Henry Charles Bukowski (born Heinrich Karl Bukowski; August 16, 1920 – March 9, 1994) was an American poet, novelist and short story writer. His writing was influenced by the social, cultural and economic ambience of his home city of Los Angeles. It is marked by an emphasis on the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women and the drudgery of work.

George Gordon Byron, 6th Baron Byron FRS; 22 January 1788 – 19 April 1824), simply known as Lord Byron, was an English poet and peer. One of the leading figures of the Romantic movement, Byron is regarded as one of the greatest English poets. He remains widely read and influential. Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular. He was educated at Trinity College, Cambridge, and later travelled extensively across Europe, especially in Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to lynching threats. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks revere him as a folk hero. He died in 1824 at the age of 36 from a fever contracted after the First and Second Sieges of Missolonghi.

Robert Burns (25 January 1759 – 21 July 1796) (also known as Rabbie Burns, Scotland's favourite son, the Ploughman Poet, Robden of Solway Firth, the Bard of Ayrshire and in Scotland as simply The Bard) was a Scottish poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a “light” Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these his political or civil commentary is often at its most blunt.

Ambrose Gwinnett Bierce (June 24, 1842 – circa 1914) was an American Civil War soldier, wit, and writer. Bierce’s book The Devil’s Dictionary was named as one of “The 100 Greatest Masterpieces of American Literature” by the American Revolution Bicentennial Administration. His story An Occurrence at Owl Creek Bridge has been described as “one of the most famous and frequently anthologized stories in American literature”; and his book Tales of Soldiers and Civilians (also published as In the Midst of Life) was named by the Grolier Club as one of the 100 most influential American books printed before 1900.

Robert Laurence Binyon (10 August 1869– 10 March 1943) was an English poet, dramatist and art scholar. His most famous work, For the Fallen, is well known for being used in Remembrance Sunday services. Laurence Binyon was born in Lancaster, Lancashire, England. His parents were Frederick Binyon, and Mary Dockray. Mary’s father, Robert Benson Dockray, was the main engineer of the London and Birmingham Railway. The family were Quakers. Binyon studied at St Paul’s School, London. Then he read Classics (Honour Moderations) at Trinity College, Oxford, where he won the Newdigate Prize for poetry in 1891.

Wilfrid Scawen Blunt (17 August 1840 – 10 September 1922, sometimes spelled “Wilfred”) was an English poet and writer. He and his wife, Lady Anne Blunt, travelled in the Middle East and were instrumental in preserving the Arabian horse bloodlines through their farm, the Crabbet Arabian Stud. He was best known for his poetry, which was published in a collected edition in 1914, but also wrote a number of political essays and polemics. Blunt is also known for his views against imperialism, viewed as relatively enlightened for his time.

Elizabeth Barrett Browning (6 March 1806 – 29 June 1861) was one of the most prominent poets of the Victorian era. Her poetry was widely popular in both England and the United States during her lifetime. A collection of her last poems was published by her husband, Robert Browning, shortly after her death. Barrett Browning opposed slavery and published two poems highlighting the barbarity of slavers and her support for the abolitionist cause. The poems opposing slavery include "The Runaway Slave at Pilgrim's Point" and "A Curse for a Nation"; in the first she describes the experience of a slave woman who is whipped, raped, and made pregnant as she curses the slavers. She declared herself glad that the slaves were "virtually free" when the Emancipation Act abolishing slavery in British colonies was passed in 1833, despite the fact that her father believed that Abolitionism would ruin his business.

George Henry Boker (October 6, 1823 – January 2, 1890) was an American poet, playwright, and diplomat. Boker was born in Philadelphia, Pennsylvania. His father was Charles S. Boker, a wealthy banker, whose financial expertness weathered the Girard National Bank through the panic years of 1838-40, and whose honour, impugned after his 1857 death, was defended many years later by his son in “The Book of the Dead.” Charles Boker was also a director of the Mechanics National Bank.

William Barnes (22 February 1801– 7 October 1886) was an English writer, poet, Church of England priest, and philologist. He wrote over 800 poems, some in Dorset dialect, and much other work, including a comprehensive English grammar quoting from more than 70 different languages. Barnes was born at Rushay in the parish of Bagber, Dorset, the son of a farmer. His formal education finished when he was 13 years old. Between 1818 and 1823 he worked in Dorchester, the county town, as a solicitor’s clerk, then moved to Mere in neighbouring Wiltshire and opened a school. During his time here he began writing poetry in the Dorset dialect, as well as studying several languages (Italian, Persian, German and French, in addition to Greek and Latin), playing musical instruments (violin, piano and flute) and practising wood-engraving. He married Julia Miles, the daughter of an exciseman from Dorchester, in 1827, then in 1835 moved back to the county town, where again he ran a school. The school was initially in Durngate Street, then was moved to South Street. A second move to another South Street site made the school a neighbour of an architect’s practice where Thomas Hardy was an apprentice. The architect, John Hicks, was interested in literature and the classics, and when disputes about grammar occurred in the practice, Hardy would visit Barnes next door for an authoritative opinion.

Robert Browning was born on May 7, 1812, in Camberwell, England. His mother was an accomplished pianist and a devout evangelical Christian. His father, who worked as a bank clerk, was also an artist, scholar, antiquarian, and collector of books and pictures. His rare book collection of more than 6,000 volumes included works in Greek, Hebrew, Latin, French, Italian, and Spanish. Much of Browning's education came from his well-read father. It is believed that he was already proficient at reading and writing by the age of five. A bright and anxious student, Browning learned Latin, Greek, and French by the time he was fourteen. From fourteen to sixteen he was educated at home, attended to by various tutors in music, drawing, dancing, and horsemanship.

William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form “what is in proportion to its merits the least read body of poetry in the English language”. His visual artistry has led one contemporary art critic to proclaim him “far and away the greatest artist Britain has ever produced”. Although he lived in London his entire life except for three years spent in Felpham he produced a diverse and symbolically rich corpus, which embraced the imagination as “the body of God”, or “Human existence itself”.

Elizabeth Bishop (February 8, 1911 – October 6, 1979) was an American poet, short-story writer, and recipient of the 1976 Neustadt International Prize for Literature. She was the Poet Laureate of the United States from 1949 to 1950, the Pulitzer Prize winner for Poetry in 1956 and the National Book Award winner in 1970.

