Printz Award honor book designation, Lee Bennett Hopkins Poetry Award honor book designation, and Coretta Scott King Honor Award, all 2006, all for A Wreath for Emmett Till; Lifetime Achievement honor, Connecticut Book Awards, 2006, NSK Neustadt Prize for Children’s Literature, 2017.

Leonard Nimoy Leonard Nimoy

Leonard Simon Nimoy (/ˈniːmɔɪ/; March 26, 1931– February 27, 2015) was an American actor, film director, photographer, author, singer and songwriter. He was known for his role as Spock of the Star Trek franchise, a character he portrayed in television and film from a pilot episode shot in late 1964 to his final film performance released in 2013. Nimoy began his career in his early twenties, teaching acting classes in Hollywood and making minor film and television appearances through the 1950s, as well as playing the title role in Kid Monk Baroni. Foreshadowing his fame as a semi-alien, he played Narab, one of three Martian invaders, in the 1952 movie serial Zombies of the Stratosphere. In December 1964, he made his first appearance in the rejected Star Trek pilot “The Cage”, and went on to play the character of Spock until the end of the production run in early 1969, followed by eight feature films and guest slots in the various spin-off series. The character has had a significant cultural impact and garnered Nimoy three Emmy Award nominations; TV Guide named Spock one of the 50 greatest TV characters. After the original Star Trek series, Nimoy starred in Mission: Impossible for two seasons, hosted the documentary series In Search of..., narrated Civilization IV, and made several well-received stage appearances. He also had a recurring role in the science fiction series Fringe. Nimoy’s public profile as Spock was so strong that both of his autobiographies, I Am Not Spock (1975) and I Am Spock (1995), were written from the viewpoint of sharing his existence with the character. In 2015 an asteroid was named 4864 Nimoy in his honor. In September 2016, For the Love of Spock, a feature-film documentary that covered his life and career, was released. Early life Leonard Simon Nimoy was born on March 26, 1931, in the West End of Boston, Massachusetts, the son of Jewish immigrants from Iziaslav, Ukraine. His parents left Iziaslav separately—his father first walking over the border into Poland while his mother and grandmother were smuggled out of the Soviet Union in a horse-drawn wagon by hiding under bales of hay. They reunited after arriving in the United States. His mother, Dora (née Spinner), was a homemaker, and his father, Max Nimoy, owned a barbershop in the Mattapan section of Boston. He had an elder brother, Melvin. As a child, Nimoy took miscellaneous jobs to supplement his family’s income, including selling newspapers and greeting cards, shining shoes, or setting up chairs in theaters, and when he got older, selling vacuum cleaners. He also began acting at the age of eight in a children’s and neighborhood theater. His parents wanted him to attend college and pursue a stable career, or even learn to play the accordion, so he could always make a living, but his grandfather encouraged him to do what he then wanted to do most, to become an actor. Nimoy also realized he had an aptitude for singing, which he developed while a member of his synagogue’s choir. His singing during his bar mitzvah at age 13 was so good that he was asked to repeat his performance the following week at another synagogue. “He is still the only man I know whose voice was two bar mitzvahs good!,” said William Shatner. His first major role was at 17, as Ralphie in an amateur production of Clifford Odets’ Awake and Sing!, which dealt with the struggles of a matriarchal Jewish family similar to his during the Great Depression. “Playing this teenage kid in this Jewish family that was so much like mine was amazing,” he said. “The same dynamics, the same tensions in the household.” The role “lit a passion” that led him to pursue an acting career. “I never wanted to do anything else.” Shatner notes that Nimoy also worked on local radio shows for children, often voice acting Bible stories, adding: Obviously, there was something symbolic about that. Many years later as Captain Kirk, I would be busy rescuing civilizations in distress on distant planets while Leonard’s Mr. Spock would be examining the morality of man– and alienkind. Nimoy took drama classes at Boston College, and after moving to Los Angeles, he used $600 he saved from selling vacuum cleaners to enroll at the Pasadena Playhouse. However, he was soon disillusioned and quit after six months, feeling that the acting skills he had already acquired from earlier roles were more advanced: “I thought, I have to study here three years in order to do this level of work, and I’m already doing better work.” He became a devotee