Portrait of Shakespeare, by Unknown author
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My Children (Mary, Gerald, and Gladys Thayer), by Abbott Handerson Thayer
Lizelia Augusta Jenkins Moorer Lizelia Augusta Jenkins Moorer

Lizelia Augusta Jenkins Moorer (September 1868 – May 24, 1936) was a poet and teacher in Orangeburg, South Carolina. She taught at the Normal and Grammar Schools, Claflin University, Orangeburg, South Carolina from 1895 to 1899. In 1907, she published a collection of poems, “Prejudice Unveiled and Other Poems”. Her work was called, by Joan R. Sherman, the “best poems on racial issues written by any black woman until the middle of the century”. Moorer attacks “lynching, debt peonage, white rape, Jim Crow segregation, and the hypocrisy of the church and the white press”. Moorer was born in September 1868 to Warren D. Jenkins and Mattie Miller in Pickens, South Carolina. In 1899, she married Jacob Moorer, an attorney in Orangeburg who frequently saw cases defending the rights of blacks against what he saw as a prejudiced legal system in South Carolina. In particular, he fought against the constitutionality of election law in the 1895 South Carolina Constitution. Lizelia was also a very strong activist. Beyond her poetry, she was active in the Woman’s Christian Temperance Union, serving as State Vice-President in South Carolina in 1910. In 1924, she attended the 1924 Methodist Episcopal Church General Conference where she gave a speech arguing that women should be allowed to be ordained within the Methodist Church. During that conference, women were, indeed, given the right to be ordained as local deacons and elders.

#Americans #Women #XIXCentury #XXCentury

Laura E. McCully Laura E. McCully

Laura Elizabeth McCully (17 March 1886 – 7 July 1924) was a first-wave Canadian feminist and a poetess, living in Toronto, Ontario, Canada. In a very real sense she is a Toronto writer, as, with the exception of one academic year in the United States and a few months in Ottawa, she has lived all her life in this city. She is a grand niece of the late Hon. John McCully, of Truro, Nova Scotia, one of the Fathers of Confederation; and is the daughter of Samuel Edward McCully, M.D., and Helen (Fitzgibbon) McCully. Her father is of Manx descent, and her mother is a descendant of the late James McBride of Halton county, Ontario, magistrate, who was one of the pioneers of this province, and who heroically cleared off forest and left to his heirs, one thousand acres of valuable farm lands. Miss McCully's poetry is enriched by classical illustrations, and expressed in forceful and melodious language. Her imagination relates us to the universe and to humanity. Wordsworth found new lessons in the fields and woods, and taught them; Lanier made trees, flowers and clouds our intimate friends; when we read Miss McCully's nature poems we are not conscious of the moralizing of the poet, we are in the glens ourselves looking at the afterglow, with the purity, the glory, the growth spirit and the transforming beauty of nature flowing into our lives. In a few flaming lines her stories reveal the love, the despair, and the ultimately triumphant faith of humanity. With tender pathos she unveils the evils of social and industrial conditions, and in clear tones arouses each soul, and makes it conscious of the splendour of the better conditions ahead, and thrills it with the determination to achieve for justice, freedom, and truth. – JAMES L. HUGHES, LL. D.

#Canadians #Women #XXCentury

Nicholas Moore Nicholas Moore

Nicholas Moore (16 November 1918 – 26 January 1986) was an English poet, associated with the New Apocalyptics in the 1940s, whose reputation stood as high as Dylan Thomas’s. He later dropped out of the literary world. Moore was born in Cambridge, England, the elder child of the philosopher G. E. Moore and Dorothy Ely. His paternal uncle was the poet, artist and critic Thomas Sturge Moore, and his brother was the composer Timothy Moore (1922-2003). He was educated at the Dragon School in Oxford, Leighton Park School in Reading, the University of St Andrews in Scotland, and Trinity College in Cambridge. Moore was editor and co-founder of a literary review, Seven (1938–40), while still an undergraduate. Seven, Magazine of People's Writing, had a complex later history: Moore edited it with John Goodland; it later appeared edited by Gordon Cruikshank, and then by Sydney D. Tremayne, after Randall Swingler bought it in 1941 from Philip O'Connor. While in Cambridge Moore became closely involved with literary London, in particular Tambimuttu. He published pamphlets under the Poetry London imprint in 1941 (of George Scurfield, G. S. Fraser, Anne Ridler and his own work). This led to Moore becoming Tambimuttu's assistant. Moore later worked for the Grey Walls Press. The Glass Tower, a selected poems collection from 1944, appeared with illustrations by the young Lucian Freud. In 1945 he edited The PL Book of Modern American Short Stories, and won Contemporary Poetry's Patron Prize (judged that year by W. H. Auden) for Girl with a Wine Glass. In 1947 he won the Harriet Monroe Memorial Prize for Girls and Birds and various other poems. Later Moore encountered difficulty in publishing; he was in the unusual position for a British poet of having a higher reputation in the USA. His association with the "romantics" of the 1940s was, in fact, rather an inaccurate reflection of his style. In the 1950s he worked as a horticulturist, writing a book The Tall Bearded Iris (1956). In 1968 he entered 31 separate pseudonymous translations of a single Baudelaire poem, in a competition for the Sunday Times, run by George Steiner. Each translation focused on a different element of the poem: rhyme, pattern, tropes, symbolism, etc. producing vastly different results, to illustrate the inadequacies and lacunae produced in translation. This work was published in 1973 as Spleen; it is also available online. Longings of the Acrobats, a selected poems volume, was edited by Peter Riley and published in 1990 by Carcanet Press. An interview with Riley concerning Moore's rediscovery and later years appears as a documentary element within the "Guilty River" chapter of Iain Sinclair's novel Downriver. According to Riley, Moore was extremely prolific and left behind many unpublished poems. An example of one of Moore's "pomenvylopes" – idiosyncratic documents consisting of poems and comments typed onto envelopes and posted to friends and acquaintances – appears online at The Fortnightly Review. His Selected Poems was published by Shoestring Press in 2014. Bibliography * A Wish in Season (1941) * The Island and the Cattle (1941) * A Book for Priscilla (1941) * Buzzing around with a Bee (1941) * The Cabaret, the Dancer, the Gentlemen (1942) * The Glass Tower (1944) * Thirty-Five Anonymous Odes (published anonymously, 1944) * The War of the Little Jersey Cows (published under the pseudonym "Guy Kelly", 1945) * The Anonymous Elegies and other poems (published anonymously, 1945) * Recollections of the Gala: Selected Poems 1943-48 (1950) * The Tall Bearded Iris (1956) * Anxious To Please (1968) (published under the pseudonym (anagram) "Romeo Anschilo", 1995 by Oasis Books) * Identity (1969) * Resolution and Identity (1970) * Spleen (1973) * Lacrimae Rerum (1988) * Longings of the Acrobats: Selected Poems (1990) * The Orange Bed (2011) References Wikipedia—http://en.wikipedia.org/wiki/Nicholas_Moore

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