William Cullen Bryant (November 3, 1794– June 12, 1878) was an American romantic poet, journalist, and long-time editor of the New York Evening Post. Youth and education Bryant was born on November 3, 1794, in a log cabin near Cummington, Massachusetts; the home of his birth is today marked with a plaque. He was the second son of Peter Bryant (b. Aug. 12, 1767, d. Mar. 20, 1820), a doctor and later a state legislator, and Sarah Snell (b. Dec. 4, 1768, d. May 6, 1847). The genealogies of both of his parents trace back to passengers on the Mayflower; his mother’s to John Alden (b. 1599, d. 1687); his father’s to Francis Cooke (b. 1577, d. 1663). He was also a nephew of Charity Bryant, a Vermont seamstress who is the subject of Rachel Hope Cleves’ 2014 book Charity and Sylvia: A Same-Sex Marriage in Early America. Bryant and his family moved to a new home when he was two years old. The William Cullen Bryant Homestead, his boyhood home, is now a museum. After just one year at Williams College (he entered with sophomore standing), he hoped to transfer to Yale, but a talk with his father led to the realization that family finances would not support it. His father counseled a legal career as his best available choice, and the disappointed poet began to study law in Worthington and Bridgewater in Massachusetts. He was admitted to the bar in 1815 and began practicing law in nearby Plainfield, walking the seven miles from Cummington every day. On one of these walks, in December 1815, he noticed a single bird flying on the horizon; the sight moved him enough to write “To a Waterfowl”. Bryant developed an interest in poetry early in life. Under his father’s tutelage, he emulated Alexander Pope and other Neo-Classic British poets. “The Embargo”, a savage attack on President Thomas Jefferson published in 1808, reflected Dr. Bryant’s Federalist political views. The first edition quickly sold out—partly because of publicity attached to the poet’s young age. A second, expanded edition included Bryant’s translation of classical verse. During his collegiate studies and his reading for the law, he wrote little poetry, but encounters with the Graveyard Poets and then Wordsworth regenerated his passion for “the witchery of song.” Poetry “Thanatopsis” is Bryant’s most famous poem, which Bryant may have been working on as early as 1811. In 1817 his father took some pages of verse from his son’s desk, and at the invitation of Willard Phillips, an editor of the North American Review who had previously been tutored in the classics by Dr. Bryant, he submitted them along with his own work. The editor of the Review, Edward Tyrrel Channing, read the poem to his assistant, Richard Henry Dana, who immediately exclaimed, “That was never written on this side of the water!” Someone at the North American joined two of the son’s discrete fragments, gave the result the Greek-derived title Thanatopsis ("meditation on death"), mistakenly attributed it to the father, and published it. After clarification of the authorship, the son’s poems began appearing with some regularity in the "[Review]". “To a Waterfowl”, published in 1821 was the most popular. On January 11, 1821, Bryant, still striving to build a legal career, married Frances Fairchild. Soon after, having received an invitation to address the Harvard University Phi Beta Kappa Society at the school’s August commencement, Bryant spent months working on “The Ages”, a panorama in verse of the history of civilization, culminating in the establishment of the United States. As it would in all collections he subsequently issued, “The Ages” led the volume, also entitled Poems, which he arranged to publish on the same trip to Cambridge. For that book, he added sets of lines at the beginning and end of “Thanatopsis” that changed the poem. His career as a poet was now established, though recognition as America’s leading poet waited until 1832, when an expanded Poems was published in the U.S. and, with the assistance of Washington Irving, in Britain. His poetry has been described as being “of a thoughtful, meditative character, and makes but slight appeal to the mass of readers.” Editorial career From 1816 to 1825, Bryant depended on his law practice in Great Barrington, Massachusetts to sustain his family financially, but the strain of dealing with unsophisticated neighbors and juridical pettifoggery pushed him to trade his unrewarding profession for New York City and the promise of a literary career. With the encouragement of a distinguished and well-connected literary family, the Sedgwicks, he quickly gained a foothold in New York City’s vibrant cultural life. His first employment, in 1825, was as editor of the New-York Review, which within the next year merged with the United States Review and Literary Gazette. But in the throes of the failing struggle to raise subscriptions, he accepted part-time duties with the New-York Evening Post under William Coleman; then, partly because of Coleman’s ill health, traceable to the consequences of a duel and then a stroke, Bryant’s responsibilities expanded rapidly. From Assistant Editor he rose to Editor-in-Chief and co-owner of the newspaper that had been founded by Alexander Hamilton. Over the next half century, the “Post” would become the most respected paper in the city and, from the election of Andrew Jackson, the major platform in the Northeast for the Democratic Party and subsequently of the Free Soil and Republican Parties. In the process, the Evening-Post also became the pillar of a substantial fortune. From his Federalist beginnings, Bryant had shifted to being one of the most liberal voices of the century. An early supporter of organized labor, with his 1836 editorials the right of workmen to strike, Bryant also defended of religious minorities and immigrants, and promoted the abolition of slavery. He “threw himself into the foreground of the battle for human rights” and did not cease speaking out against the corrupting influence of certain bankers in spite of their efforts to break down the paper. According to newspaper historian Frank Luther Mott, Bryant was “a great liberal seldom done justice by modern writers”. Ironically, the boy who first tasted fame for his diatribe against Thomas Jefferson and his party became one of the key supporters in the Northeast of that same party under Jackson. Bryant’s views, always progressive though not quite populist, in course led him to join the Free Soilers, and when the Free Soil Party became a core of the new Republican Party in 1856, Bryant vigorously campaigned for John Frémont. That exertion enhanced his standing in party councils, and in 1860, he was one of the prime Eastern exponents of Abraham Lincoln, whom he introduced at Cooper Union. (That “Cooper Union speech” lifted Lincoln to the nomination, and then the presidency.) Although literary historians have neglected his fiction, Bryant’s stories over the seven-year period from his time with the Review to the publication of Tales of Glauber Spa in 1832 show a variety of strategies, making him the most inventive of practitioners of the genre during this early stage of its evolution. Bryant edited the very successful Picturesque America which was published between 1872 and 1874. This two-volume set was lavishly illustrated and described scenic places in the United States and Canada. Later years In his last decade, Bryant shifted from writing his own poetry to a blank verse translation of Homer’s works. He assiduously worked on the Iliad and The Odyssey from 1871 to 1874. He is also remembered as one of the principal authorities on homeopathy and as a hymnist for the Unitarian Church—both legacies of his father’s enormous influence on him. Bryant died in 1878 of complications from an accidental fall suffered after participating in a Central Park ceremony honoring Italian patriot Giuseppe Mazzini. He is buried at Roslyn Cemetery in Roslyn, Long Island, New York. Critical response Poet and literary critic Thomas Holley Chivers said that the "only thing [Bryant] ever wrote that may be called Poetry is 'Thanatopsis’, which he stole line for line from the Spanish. The fact is, that he never did anything but steal—as nothing he ever wrote is original." Contemporary critic Edgar Allan Poe, on the other hand, praised Bryant and specifically the poem “June” in his essay “The Poetic Principle”: The rhythmical flow, here, is even voluptuous—nothing could be more melodious. The poem has always affected me in a remarkable manner. The intense melancholy which seems to well up, perforce, to the surface of all the poet’s cheerful sayings about his grave, we find thrilling us to the soul—while there is the truest poetic elevation in the thrill. The impression left is one of a pleasurable sadness. Editor and children’s writer Mary Mapes Dodge wrote that Bryant’s poems “have wrought vast and far-reaching good in the world.” She predicted, “You will admire more and more, as you grow older, the noble poems of this great and good man.” Bryant’s poetry is tender and graceful, pervaded by a contemplative melancholy, and a love of solitude and the silence of the woods. Though he was brought up to admire Pope, and in his early youth imitated him, he was one of the first American poets to throw off his influence. He had a high sense of duty, was a prominent and patriotic citizen, and enjoyed the esteem and even the reverence of his fellow-countrymen. Legacy In 1884, New York City’s Reservoir Square, at the intersection of 42nd Street and Sixth Avenue, was renamed Bryant Park in his honor. The city later named a public high school in Long Island City, Queens in his honor. A park in East York, a suburb of Toronto, Canada, bears the name of Cullen Bryant Park as well. Although he is now thought of as a New Englander, Bryant, for most of his lifetime, was thoroughly a New Yorker—and a very dedicated one at that. He was a major force behind the idea that became Central Park, as well as a leading proponent of creating the Metropolitan Museum of Art. He was one of a group of founders of New York Medical College. He had close affinities with the Hudson River School of art and was an intimate friend of Thomas Cole. He defended immigrants and, at some financial risk to himself, championed the rights of workers to form labor unions. As a writer, Bryant was an early advocate of American literary nationalism, and his own poetry focusing on nature as a metaphor for truth established a central pattern in the American literary tradition. Some however, argue that a reassessment is long overdue. It finds great merit in a couple of short stories Bryant wrote while trying to build interest in periodicals he edited. More importantly, it perceives a poet of great technical sophistication who was a progenitor of Walt Whitman, to whom he was a mentor. Martin Luther King, Jr quoted Bryant in his speech “Give Us the Ballot”, when he said, “there is something in this universe which justifies William Cullen Bryant in saying: ‘Truth crushed to earth will rise again.’” The Seattle neighborhood Bryant is named after him. Bryant House at Williams College is named for him. References Wikipedia—https://en.wikipedia.org/wiki/William_Cullen_Bryant