of Konstantin Stanislavsky’s method acting concepts, realizing that the stage allowed him to explore the “psychological, emotional, and physical territories of life that can’t be done anywhere else,” inquiries which he said led him into acting in the first place. He took method actor Marlon Brando as a role model, and like him, wore jeans and T-shirt. Between studies, to have some income, he took a job at an ice cream parlor on the Sunset Strip. In 1953, Nimoy enlisted in the United States Army Reserve at Fort McPherson Georgia, serving for 18 months until 1955, leaving as a sergeant. Part of Nimoy’s time in the military was spent with the Army Special Services, putting on shows which he wrote, narrated, and emceed. During that period, he also directed and starred in A Streetcar Named Desire, with the Atlanta Theater Guild. Soon after he was discharged, with his wife Sandi pregnant with their second child, they rented an apartment and Nimoy took a job driving a cab in Los Angeles. Acting career Before and during Star Trek Nimoy spent more than a decade receiving only small parts in B movies and the lead in one, along with a minor TV role. He believed that playing the title role in the 1952 film Kid Monk Baroni would make him a star, but the film failed after playing briefly. While he was serving in the military the film gained a larger audience on television, and after his discharge he got steadier work playing a “heavy,” where his character used street weapons like switchblades and guns, or had to threaten, hit or kick people. Despite overcoming his Boston accent, because of his lean appearance Nimoy realized that becoming a star was not likely. He decided to be a supporting actor rather than take lead roles, an attitude he acquired from his childhood: “I’m a second child who was educated to the idea my older brother was to be given respect and not perturbed. I was not to upstage him... So my acting career was designed to be a supporting player, a character actor.” He played more than 50 small parts in B movies, television series such as Perry Mason and Dragnet, and serials such as Republic Pictures’ Zombies of the Stratosphere (1952), in which Nimoy played Narab, a Martian. To support a wife and two children he often did other work, such as delivering newspapers, working in a pet shop, and driving cabs. Nimoy played an Army sergeant in the 1954 science fiction thriller Them! and a professor in the 1958 science fiction movie The Brain Eaters, and had a role in The Balcony (1963), a film adaptation of the Jean Genet play. With Vic Morrow, he co-produced a 1966 version of Deathwatch, an English-language film version of Genet’s play Haute Surveillance, adapted and directed by Morrow and starring Nimoy. The story dealt with three prison inmates. Partly as a result of his role, he then taught drama classes to members of Synanon, a drug rehab center, explaining: “Give a little here and it always comes back.” On television, Nimoy appeared in two episodes of the 1957–1958 syndicated military drama The Silent Service, based on actual events of the submarine section of the United States Navy. He had guest roles in the Sea Hunt series from 1958 to 1960 and a minor role in the 1961 The Twilight Zone episode “A Quality of Mercy”. He also appeared in the syndicated Highway Patrol starring Broderick Crawford. In 1959, Nimoy was cast as Luke Reid in the “Night of Decision” episode of the ABC/Warner Bros. western series Colt .45, starring Wayde Preston and directed by Leslie H. Martinson. Nimoy appeared four times in ethnic roles on NBC’s Wagon Train, the No. 1 program of 1962. He portrayed Bernabe Zamora in “The Estaban Zamora Story” (1959), “Cherokee Ned” in “The Maggie Hamilton Story” (1960), Joaquin Delgado in “The Tiburcio Mendez Story” (1961) and Emeterio Vasquez in “The Baylor Crowfoot Story” (1962). Nimoy appeared in Bonanza (1960), The Rebel (1960), Two Faces West (1961), Rawhide (1961), The Untouchables (1962), The Eleventh Hour (1962), Perry Mason (1963; playing murderer Pete Chennery in “The Case of the Shoplifter’s Shoe”, episode 13 of season 6), Combat! (1963, 1965), Daniel Boone, The Outer Limits (1964), The Virginian (1963–1965; first working with Star Trek co-star DeForest Kelley in “Man of Violence”, episode 14 of season 2, in 1963), and Get Smart (1966). He appeared again in the 1995 Outer Limits series. He appeared in Gunsmoke in 1962 as Arnie and in 1966 as John Walking Fox. Nimoy and Star Trek co-star William Shatner first worked together on an episode of The Man from U.N.C.L.E., “The Project Strigas Affair” (1964). Their characters were from opposite sides of the Iron Curtain, though with his saturnine looks, Nimoy was the villain, with Shatner playing a reluctant U.N.C.L.E. recruit. On the stage, Nimoy played the lead role in a short