William Lisle Bowles (24 September 1762– 7 April 1850) was an English priest, poet and critic. Life and career Bowles was born at King’s Sutton, Northamptonshire, where his father was vicar. At the age of 14 he entered Winchester College, where the headmaster at the time was Dr Joseph Warton. In 1781 Bowles left as captain of the school, and went on to Trinity College, Oxford, where he had won a scholarship. Two years later he won the Chancellor’s prize for Latin verse. Bowles came from a line of Church of England clergymen. His great-grandfather Matthew Bowles (1652–1742), grandfather Dr Thomas Bowles (1696–1773) and father William Thomas Bowles (1728–86) had all been parish priests. After taking his degree at Oxford, Bowles followed his forebears into the Church of England, and in 1792, after serving as curate in Donhead St Andrew, was appointed vicar of Chicklade in Wiltshire. In 1797 he received the vicarage of Dumbleton in Gloucestershire, and in 1804 became vicar of Bremhill in Wiltshire, where he wrote the poem seen on Maud Heath’s statue. In the same year his bishop, John Douglas, collated him to a prebendal stall in Salisbury Cathedral. In 1818 he was made chaplain to the Prince Regent, and in 1828 he was elected residentiary canon of Salisbury. Works * In 1789 he published, in a very small quarto volume, Fourteen Sonnets, which were received with extraordinary favour, not only by the general public, but by such men as Samuel Taylor Coleridge and Wordsworth. * The Sonnets even in form were a revival, a return to an older and purer poetic style, and by their grace of expression, melodious versification, tender tone of feeling and vivid appreciation of the life and beauty of nature, stood out in strong contrast to the elaborated commonplaces which at that time formed the bulk of English poetry. Bowles said thereof Poetic trifles from solitary rambles whilst chewing the cud of sweet and bitter fancy, written from memory, confined to fourteen lines, this seemed best adapted to the unity of sentiment, the verse flowed in unpremeditated harmony as my ear directed but are far from being mere elegiac couplets. * The longer poems published by Bowles are not of a very high standard, though all are distinguished by purity of imagination, cultured and graceful diction, and great tenderness of feeling. The most extensive were The Spirit of Discovery (1804), which was mercilessly ridiculed by Lord Byron; The Missionary (1813); The Grave of the Last Saxon (1822); and St John in Patmos (1833). Bowles is perhaps more celebrated as a critic than as a poet.In 1806 he published an edition of Alexander Pope’s works with notes and an essay, in which he laid down certain canons as to poetic imagery which, subject to some modification, were later accepted, but which were received at the time with strong opposition by admirers of Pope and his style. The controversy brought into sharp contrast the opposing views of poetry, which may be roughly described as the natural and the artificial. * Bowles was an amiable, absent-minded, and rather eccentric man. His poems are characterised by refinement of feeling, tenderness, and pensive thought, but are deficient in power and passion. Bowles maintained that images drawn from nature are poetically finer than those drawn from art; and that in the highest kinds of poetry the themes or passions handled should be of the general or elemental kind, and not the transient manners of any society. These positions were attacked by Byron, Thomas Campbell, William Roscoe and others, while for a time Bowles was almost solitary. William Hazlitt and the Blackwood critics came to his assistance, and on the whole Bowles had reason to congratulate himself on having established certain principles which might serve as the basis of a true method of poetical criticism, and of having inaugurated, both by precept and by example, a new era in English poetry. Among other prose works from his prolific pen was a Life of Bishop Ken (two volumes, 1830–1831). Other works include Coombe Ellen and St. Michael’s Mount (1798), The Battle of the Nile (1799), and The Sorrows of Switzerland (1801). * Bowles also enjoyed considerable reputation as an antiquary, his principal work in that department being Hermes Britannicus (1828). His Poetical Works were collected in 1855 as part of the Library Edition of the British Poets, with a memoir by George Gilfillan. Reception * Bowles’ work was important to the young Samuel Taylor Coleridge: * Bowles was the cause in the 1820s of the Alexander Pope controversy into which George Gordon, Lord Byron was drawn. References Wikipedia—https://en.wikipedia.org/wiki/William_Lisle_Bowles

Mathilde Blind (born Mathilde Cohen, pseudonym Claude Lake; 21 March 1841 in Mannheim, Germany– 26 November 1896 in London), was a German-born British poetess. Her work was praised by Matthew Arnold and French politician and historian Louis Blanc.

Sir John Betjeman, CBE (28 August 1906 – 19 May 1984) was an English poet, writer, and broadcaster who described himself in Who’s Who as a “poet and hack”. He was Poet Laureate of the United Kingdom from 1972 until his death. He was a founding member of the Victorian Society and a passionate defender of Victorian architecture. He began his career as a journalist and ended it as one of the most popular British Poets Laureate and a much-loved figure on British television.

Emily Jane Brontë (30 July 1818 – 19 December 1848) was an English novelist and poet, best remembered for her solitary novel, Wuthering Heights, now considered a classic of English literature. Emily was the third eldest of the four surviving Brontë siblings, between the youngest Anne and her brother Branwell. She published under the pen name Ellis Bell. She was born in Thornton, near Bradford in Yorkshire, to Maria Branwell and Patrick Brontë. She was the younger sister of Charlotte Brontë and the fifth of six children. In 1824, the family moved to Haworth, where Emily's father was perpetual curate, and it was in these surroundings that their literary gifts flourished.

Anna Laetitia Barbauld (20 June 1743 – 9 March 1825) was a prominent English poetess, essayist, literary critic, editor and children’s author. A “woman of letters” who published in multiple genres, Barbauld had a successful writing career at a time when female professional writers were rare. She was a noted teacher at the Palgrave Academy and an innovative children’s writer; her primers provided a model for pedagogy for more than a century. Her essays demonstrated that it was possible for a woman to be publicly engaged in politics, and other women authors such as Elizabeth Benger emulated her. Barbauld’s literary career spanned numerous periods in British literary history: her work promoted the values of both the Enlightenment and Sensibility, and her poetry was foundational to the development of British Romanticism. Barbauld was also a literary critic, and her anthology of 18th-century British novels helped establish the canon as known today.

Rupert Chawner Brooke (middle name sometimes given as "Chaucer"; 3 August 1887 – 23 April 1915) was an English poet known for his idealistic war sonnets written during the First World War, especially "The Soldier". He was also known for his boyish good looks, which were said to have prompted the Irish poet W. B. Yeats to describe him as "the handsomest young man in England”. Brooke belonged to another literary group known as the Georgian Poets and was one of the most important of the Dymock poets, associated with the Gloucestershire village of Dymock where he spent some time before the war. He also lived in the Old Vicarage, Grantchester. While travelling in Europe he prepared a thesis, entitled "John Webster and the Elizabethan Drama", which won him a scholarship to King's College, Cambridge, where he became a member of the Cambridge Apostles, was elected as President of the Cambridge University Fabian Society, helped found the Marlowe Society drama club and acted in plays including the Cambridge Greek Play. To Rupert Brooke (by Eden Phillpotts, from ‘Plain Song, 1914-1916’) Though we, a happy few, Indubitably knew That from the purple came This poet of pure flame, The world first saw his light Flash on an evil night, And heard his song from far Above the drone of war. Out of the primal dark He leapt, like lyric lark, Singing his aubade strain; Then fell to earth again. We garner all he gave, And on his hero grave, For love and honour strew, Rosemary, myrtle, rue. Son of the Morning, we Had kept you thankfully; But yours the asphodel: Hail, singer, and farewell!

Richard Gary Brautigan (January 30, 1935 – ca. September 16, 1984) was an American novelist, poet, and short story writer. His work often employs black comedy, parody, and satire. He is best known for his 1967 novel Trout Fishing in America. Brautigan was born in Tacoma, Washington, the only child of Bernard Frederick “Ben” Brautigan, Jr., a factory worker and laborer, and Lulu Mary “Mary Lou” Keho, a waitress. In 1984, at age 49, Richard Brautigan had moved to Bolinas, California, where he was living alone in a large, old house that he had bought with his earnings years earlier. He died of a self-inflicted .44 Magnum gunshot wound to the head.

Katharine Lee Bates (August 12, 1859– March 28, 1929) was an American songwriter. She is remembered as the author of the words to the anthem “America the Beautiful”. She popularized “Mrs. Santa Claus” through her poem Goody Santa Claus on a Sleigh Ride (1889). Bates was born in Falmouth, Massachusetts, the daughter of Congregational pastor William Bates and his wife, Cornelia Frances Lee. She graduated from Wellesley High School in 1874 and from Wellesley College with a B.A. in 1880. She taught at Natick High School during 1880–81 and at Dana Hall School from 1885 until 1889. She returned to Wellesley as an instructor, then an associate professor 1891–93 when she was awarded an M.A. and became full professor of English literature. She studied at Oxford University during 1890–91.

John Le Gay Brereton (2 September 1871– 2 February 1933) was an Australian poet, critic and professor of English at the University of Sydney. He was the first president of the Fellowship of Australian Writers when it was formed in Sydney in 1928. Brereton was born in Sydney, the fifth son of John Le Gay Brereton (1827-1886), a well-known Sydney physician who published five volumes of verse between 1857 and 1887, and his wife Mary, née Tongue. The younger Brereton was educated at Sydney Grammar School from 1881 and the University of Sydney where he graduated BA (1894), reading English under Professor Sir Mungo MacCallum. He was editor of Hermes, the student literary annual, and became the university’s chief librarian in 1915.

Mary Barber (c.1685– C.1755), poet, was a member of Swift’s circle. Life Mary’s parents are not known. She married the amateur artist and draper, Rupert Barber (1719-1772) from Dublin, whose pastel portrait of Swift hangs in the National Portrait Gallery London. They had nine children, four of whom survived to adulthood. She wrote, in the preface to her Poems, that she wrote mainly in order to educate her children, but most commentators agree that she had a larger audience in view and was considerably engaged with intervening in wider social and political issues, as she did with “The Widow’s Address” when she argued on behalf of the widow of an army officer. She is an example of the eighteenth-century phenomenon of the “untutored poet, or 'natural genius’”: an artist of unprepossessing background who achieved the patronage of literary or aristocratic notables. Swift named her as part of his “triumfeminate,” along with poet and scholar Constantia Grierson and literary critic Elizabeth Sican, and maintained that she was a preeminent poet—"the best Poetess of both Kingdoms"—though this assessment was not universally shared and she has only recently garnered much critical attention. She moved into his circle and knew Laetitia Pilkington, who later became her harshest critic, Mary Delany, and poets Thomas Tickell, and Elizabeth Rowe. Swift’s patronage was a substantial support to Barber’s career and her Poems on several occasions (1734) was successful. The subscription list for the volume was almost “without precedent for its resplendent length and illustrious contents, and it was moreover remarkable given Barber’s otherwise pedestrian social standing as an ailing Irish housewife.” There were over nine hundred subscribers including various aristocrats and a number of literary luminaries, notably Pope, Arbuthnot, Gay, Walpole, and of course Swift himself. She did not, however, achieve financial stability until at her request and in order to alleviate her financial distress, Swift gave her the English rights to his Complete Collection of Genteel and Ingenious Conversation (1738). Her health declined after the publication of her Poems and subsequent writing was sparse. She did publish some verses about the gout, from which she suffered for over two decades, in the Gentleman’s Magazine in 1737. She died in or around 1755. Works * “The Widow’s Address” (Dublin, 1725) * “A Tale Being an Addition to Mr. Gay’s Fables” (Dublin, 1728) * Tunbrigialia, or, Tunbridge Miscellanies, for the Year 1730 (contributor). * Poems on several occasions (sold by subscription, printed by Samuel Richardson, 1734. 2nd ed. 1735; reissued 1736). * Poems by Eminent Ladies (contributor, 1755). Resources * Coleborne, Bryan. “Barber, Mary (c.1685–1755).” Oxford Dictionary of National Biography. Ed. H. C. G. Matthew and Brian Harrison. Oxford: OUP, 2004. 1 Apr. 2007. * Fanning, Christopher. “The Voices of the Dependent Poet: the case of Mary Barber.” Women’s Writing 8.1 (2001): 81-97. * Lonsdale, Roger ed. “Mary Barber.” Eighteenth-Century Women Poets. New York: Oxford University Press, 1989. 118-129.