run of Gore Vidal’s Visit to a Small Planet in 1968 (shortly before the end of the Star Trek series) at the Pheasant Run Playhouse in St. Charles, Illinois. Star Trek Nimoy was known for his portrayal of Spock, the half-human, half-Vulcan character he played on Star Trek from the first 1966 TV episode to the film, Star Trek Into Darkness, in 2013. Biographer Dennis Fischer states that it was Nimoy’s “most important role,” and Nimoy was later credited by others for bringing “dignity and intelligence to one of the most revered characters in science fiction.” The character was to become iconic, considered one of the most popular alien characters ever portrayed on television. Viewers admired Spock’s “coolness, his intelligence,” and his ability to take on successfully any task, adds Fischer. As a result, Nimoy’s character “took the public by storm,” nearly eclipsing the star of the show, William Shatner’s Captain Kirk. President Obama, who said he loved Spock, similarly described Nimoy’s character as “cool, logical, big-eared and level-headed, the center of Star Trek’s optimistic, inclusive vision of humanity’s future.” Nimoy and Shatner, who portrayed his commanding officer, became close friends during the years the show was on television, and were “like brothers,” said Shatner. Star Trek was broadcast from 1966 to 1969. Nimoy earned three Emmy Award nominations for his work on the program. Among Spock’s recognized and unique symbols that he incorporated into the series was the Vulcan salute, which became identified with him. Nimoy created the sign himself from his childhood memories of the way kohanim (Jewish priests) hold their hand when giving blessings. During an interview, he translated the Priestly Blessing from Numbers 6:24–26 which accompanies the sign and described it during a public lecture: May the Lord bless and keep you and may the Lord cause his countenance to shine upon you. May the Lord be gracious unto you and grant you peace. The accompanying spoken blessing, “Live long and prosper.” Nimoy also came up with the concept of the “Vulcan nerve pinch”, which he suggested as a replacement for the scripted knock out method of using the butt of his phaser. He wanted a more sophisticated way of rendering a person unconscious. Nimoy explained to the show’s director that Spock had, per the story, gone to the Vulcan Institute of Technology and had studied human anatomy. Spock also had the ability to project a unique form of energy through his fingertips. Nimoy explained the idea of putting his hand on his neck and shoulder to Shatner, and they rehearsed it. Nimoy credits Shatner’s acting during the “pinch” that sold the idea and made it work on screen. He went on to reprise the Spock character in Star Trek: The Animated Series and two episodes of Star Trek: The Next Generation. When a new Star Trek series was planned in the late 1970s, Nimoy was to be in only two out of eleven episodes, but when the show was elevated to a feature film, he agreed to reprise his role. The first six Star Trek movies feature the original Star Trek cast including Nimoy, who also directed two of the films. He played the elder Spock in the 2009 Star Trek movie and reprised the role in a brief appearance in the 2013 sequel, Star Trek Into Darkness, both directed by J. J. Abrams. After Star Trek Following Star Trek in 1969, Nimoy immediately joined the cast of the spy series Mission: Impossible, which was seeking a replacement for Martin Landau. Nimoy was cast in the role of Paris, an IMF agent who was an ex-magician and make-up expert, “The Great Paris”. He played the role during seasons four and five (1969–1971). Nimoy had been strongly considered as part of the initial cast for the show, but remained in the Spock role on Star Trek. He co-starred with Yul Brynner and Richard Crenna in the Western movie Catlow (1971). He also had roles in two episodes of Rod Serling’s Night Gallery (1972 and 1973) and Columbo (1973), season 2 episode 6 entitled “A Stitch in Crime”; Nimoy played a murderous doctor (Dr. Barry Mayfield) who was one of the few murderers with whom Columbo became angry. Nimoy appeared in various made-for-television films such as Assault on the Wayne (1970), Baffled! (1972), The Alpha Caper (1973), The Missing Are Deadly (1974), Seizure: The Story Of Kathy Morris (1980), and Marco Polo (1982). He received an Emmy Award nomination for best supporting actor for the television film A Woman Called Golda (1982), for playing the role of Morris Meyerson, Golda Meir’s husband, opposite Ingrid Bergman as Golda in her final role. In 1975, Leonard Nimoy filmed an opening introduction to Ripley’s World of the Unexplained museum located at Gatlinburg, Tennessee, and Fisherman’s Wharf at San Francisco, California. In the late 1970s, he hosted and narrated the television