Anne Bradstreet was born in Northampton, England, in the year 1612, daughter of Thomas Dudley and Dorothy Yorke; Dudley, who had been a leader of volunteer soldiers in the English Reformation and Elizabethan Settlement, was then a steward to the Earl of Lincoln; Dorothy was a gentlewoman of noble heritage and she was also well educated. At the age of 16, Anne was married to Simon Bradstreet, a 25 year old assistant in the Massachusetts Bay Company and the son of a Puritan minister, who had been in the care of the Dudleys since the death of his father. Anne and her family emigrated to America in 1630 on the Arabella, one of the first ships to bring Puritans to New England in hopes of setting up plantation colonies. The journey was difficult; many perished during the three month journey, unable to cope with the harsh climate and poor living conditions, as sea squalls rocked the vessel, and scurvy brought on by malnutrition claimed their lives. Anne, who was a well educated girl, tutored in history, several languages and literature, was ill prepared for such rigorous travel, and would find the journey very difficult. Their trials and tribulations did not end upon their arrival, though, and many of those who had survived the journey, either died shortly thereafter, or elected to return to England, deciding they had suffered through enough. Thomas Dudley and his friend John Winthrop made up the Boston settlement's government; Winthrop was Governor, Dudley Deputy-Governor and Bradstreet Chief-Administrator. The colonists' fight for survival had become daily routine, and the climate, lack of food, and primitive living arrangements made it very difficult for Anne to adapt. She turned inwards and let her faith and imagination guide her through the most difficult moments; images of better days back in England, and the belief that God had not abandoned them helped her survive the hardships of the colony. Having previously been afflicted with smallpox, Anne would once again fall prey to illness as paralysis took over her joints; surprisingly, she did not let her predicament dim her passion for living, and she and her husband managed to make a home for themselves, and raise a family. Despite her poor health, she had eight children, and loved them dearly. Simon eventually came to prosper in the new land, and for a while it seemed things would not be so bad. Tragedy struck once more, when one night the Bradstreet home was engulfed in flames; a devastating fire which left the family homeless and devoid of personal belongings. It did not take too long for them to get back on their feet, thanks to their hard work, and to Simon's social standing in the community. While Anne and her husband were very much in love, Simon's political duties kept him traveling to various colonies on diplomatic errands, so Anne would spend her lonely days and nights reading from her father's vast collection of books, and educating her children. The reading would not only keep her from being lonely, but she also learned a great deal about religion, science, history, the arts, and medicine; most of all, reading helped her cope with life in New England. Anne Bradstreet was especially fond of poetry, which she had begun to write herself; her works were kept private though, as it was frowned upon for women to pursue intellectual enlightenment, let alone create and air their views and opinions. She wrote for herself, her family, and close circle of educated friends, and did not intend on publication. One of her closest friends, Anne Hutchinson, who was also a religious and educated woman had made the mistake of airing her views publicly, and was banished from her community. However, Anne's work would not remained unnoticed... Her brother-in-law, John Woodbridge, had secretly copied Anne's work, and would later bring it to England to have it published, albeit without her permission. Woodbridge even admitted to it in the preface of her first collection, "The Tenth Muse Lately Sprung Up in America, By a Gentlewoman of Those Parts", which was published in 1650. The book did fairly well in England, and was to be the last of her poetry to be published during her lifetime. All her other poems were published posthumously. Anne Bradstreet's poetry was mostly based on her life experience, and her love for her husband and family. One of the most interesting aspects of her work is the context in which she wrote; an atmosphere where the search for knowledge was frowned upon as being against God's will, and where women were relegated to traditional roles. Yet, we cAnneot help but feel the love she had for both God, and her husband, and her intense devotion to both, and to her family, despite the fact that she clearly valued knowledge and intellect, and was a free thinker, who could even be considered an early feminist. By Anne Bradstreet's health was slowly failing; she had been through many ailments, and was now afflicted with tuberculosis. Shortly after contracting the disease, she lost her daughter Dorothy to illness as well, but her will was strong, and perhaps, as a reflection of her own acceptance of death, she found solace in thinking of her daughter in a better place. Soon thereafter, Anne Bradstreet's long and difficult battle with illness would be at an end, and she passed away on September 16, 1672, in Andover, Massachusetts, at the age 60.

Gwendolyn Elizabeth Brooks (June 7, 1917– December 3, 2000) was an American poet and teacher. She was the first African-American woman to win a Pulitzer prize when she was awarded the Pulitzer Prize for Poetry in 1950 for her second collection, Annie Allen. Throughout her career she received many more honors. She was appointed Poet Laureate of Illinois in 1968, a position held until her death and Poet Laureate Consultant in Poetry to the Library of Congress in 1985.