series In Search of..., which investigated paranormal or unexplained events or subjects. He also had a character part as a psychiatrist in Philip Kaufman’s remake of Invasion of the Body Snatchers. Stage Nimoy also won acclaim for a series of stage roles. In 1971 he played the starring role of Tevye in Fiddler on the Roof, which toured for eight weeks. Nimoy, who had performed in the Yiddish theater as a young man, said the part was like a “homecoming” for him, explaining that his parents, like Tevya, also came from a shtetl in Russia and could relate to the play when they saw him in it. Later that year he starred as Arthur Goldman in The Man in the Glass Booth at the Old Globe Theater in San Diego. He starred as Randle McMurphy in One Flew Over the Cuckoo’s Nest in 1974, a year prior to its release as a feature film, with Jack Nicholson in the same role. During the run of the play, Nimoy took over as its director and wanted his character to be “rough and tough,” and insisted on having tattoos. The costumer for the show, Sharon White, was amused: “That was sort of an intimate thing. . . . Here I am with Mr. Spock, for god’s sakes, and I am painting pictures on his arms.” In 1975 he toured with and played the title role in the Royal Shakespeare Company’s Sherlock Holmes. A number of authors have noted parallels between the rational Holmes and the character of Spock, and it became a running theme in Star Trek fan clubs. Star Trek writer Nicholas Meyer said that “the link between Spock and Holmes was obvious to everyone.” Meyer gives a few examples, including a scene in Star Trek VI: The Undiscovered Country, in which Spock quotes directly from a Conan Doyle book and credits Holmes as a forefather to the logic he was espousing. In addition, the connection was implied in Star Trek: The Next Generation, which paid homage to both Holmes and Spock. By 1977, when Nimoy played Martin Dysart in Equus on Broadway, he had played 13 important roles in 27 cities, including Tevye, Malvolio in Twelfth Night, and Randle McMurphy in One Flew Over the Cuckoo’s Nest. In 1981 he starred in Vincent, a one-man show which Nimoy wrote and published as a book in 1984. The audio recording of the play is available on DVD under the title, Van Gogh Revisited It was based on the life of artist Vincent van Gogh, in which Nimoy played Van Gogh’s brother Theo. Other plays included Oliver!, at the Melody Top Theater in Milwaukee, 6 Rms Riv Vu opposite Sandy Dennis, in Florida, Full Circle with Bibi Anderson in Washington, D.C., and later in Full Circle. He was in Camelot, The King and I, Caligula, The Four Poster, and My Fair Lady. After two years of part-time study, in 1977 Nimoy earned a MA in Education from Antioch College.. He received an honorary doctorate from Antioch University in Ohio, awarded for activism in Holocaust remembrance, the arts, and the environment, and an honorary doctorate of humane letters from Boston University. Star Trek films After directing a few television show episodes, Nimoy started film directing in 1984 with the third installment of the film series. Nimoy would go on to direct the second most successful film (critically and financially) in the franchise after the 2009 Star Trek film, Star Trek IV: The Voyage Home (1986), and Three Men and a Baby, the highest-grossing film of 1987. These successes made him a star director. At a press conference promoting the 2009 Star Trek movie, however, Nimoy said he had no further plans or ambition to direct, although he enjoyed directing when he did it. Other work after Star Trek Voice actor In 1975, his renditions of Ray Bradbury’s There Will Come Soft Rains and Usher II, both from The Martian Chronicles, were released on Caedmon Records. During 1980, Nimoy hosted the “Adventure Night” segment of the radio drama series Mutual Radio Theater, heard via the Mutual Broadcasting System. Nimoy lent his voice as narrator to the 1994 IMAX documentary film, Destiny in Space, showcasing film-footage of space from nine Space Shuttle missions over four years time. In 1999, he voiced the narration of the English version of the Sega Dreamcast game Seaman and promoted Y2K educational films. Together with John de Lancie, another actor from the Star Trek franchise, Nimoy created Alien Voices, an audio-production venture that specializes in audio dramatizations. Among the works jointly narrated by the pair are The Time Machine, Journey to the Center of the Earth, The Lost World, The Invisible Man and The First Men in the Moon, as well as several television specials for the Sci-Fi Channel. In an interview published on the official Star Trek website, Nimoy said that Alien Voices was discontinued because the series did not sell well enough to recoup costs. In 2001, Nimoy voiced the role of the Atlantean King Kashekim Nedakh in the Disney animated feature Atlantis: The Lost Empire. Nimoy provided a comprehensive series of voice-overs for the 2005 computer game Civilization IV. He did the television series The Next Wave where he interviewed people about technology. He was the host in the documentary film The Once and Future Griffith Observatory, currently running in the Leonard Nimoy Event Horizon Theater at the Griffith Observatory in Los Angeles. Nimoy and his wife, Susan Bay-Nimoy, were major supporters of the Observatory’s historic 2002–2004 expansion. In 2009, he voiced the part of “The Zarn”, an Altrusian, in the television-based movie Land of the Lost. Nimoy also provided voiceovers for the Star Trek Online massive multiplayer online game, released in February 2010, as well as Kingdom Hearts Birth by Sleep as Master Xehanort, the series’ leading villain. Tetsuya Nomura, the director of Birth by Sleep, stated that he chose Nimoy for the role specifically because of his role as Spock. Nimoy would later reprise this role for Kingdom Hearts 3D: Dream Drop Distance in 2012. Nimoy was also a frequent and popular reader for “Selected Shorts”, an ongoing series of programs at Symphony Space in New York City (that also tours around the country) which features actors, and sometimes authors, reading works of short fiction. The programs are broadcast on radio and available on websites through Public Radio International, National Public Radio and WNYC radio. Nimoy was honored by Symphony Space with the renaming of the Thalia Theater as the Leonard Nimoy Thalia Theater. Special appearances From 1982 to 1987, Nimoy hosted the children’s educational show Standby: Lights, Camera, Action on Nickelodeon. He worked occasionally as a voice actor in animated feature films, including the character of Galvatron in The Transformers: The Movie in 1986. Nimoy also provided the narration for the 1991 CBS paranormal series Haunted Lives: True Ghost Stories. In 1994, Nimoy voiced Dr. Jekyll and Mr. Hyde in The Pagemaster. In 1998, he had a leading role as Mustapha Mond in Brave New World, a TV-movie version of Aldous Huxley’s novel. From 1994 until 1997, Nimoy narrated the Ancient Mysteries series on A&E including “The Sacred Water of Lourdes” and “Secrets of the Romanovs”. He also appeared in advertising in the United Kingdom for the computer company Time Computers in the late 1990s. In 1997 Nimoy played the prophet Samuel, alongside Nathaniel Parker, in The Bible Collection movie David. Nimoy also appeared in several popular television series, including Futurama and The Simpsons, as both himself and Spock. In 2000, he provided on-camera hosting and introductions for 45 half-hour episodes of an anthology series entitled Our 20th Century on the AEN TV Network. The series covers world news, sports, entertainment, technology, and fashion using original archive news clips from 1930 to 1975 from the National Archives in Washington, D.C. and other private archival sources. Nimoy played the reoccurring enigmatic character of Dr. William Bell on the television show Fringe. Nimoy opted for the role after previously working with Abrams, Roberto Orci and Alex Kurtzman on the 2009 Star Trek film and offered another opportunity to work with this production team again. Nimoy also was interested in the series, which he saw was an intelligent mixture of science and science fiction, and continued to guest star through the show’s fourth season, even after his stated 2012 retirement from acting. Nimoy’s first appearance as Bell was in the Season 1 finale, “There’s More Than One of Everything”, which explored the possible existence of a parallel universe. In the May 9, 2009, episode of Saturday Night Live, Nimoy appeared as a surprise guest in the “Weekend Update” segment with Zachary Quinto and Chris Pine, who play the young Spock and Kirk in the Star Trek that had just premiered days earlier. In the sketch, the three actors attempt to appease long-time Trekkers by assuring them that the new film would be true to the original Star Trek. Producer In 1991, Nimoy starred in Never Forget, which he co-produced with Robert B. Radnitz. The movie was about a pro bono publico lawsuit by an attorney on behalf of Mel Mermelstein, played by Nimoy as an Auschwitz survivor, against a group of organizations engaged in Holocaust denial. Nimoy said he experienced a strong “sense of fulfillment” from doing the film. In 2007, he produced the play, Shakespeare’s Will by Canadian Playwright Vern Thiessen. The one-woman show starred Jeanmarie Simpson as Shakespeare’s wife, Anne Hathaway. The production was directed by Nimoy’s wife, Susan Bay. Retirement In April 2010, Leonard Nimoy announced that he was retiring from playing Spock, citing both his advanced age and the desire to give Zachary Quinto the opportunity to enjoy full media