John Bunyan (/ˈbʌnjən/; baptised 30 November 1628– 31 August 1688) was an English writer and Baptist preacher best remembered as the author of the Christian allegory The Pilgrim’s Progress. In addition to The Pilgrim’s Progress, Bunyan wrote nearly sixty titles, many of them expanded sermons. Bunyan came from the village of Elstow, near Bedford. He had some schooling and at the age of sixteen joined the Parliamentary army during the first stage of the English Civil War. After three years in the army he returned to Elstow and took up the trade of tinker, which he had learned from his father. He became interested in religion after his marriage, attending first the parish church and then joining the Bedford Meeting, a nonconformist group in Bedford, and becoming a preacher. After the restoration of the monarch, when the freedom of nonconformists was curtailed, Bunyan was arrested and spent the next twelve years in jail as he refused to undertake to give up preaching. During this time he wrote a spiritual autobiography, Grace Abounding to the Chief of Sinners, and began work on his most famous book, The Pilgrim’s Progress, which was not published until some years after his release. Bunyan’s later years, in spite of another shorter term of imprisonment, were spent in relative comfort as a popular author and preacher, and pastor of the Bedford Meeting. He died aged 59 after falling ill on a journey to London and is buried in Bunhill Fields. The Pilgrim’s Progress became one of the most published books in the English language; 1,300 editions having been printed by 1938, 250 years after the author’s death. He is remembered in the Church of England with a Lesser Festival on 30 August, and on the liturgical calendar of the United States Episcopal Church on 29 August. Some other churches of the Anglican Communion, such as the Anglican Church of Australia, honour him on the day of his death (31 August). Early life John Bunyan was born in 1628 to Thomas and Margaret Bunyan at Bunyan’s End in the parish of Elstow, Bedfordshire. Bunyan’s End is located about half-way between the hamlet of Harrowden (one mile south-east of Bedford) and Elstow High Street. Bunyan’s date of birth is not known, but he was baptised on 30 November 1628, the baptismal entry in the parish register reading "John the sonne of Thomas Bunnion Jun., the 30 November". The name Bunyan was spelt in many different ways (there are 34 variants in Bedfordshire Record Office) and had its origins in the Norman-French name Buignon. There had been Bunyans in north Bedfordshire since at least 1199. Bunyan’s father was a brazier or tinker who travelled around the area mending pots and pans, and his grandfather had been a chapman or small trader. The Bunyans also owned land in Elstow, so Bunyan’s origins were not quite as humble as he suggested in his autobiographical work Grace Abounding to the Chief of Sinners when he wrote that his father’s house was “of that rank that is meanest and most despised in the country”. As a child Bunyan learnt his father’s trade of tinker and was given some rudimentary schooling. In Grace Abounding Bunyan recorded few details of his upbringing, but he did note how he picked up the habit of swearing (from his father), suffered from nightmares, and read the popular stories of the day in cheap chap-books. In the summer of 1644 Bunyan lost both his mother and his sister Margaret. That autumn, shortly before or after his sixteenth birthday, Bunyan enlisted in the Parliamentary army when an edict demanded 225 recruits from the town of Bedford. There are few details available about his military service, which took place during the first stage of the English Civil War. A muster roll for the garrison of Newport Pagnell shows him as private “John Bunnian”. In Grace Abounding, he recounted an incident from this time, as evidence of the grace of God: “When I was a Soldier I, with others were drawn out to go to such a place to besiege it; But when I was just ready to go, one of the company desired to go in my room, to which, when I had consented, he took my place; and coming to the siege, as he stood Sentinel, he was shot into the head with a Musket bullet and died.” Bunyan’s army service provided him with a knowledge of military language which he then used in his book The Holy War, and also exposed him to the ideas of the various religious sects and radical groups he came across in Newport Pagnell. The garrison town also gave him opportunities to indulge in the sort of behaviour he would later confess to in Grace Abounding: “So that until I came to the state of Marriage, I was the very ringleader of all the Youth that kept me company, in all manner of vice and ungodliness”. Bunyan spent nearly three years in the army, leaving in 1647 to return to Elstow and his trade as a tinker. His father had remarried and had more children and Bunyan moved from Bunyan’s End to a cottage in Elstow High Street. Marriage and conversion Within two years of leaving the army, Bunyan married. The name of his wife and the exact date of his marriage are not known, but Bunyan did recall that his wife, a pious young woman, brought with her into the marriage two books that she had inherited from her father: Arthur Dent’s Plain Man’s Pathway to Heaven and Lewis Bayly’s Practice of Piety. He also recalled that, apart from these two books, the newly-weds possessed little: “not having so much household-stuff as a Dish or a Spoon betwixt us both”. The couple’s first daughter, Mary, was born in 1650, and it soon became apparent that she was blind. They would have three more children, Elizabeth, Thomas and John. By his own account, Bunyan had as a youth enjoyed bell-ringing, dancing and playing games including on Sunday, thought by many to be the Sabbath, which was forbidden by the Puritan regime. One Sunday the vicar of Elstow preached a sermon against Sabbath breaking, and Bunyan took this sermon to heart. That afternoon, as he was playing tip-cat (a game in which a small piece of wood is hit with a bat) on Elstow village green, he heard a voice from the heavens “Wilt thou leave thy sins, and go to Heaven? Or have thy sins, and go to Hell?” The next few years were a time of intense spiritual conflict for Bunyan as he struggled with his doubts and fears over religion and guilt over what he saw as his state of sin. During this time Bunyan, whilst on his travels as a tinker, happened to be in Bedford and pass a group of women who were talking about spiritual matters on their doorstep. The women were in fact some of the founding members of the Bedford Free Church or Meeting and Bunyan, who had been attending the parish church of Elstow, was so impressed by their talk that he joined their church. At that time the nonconformist group was meeting in St John’s church in Bedford under the leadership of former Royalist army officer John Gifford. At the instigation of other members of the congregation Bunyan began to preach, both in the church and to groups of people in the surrounding countryside. In 1656, having by this time moved his family to St Cuthbert’s Street in Bedford, he published his first book, Gospel Truths Opened, which was inspired by a dispute with Quakers. In 1658 Bunyan’s wife died, leaving him with four small children, one of them blind. A year later he married an eighteen-year-old woman called Elizabeth. Imprisonment The religious tolerance which had allowed Bunyan the freedom to preach became curtailed with the restoration of the monarchy in 1660. The members of the Bedford Meeting were no longer able to meet in St John’s church, which they had been sharing with the Anglican congregation. That November, Bunyan was preaching at Lower Samsell, a farm near the village of Westoning, thirteen miles from Bedford, when he was warned that a warrant was out for his arrest. Deciding not to make an escape, he was arrested and brought before the local magistrate Sir Francis Wingate, at Harlington House. The Act of Uniformity, which made it compulsory for preachers to be ordained by an Anglican bishop and for the revised Book of Common Prayer to be used in church services, was still two years away, and the Act of Conventicles, which made it illegal to hold religious meetings of five or more people outside the Church of England was not passed until 1664. Bunyan was arrested under the Conventicle Act of 1593, which made it an offence to attend a religious gathering other than at the parish church with more than five people outside their family. The offence was punishable by 3 months imprisonment followed by banishment or execution if the person then failed to promise not to re-offend. The Act had been little used, and Bunyan’s arrest was probably due in part to concerns that non-conformist religious meetings were being held as a cover for people plotting against the king (although this was not the case with Bunyan’s meetings). The trial of Bunyan took place in January 1661 at the quarter sessions in Bedford, before a group of magistrates under John Kelynge, who would later help to draw up the Act of Uniformity. Bunyan, who had been held in prison since his arrest, was indicted of having “devilishly and perniciousy abstained from coming to church to hear divine service” and having held “several unlawful meetings and conventicles, to the great disturbance and distraction of the good subjects of this kingdom”. He was sentenced to three months imprisonment with transportation to follow if at the end of this time he didn’t agree to attend the parish church and desist from preaching. As Bunyan refused to agree to give up preaching, his period of imprisonment eventually extended to 12 years and brought great hardship to his family. Elizabeth, who made strenuous attempts to obtain his release, had been pregnant when her husband was arrested and she subsequently gave birth prematurely to a still-born child. Left to bring up four step-children, one of whom was blind, she had to rely on the charity of Bunyan’s fellow members of the Bedford Meeting and other supporters and on what little her husband could earn in gaol by making shoelaces. But Bunyan remained resolute: “O I saw in this condition I was a man who was pulling down his house upon the head of his Wife and Children; yet thought I, I must do it, I must do it”. Bunyan spent his 12 years’ imprisonment in Bedford County Gaol, which stood on the corner of the High Street and Silver Street. There were however occasions when he was allowed out of prison, depending on the gaolers and the mood of the authorities at the time, and he was able to attend the Bedford Meeting and even preach. His daughter Sarah was born during his imprisonment (the other child of his second marriage, Joseph, was born after his release in 1672). In prison, Bunyan had a copy of the Bible and of John Foxe’s Book of Martyrs, as well as writing materials. He also had at times the company of other preachers who had been imprisoned. It was in Bedford Gaol that he wrote Grace Abounding and started work on The Pilgrim’s Progress, as well as penning several tracts that may have brought him a little money. In 1671, while still in prison, he was chosen as pastor of the Bedford Meeting. By that time there was a mood of increasing religious toleration in the country and in March 1672 the king issued a declaration of indulgence which suspended penal laws against nonconformists. Thousands of nonconformists were released from prison, amongst them Bunyan and five of his fellow inmates of Bedford Gaol. Bunyan was freed in May 1672 and immediately obtained a licence to preach under the declaration of indulgence. Later life Following his release from gaol in 1672 Bunyan probably did not return to his former occupation of tinker. Instead he devoted his time to writing and preaching. He continued as pastor of the Bedford Meeting and travelled over Bedfordshire and adjoining counties on horseback to preach, becoming known affectionately as “Bishop Bunyan”. His preaching also took him to London, where Lord Mayor Sir John Shorter became a friend and presented him with a silver-mounted walking stick. The Pilgrim’s Progress was published in 1678 by Nathaniel Ponder and immediately became popular, though probably making more money for its publisher than for its author. Two events marred Bunyan’s life during the later 1670s. Firstly he became embroiled in a scandal concerning a young woman called Agnes Beaumont. When going to preach in Gamlingay in 1674 he allowed Beaumont, a member of the Bedford Meeting, to ride pillion on his horse, much to the anger of her father, who then died suddenly. His daughter was initially suspected of poisoning him, though the coroner found he had died of natural causes. And then in 1676-7 he underwent a second term of imprisonment, probably for refusing to attend the parish church. In 1688, on his way to London, Bunyan made a detour to Reading, Berkshire, to try and resolve a quarrel between a father and son. Continuing to London to the house of his friend, grocer John Strudwick of Snow Hill in the City of London, he was caught in a storm and fell ill with a fever. He died in Strudwick’s house on the morning of 31 August 1688 and was buried in the tomb belonging to Strudwick in Bunhill Fields nonconformist burial ground in London. Bunyan’s estate at his death was worth £42 19s 0d. His widow Elizabeth died in 1691. Works * Between 1656 when he published his first work, Some Gospel Truths Opened (a tract against the Quakers), and his death in 1688, Bunyan published 42 titles. A further two works, including his Last Sermon, were published the following year by George Larkin. In 1692 Southwark comb-maker Charles Doe, who was a friend of Bunyan’s later years, brought out, with the collaboration of Bunyan’s widow, a collection of the author’s works, including 12 previously unpublished titles, mostly sermons. Six years later Doe published The Heavenly Footman and finally in 1765 Relation of My Imprisonment was published, giving a total of 58 published titles. * It is the allegory The Pilgrim’s Progress, written during Bunyan’s twelve-year imprisonment although not published until 1678 six years after his release, that made Bunyan’s name as an author with its immediate success. It remains the book for which Bunyan is best remembered. The images Bunyan uses in The Pilgrim’s Progress are reflections of images from his own world; the strait gate is a version of the wicket gate at Elstow Abbey church, the Slough of Despond is a reflection of Squitch Fen, a wet and mossy area near his cottage in Harrowden, the Delectable Mountains are an image of the Chiltern Hills surrounding Bedfordshire. Even his characters, like the Evangelist as influenced by John Gifford, are reflections of real people. Further allegorical works were to follow: The Life and Death of Mr. Badman (1680), Pilgrim’s Progress Part II, and The Holy War (1682). Grace Abounding to the Chief of Sinners, a spiritual autobiography was published in 1666, when he was still in jail. Adaptations * In March, 2015 Director Darren Wilson announced a Kickstarter campaign to produce a full-length feature film based on The Pilgrims Progress called Heaven Quest: A Pilgrim’s Progress Movie. Memorials * In 1862 a recumbent statue was created to adorn Bunyan’s grave, and restored in 1922. * In 1874, a bronze statue of John Bunyan, sculpted by Sir Joseph Edgar Boehm, was erected in Bedford. This stands at the south-western corner of St Peter’s Green, facing down Bedford’s High Street. The site was chosen by Boehm for its significance as a crossroads. Bunyan is depicted expounding the Bible, to an invisible congregation, with a broken fetter representing his imprisonment by his left foot. There are three scenes from “The Pilgrim’s Progress” on the stone plinth: Christian at the wicket gate; his fight with Apollyon; and losing his burden at the foot of the cross of Jesus. The statue was unveiled by Lady Augusta Stanley, wife of the Dean of Westminster, on Wednesday 10 June 1874. In 1876 the Duke of Bedford gave bronze doors by Frederick Thrupp depicting scenes from The Pilgrim’s Progress to the Bunyan Meeting (the former Bedford Meeting which had been renamed in Bunyan’s honour). * There is another statue of him in Kingsway, London, and there are memorial windows in Westminster Abbey, Southwark Cathedral and various churches, including Elstow Abbey (the parish church of Elstow) and the Bunyan Meeting Free Church in Bedford. * Bunyan is remembered in the Church of England with a Lesser Festival on 30 August, and on the liturgical calendar of the United States Episcopal Church on 29 August. Some other churches of the Anglican Communion, such as the Anglican Church of Australia, honour him on the day of his death (31 August). Legacy * Bunyan is best remembered for The Pilgrim’s Progress, a book which gained immediate popularity. By 1692, four year’s after the author’s death, publisher Charles Doe estimated that 100,000 copies had been printed in England, as well as editions “in France, Holland, New England and Welch”. By 1938, 250 years after Bunyan’s death, more than 1,300 editions of the book had been printed. * During the 18th century Bunyan’s unpolished style fell out of favour, but his popularity returned with Romanticism, poet Robert Southey writing an appreciative biography in 1830. Bunyan’s reputation was further enhanced by the evangelical revival and he became a favourite author of the Victorians. The tercentenary of Bunyan’s birth, celebrated in 1928, elicited praise from his former adversary, the Church of England. Although popular interest in Bunyan waned during the second half of the twentieth century, academic interest in the writer has increased and Oxford University Press brought out a new edition of his works, beginning in 1976. Authors who have been influenced by Bunyan include Nathaniel Hawthorne, Herman Melville, Charles Dickens, Louisa May Alcott and George Bernard Shaw. * Bunyan’s work, in particular The Pilgrim’s Progress, has reached a wider audience through stage productions, film, TV, and radio. An opera by Ralph Vaughan Williams based on The Pilgrim’s Progress was first performed at the Royal Opera House in 1951 as part of the Festival of Britain and revived in 2012 by the English National Opera. * John Bunyan had six children, five of whom are known to have married, of which four had children. Moot Hall Museum (in Elstow) has a record of John’s descendants, down to the nineteenth century but as of September 2013, no verifiable trace of later descendants has been found. Selected bibliography * * Among Bunyan’s many works: References Wikipedia—https://en.wikipedia.org/wiki/John_Bunyan