attention with the Spock character. Kingdom Hearts: Birth by Sleep was to be his final performance; however, in February 2011, he announced his intent to return to Fringe and reprise his role as William Bell. Nimoy continued voice acting despite his retirement; his appearance in the third season of Fringe included his voice (his character appeared only in animated scenes), and he provided the voice of Sentinel Prime in Transformers: Dark of the Moon. In May 2011, Nimoy made a cameo appearance in the alternate version music video of Bruno Mars’ “The Lazy Song”. Aaron Bay-Schuck, the Atlantic Records executive who signed Bruno Mars to the label, is Nimoy’s stepson. Nimoy provided the voice of Spock as a guest star in a Season 5 episode of the CBS sitcom The Big Bang Theory titled “The Transporter Malfunction”, which aired on March 29, 2012. Also in 2012, Nimoy reprised his role of William Bell in Fringe for the fourth season episodes “Letters of Transit” and “Brave New World” parts 1 & 2. Nimoy reprised his role as Master Xehanort in the 2012 video game Kingdom Hearts 3D: Dream Drop Distance. On August 30, 2012, Nimoy narrated a satirical segment about Mitt Romney’s life on Comedy Central’s The Daily Show with Jon Stewart. In 2013, Nimoy reprised his role as Ambassador Spock in a cameo appearance in Star Trek Into Darkness, and is the only actor from the original series to appear in Abrams’ Star Trek films. Other career work Photography Nimoy’s interest in photography began in childhood; for the rest of his life, he owned a camera that he rebuilt at the age of 13. In the 1970s, he studied photography at the University of California, Los Angeles. His photography studies at UCLA occurred after Star Trek and Mission: Impossible, when Nimoy seriously considered changing careers. His work has been exhibited at the R. Michelson Galleries in Northampton, Massachusetts and the Massachusetts Museum of Contemporary Art. Directing Nimoy made his directorial debut in 1973, with the “Death on a Barge” segment for an episode of Night Gallery during its final season. It was not until the early 1980s that Nimoy resumed directing on a consistent basis, ranging from television shows to motion pictures. Nimoy directed Star Trek III: The Search for Spock in 1984 and Star Trek IV: The Voyage Home in 1986. He went on to direct the hit comedy Three Men and a Baby (1987) followed by The Good Mother (1988) and Funny About Love (1990). In 1994 he directed his last feature film, Holy Matrimony. His final directorial credit was “Killshot”, the 1995 pilot episode for Deadly Games, a short-lived science-fiction television series. Writing Nimoy authored two volumes of autobiography. The first was called I Am Not Spock (1975) and was controversial, as many fans incorrectly assumed that Nimoy was distancing himself from the Spock character. In the book, Nimoy conducts dialogues between himself and Spock. The contents of this first autobiography also touched on a self-proclaimed “identity crisis” that seemed to haunt Nimoy throughout his career. It also related to an apparent love/hate relationship with the character of Spock and the Trek franchise. I went through a definite identity crisis. The question was whether to embrace Mr. Spock or to fight the onslaught of public interest. I realize now that I really had no choice in the matter. Spock and Star Trek were very much alive and there wasn’t anything that I could do to change that. The second volume, I Am Spock (1995), saw Nimoy communicating that he finally realized his years of portraying the Spock character had led to a much greater identification between the fictional character and himself. Nimoy had much input into how Spock would act in certain situations, and conversely, Nimoy’s contemplation of how Spock acted gave him cause to think about things in a way that he never would have thought if he had not portrayed the character. As such, in this autobiography Nimoy maintains that in some meaningful sense he has merged with Spock while at the same time maintaining the distance between fact and fiction. Nimoy also composed several volumes of poetry, some published along with a number of his photographs. A later poetic volume entitled A Lifetime of Love: Poems on the Passages of Life was published in 2002. His poetry can be found in the Contemporary Poets index of The HyperTexts. Nimoy adapted and starred in the one-man play Vincent (1981), based on the play Van Gogh (1979) by Phillip Stephens. In 1995, Nimoy was involved in the production of Primortals, a comic book series published by Tekno Comix about first contact with aliens, which had arisen from a discussion he had with Isaac Asimov. There was a novelization by Steve Perry. Music During and following Star Trek, Nimoy also released five albums of musical vocal recordings on Dot Records. On his first album, Mr. Spock’s Music from Outer Space, and half of his second album Two Sides of Leonard Nimoy, science fiction-themed songs are featured where Nimoy sings as Spock. On his final three albums, he sings popular folk songs of the era and cover versions of popular songs, such as “Proud Mary” and Johnny Cash’s “I Walk the Line”. There are also several songs on the later albums that were written or co-written by Nimoy. He described how his recording career got started: Charles Grean of Dot Records had arranged with the studio to do an album of space music based on music from Star Trek, and he has a teenage daughter who’s a fan of the show and a fan of Mr. Spock. She said, 'Well, if you’re going to do an album of music from Star Trek, then Mr. Spock should be on the album.' So Dot contacted me and asked me if I would be interested in either speaking or singing on the record. I said I was very interested in doing both.... That was the first album we did, which was called Mr. Spock’s Music from Outer Space. It was very well received and successful enough that Dot then approached me and asked me to sign a long-term contract. Nimoy’s voice appeared in sampled form on a song by the pop band Information Society in the late Eighties. The song, “What’s on Your Mind (Pure Energy)” (released in 1988), reached No. 3 on the US Pop charts, and No. 1 on the Dance charts. Nimoy played the part of the chauffeur in the 1985 music video of The Bangles’ cover version of “Going Down to Liverpool”. He also appeared in the alternate music video for the song “The Lazy Song” by pop artist Bruno Mars. Personal life Nimoy was long active in the Jewish community, and could speak and read Yiddish. In 1997, he narrated the documentary A Life Apart: Hasidism in America, about the various sects of Hasidic Orthodox Jews. In October 2002, Nimoy published The Shekhina Project, a photographic study exploring the feminine aspect of God’s presence, inspired by Kabbalah. Reactions have varied from enthusiastic support to open condemnation. Nimoy said that objections to Shekhina did not bother or surprise him, but he smarted at the stridency of the Orthodox protests, and was saddened at the attempt to control thought. Nimoy was married twice. In 1954, he married actress Sandra Zober (1927–2011); they had two children, Julie and Adam. After 32 years of marriage, he reportedly left Sandra on her 56th birthday and divorced her in 1987. On New Year’s Day 1989, Nimoy married his second wife, actress Susan Bay, cousin of director Michael Bay. In the 2001 documentary film Mind Meld, in which Leonard Nimoy and William Shatner discuss their acting careers and personal lives, Nimoy revealed that he became an alcoholic while working on Star Trek and ended up in drug rehabilitation. William Shatner, in his 2008 book Up Till Now: The Autobiography, spoke about how later in their lives, Nimoy tried to help Shatner’s alcoholic wife, Nerine Kidd. Nimoy has said that the character of Spock, which he played twelve to fourteen hours a day, five days a week, influenced his personality in private life. Each weekend during the original run of the series, he would be in character throughout Saturday and into Sunday, behaving more like Spock than himself—more logical, more rational, more thoughtful, less emotional and finding a calm in every situation. It was only on Sunday in the early afternoon that Spock’s influence on his behavior would fade off and he would feel more himself again—only to start the cycle over again on Monday morning. Years after the show he observed Vulcan speech patterns, social attitudes, patterns of logic and emotional suppression in his own behavior. Nimoy was a private pilot and had owned an airplane. The Space Foundation named Nimoy as the recipient of the 2010 Douglas S. Morrow Public Outreach Award for creating a positive role model that inspired untold numbers of viewers to learn more about the universe. In 2009, Nimoy was honored by his childhood hometown when the Office of Mayor Thomas Menino proclaimed the date of November 14, 2009, as Leonard Nimoy Day in the City of Boston. In 2014, Walter Koenig revealed in a Las Vegas Sun interview that Leonard Nimoy personally and successfully advocated equal pay for Nichelle Nichols’ work on Star Trek to the show’s producers. This incident was confirmed by Nimoy in a Trekmovie interview and happened during his years at Desilu. Nimoy has a star on the Hollywood Walk of Fame. On June 2, 2015, the asteroid 4864 Nimoy was named after him. Illness and death In February 2014, Nimoy revealed publicly that he had been diagnosed with chronic obstructive pulmonary disease (COPD), a condition he attributed to a smoking addiction he had given up about 30 years earlier. On February 19, 2015, having been in and out of