Horatius Bonar (19 December 1808– 31 July 1889), a contemporary and acquaintance of Robert Murray M’cheyne was a Scottish churchman and poet. He is principally remembered as a prodigious hymn-writer. Life The son of James Bonar, Solicitor of Excise for Scotland, he was born and educated in Edinburgh. He came from a long line of ministers who have served a total of 364 years in the Church of Scotland. One of eleven children, his brothers John James and Andrew Alexander were also ministers of the Free Church of Scotland. He had married Jane Catherine Lundie in 1843 and five of their young children died in succession. Towards the end of their lives, one of their surviving daughters was left a widow with five small children and she returned to live with her parents. In 1853 Bonar earned the honorary degree of Doctor of Divinity from the University of Aberdeen. Bonar’s wife, Jane Catherine Bonar, died in 1876. He died at this home, 10 Palmerston Road in the Grange, 31 July 1889. They are buried together in the Canongate Kirkyard in the lair of Alexander Bonar, near the bottom of the eastern extension. Service He entered the Ministry of the Church of Scotland. At first he was put in charge of mission work at St. John’s parish in Leith and settled at Kelso. He joined the Free Church at the time of the Disruption of 1843, and in 1867 was moved to Edinburgh to take over the Chalmers Memorial Church (named after his teacher at college, Dr. Thomas Chalmers). In 1883, he was elected Moderator of the General Assembly of the Free Church of Scotland. Works * He was a voluminous and highly popular author. He also served as the editor for “The Quarterly journal of Prophecy” from 1848 to 1873 and for the “Christian Treasury” from 1859 to 1879. In addition to many books and tracts wrote a number of hymns, many of which, e.g., “I heard the voice of Jesus say” and “Blessing and Honour and Glory and Power,” became known all over the English-speaking world. A selection of these was published as Hymns of Faith and Hope (3 series). His last volume of poetry was My Old Letters. Bonar was also author of several biographies of ministers he had known, including “The Life of the Rev. John Milne of Perth” in 1869, and in 1884 “The Life and Works of the Rev. G. T. Dodds”, who was married to Bonar’s daughter and who died in 1882 while serving as a missionary in France. * His hymns, which number over 140, include: * All That I Was * Fill thou my life, O Lord, my God * I heard the Voice of Jesus say * I Was a Wandering Sheep * Thy way, not mine, O Lord * Here, O my Lord, I see Thee face to face * A few more years shall roll * Come Lord and tarry not * O love of God, how strong and true * Some of his books include: * Words to Winners of Souls. Nabu Press. 2011. ISBN 978-1-24772-723-3. * The Everlasting Righteousness. Banner of Truth. 1996. ISBN 978-0-85151-655-4. * God’s Way of Holiness. Christian Focus Publications. 1999. ISBN 978-1-85792-503-6. * How Shall I Go to God. Baker Book House. 1977. ISBN 978-0-8010-0713-2. * Night of Weeping. Christian Focus Publications. 1999. ISBN 978-1-85792-441-1. * God’s Way of Peace ISBN 1-4590-9630-4 * Follow the Lamb ISBN 0-906731-63-1 * Light & Truth: Bible Thoughts and Themes on The Acts & Larger Epistles– commentary on Acts, Romans, and 1 Corinthians and 2 Corinthians ASIN B002ZJRS9K * Light & Truth: Bible Thoughts and Themes on Revelation - commentary on the Book of Revelation ASIN B002ZRQ55U References Wikipedia—https://en.wikipedia.org/wiki/Horatius_Bonar