hospitals for several months, Nimoy was taken to UCLA Medical Center for chest pains. Nimoy died of complications from COPD on February 27, 2015, at the age of 83, in his Bel Air home. He was survived by his wife; two children; six grandchildren; a great-grandchild; and his elder brother, Melvin. Adam Nimoy said that as his father came closer to death, “he mellowed out. He made his family a priority and his career became secondary.” A few days before his death, Nimoy shared some of his poetry on social media website Twitter: “A life is like a garden. Perfect moments can be had, but not preserved, except in memory. LLAP”. Nimoy was buried in Los Angeles on March 1, 2015. The service was attended by nearly 300 family members, friends and former colleagues, as well as Zachary Quinto, Chris Pine, and J. J. Abrams. Though Shatner could not attend, he was represented by his daughters. Personal tributes Cast members of Star Trek who had worked alongside Nimoy gave personal tributes after his death. William Shatner wrote of Nimoy, “I loved him like a brother.... We will all miss his humor, his talent, and his capacity to love.” George Takei called him an “extraordinarily talented man” and a “very decent human being”. Walter Koenig said that after working with Nimoy, he discovered Nimoy’s “compassion, his intelligence and his humanity.” Nichelle Nichols noted that Nimoy’s integrity, passion and devotion as an actor “helped transport Star Trek into television history.” Quinto, who portrayed Spock as a young man in Star Trek and Star Trek Into Darkness, wrote, “My heart is broken. I love you profoundly my dear friend. And I will miss you every day.” U.S. President Barack Obama, who had met Nimoy in 2007, remembered him as “a lifelong lover of the arts and humanities, a supporter of the sciences, generous with his talent and his time.” Former NASA astronaut Buzz Aldrin called Nimoy “a fellow space traveler because he helped make the journey into the final frontier accessible to us all.” The Big Bang Theory, to which Nimoy lent his voice, paid tribute to him after his death. A vanity card at the end of a March 2015 episode included a picture of Nimoy with the caption, “The impact you had on our show and on our lives is everlasting.” As part of a campaign for the 2016 feature film Star Trek Beyond, aimed at benefiting several charities, Zachary Quinto and other cast members posted a video tribute to Nimoy, and the feature film itself also paid tribute to Nimoy. Its director, Justin Lin, explained: “It’s something you’ll see in the film. It obviously affected everybody, because he’s been a big part of our lives. There’s an attempt to acknowledge that in some way.” Adam Nimoy directed a biographical documentary on his father, entitled For the Love of Spock, which Quinto narrated and with which Shatner was also involved. For charity, Shatner used selfies made by Nimoy’s fans to create an online tribute mosaic of Spock’s vulcan salute. In June 2015, the Jet Propulsion Laboratory renamed a 10 km (6.2 mi)-wide asteroid, originally discovered in 1988, in the Solar System’s main asteroid belt, 4864 Nimoy, in honor of the actor. Shatner has also written a book about his friendship with Nimoy titled “Leonard: My Fifty Year Friendship with a Remarkable Man.” The book was released on February 16, 2016. Gallery Filmography Film Television Music videos Video games Awards and nominations Bibliography * Poetry * You & I (1973) (ISBN 978-0-912310-26-8) * Will I Think of You? (1974) (ISBN 978-0-912310-70-1) * We Are All Children Searching for Love: A Collection of Poems and Photographs (1977) (ISBN 978-0-88396-024-0) * Come be With Me (1978) (ISBN 978-0-88396-033-2) * These Words are for You (1981) (ISBN 978-0-88396-148-3) * Warmed by Love (1983) (ISBN 978-0-88396-200-8) * A Lifetime of Love: Poems on the Passages of Life (2002) (ISBN 978-0-88396-596-2) * Biography * I Am Not Spock (1975) ISBN 9781568496917 * I Am Spock (1995) ISBN 9780786861828 * Screenplays * Vincent (1981), (teleplay based on the play “Van Gogh” (1979) by Phillip Stephens (OCLC 64819808) * Star Trek IV: The Voyage Home (1986) (story by) * Star Trek VI: The Undiscovered Country (1991) (Story by) * Photography * Shekhina photography (2005) (ISBN 978-1-884167-16-4) * The Full Body Project (2008) ISBN 9780979472725 * Secret Selves (2010) ISBN 978-0976427698 Discography * Leonard Nimoy Presents Mr. Spock’s Music from Outer Space (Dot Records), (1967) * Two Sides of Leonard Nimoy (Dot Records), (1968) * The Way I Feel (Dot Records, Stereo DLP 25883), (1968) * The Touch of Leonard Nimoy (Dot Records, Stereo DLP 25910), (1969) * The New World of Leonard Nimoy (Dot Records, Stereo DLP 25966), (1970) References Wikipedia—https://en.wikipedia.org/wiki/Leonard_Nimoy




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