Robert Seymour Bridges, (Order of Merit) (23 October 1844 – 21 April 1930) was Britain’s poet laureate from 1913 to 1930. A doctor by training, he achieved literary fame only late in life. His poems reflect a deep Christian faith, and he is the author of many well-known hymns. It was through Bridges’ efforts that Gerard Manley Hopkins achieved posthumous fame. Bridges was born in Walmer, Kent, in England, and educated at Eton College and Corpus Christi College, Oxford. He went on to study medicine in London at St Bartholomew’s Hospital, intending to practise until the age of forty and then retire to write poetry.

Robert Bloomfield (3 December 1766– 19 August 1823) was an English labouring class poet whose work is appreciated in the context of other self-educated writers such as Stephen Duck, Mary Collier and John Clare. Life Robert Bloomfield was born of a poor family in the village of Honington, Suffolk. His father was a tailor and died of smallpox when the son was a year old. It was from his mother Elizabeth, who kept the village school, that he received the rudiments of education. Apprenticed at the age of eleven to his mother’s brother-in-law, he worked on a farm which was part of the estate of the Duke of Grafton, his future patron. Four years later, owing to his small and weak stature (in adulthood Bloomfield was just five feet tall) he was sent to London to work as a shoemaker under his elder brother George. One of his early duties was to read the papers aloud while the others in the workshop were working and he became particularly interested in the poetry section of The London Magazine. He had his first poem, “The Village Girl”, published in 1786. When his brother George returned to Suffolk in that year, he set up on his own as a cobbler and in 1790 married Mary Ann Church, by whom he was to have five children. The poem that made his reputation, The Farmer’s Boy, was composed in a garret in Bell Alley, Coleman Street. It was influenced by James Thomson’s poem The Seasons. Bloomfield was able to carry some fifty to a hundred finished lines of it in his head at a time until there was opportunity to write them down. The manuscript was declined by several publishers and was eventually shown by his brother George to Capel Lofft, a radical Suffolk squire of literary tastes, who arranged for its publication with woodcuts by Thomas Bewick in 1800. The success of the poem was remarkable, over 25,000 copies being sold in the next two years. Also reprinted in several American editions, it appeared in German translation in Leipzig, translated into French as Le Valet du Fermier in Paris, and in Italian translation in Milan; there was even a Latin translation of parts of it, De Agricolae Puero, Anglicano Poemate celeberrimo excerptum, et in morem Latini Georgice redditum, by the lively Suffolk vicar William Clubbe. The poem was particularly admired by the Suffolk-born painter John Constable who used couplets from it as tags to two paintings: a 'Ploughing Scene’ (shown at the Royal Academy in 1814) and 'A Harvest Field, Reapers, Gleaners’ (shown at the British Institution in 1817), which he noted as deriving from 'Bloomfield’s poem’. It was also admired by Robert Southey, a Romantic poet and future poet laureate. While this success helped reduce his poverty for a while, it also took him away from his work. As a result, the Duke of Grafton, who lived at Euston Hall near the village of Bloomfield’s birth, settled on him a small annuity of £15 and used his influence to gain him employment in the Seal Office to the King’s Bench Court and then at Somerset House, but he worked in neither for long. Meanwhile, Bloomfield’s reputation was increased by the appearance of his Rural Tales (1802), several poems of which were set to music by his brother Isaac. Another of them, “The Miller’s Maid”, was made an opera by John Davy (1763–1824) in 1804 and formed the basis for a two-act melodrama by John Faucit Saville (1807–1855) in 1821. Other publications by Bloomfield included Good Tidings (written in praise of inoculation at the instigation of Edward Jenner, 1804); Wild Flowers or Pastoral and Local Poetry (1806); and The Banks of the Wye (the poetic journal of a walking tour in the footsteps of Wordsworth, 1811). Unfortunately Vernor and Hood, his publishers, went bankrupt and in 1812 Bloomfield was forced to move from London into a cottage rented to him by a friend in the Bedfordshire village of Shefford. There one of his daughters died in 1814 and his wife became insane. In order to support himself he tried to carry on business as a bookseller but failed, and in his later years was reduced to making Aeolian harps which he sold among his friends. With failing eyesight, his own reason threatened by depression, he died in great poverty on 19 August 1823. In order to pay his debts and cover the funeral expenses, his collection of books and manuscripts, and his household effects, had to be auctioned. Allied to this fund-raising was the publication that year of his drama, Hazlewood Hall, and in the following year of The Remains of Robert Bloomfield, which included writing for children on which he had been working for some years and a selection of his correspondence. Poetry Bloomfield’s poetry invites comparison with that of George Crabbe, who was also a native of Suffolk. Both wrote much in iambic pentameter couplets, both provide descriptions of rural life in its hardest and least inviting forms. Bloomfield, however, is more cheerful in tone and his verse is denser and more vigorous. Here, for instance, is the episode in “The Farmer’s Boy” where Giles chops up turnips to feed the livestock in winter: On GILES, and such as Giles, the labour falls, To strew the frequent load where hunger calls. On driving gales sharp hail indignant flies, And sleet, more irksome still, assails his eyes; Snow clogs his feet; or if no snow is seen, The field with all its juicy store to screen, Deep goes the frost, till every root is found A rolling mass of ice upon the ground. No tender ewe can break her nightly fast, Nor heifer strong begin the cold repast, Till Giles with pond’rous beetle foremost go, And scatt’ring splinters fly at every blow; When pressing round him, eager for the prize, From their mixt breath warm exhalations rise. However, such verse is little varied from that of many of Bloomfield’s contemporaries, such as James Montgomery and Ebenezer Elliot whose names, like his, were well known in their time but are scarcely remembered now. Besides such formal productions, he told many light-hearted stories in octosyllabics, some of which are interesting for their employment of Suffolk dialect words, particularly in “The Horkey”. His work served as an inspiration to John Clare, who began publishing his own rural poetry in 1820 and praised Bloomfield’s highly. Robert’s brother, Nathaniel, also published a collection of poetry in 1803, An Essay on War, in Blank Verse, and Other Poems. Byron commented on the brothers in English Bards and Scotch Reviewers (lines 775-86), linking Robert’s name favourably with other poets of humble beginnings such as Burns and Gifford but dismissing Nathaniel’s writing as routine and uninspired. Byron returned to the charge in Hints from Horace with the apostrophe Hark to those lines, narcotically soft, The cobbler-laureats sing to Capel Lofft! (lines 733-4) Although a note makes it clear than Nathaniel is his principal target, he also seems to include 'his brother Bobby’ in the accusation that Lofft 'has spoiled some excellent shoemakers and been accessory to the poetic undoing of many of the industrious poor’. Later Reputation In 1973 Shefford’s secondary school was converted to a middle school (for pupils aged 9–13) and named after the poet. In 2000 the Robert Bloomfield Society was founded to promote awareness of his life and work and has encouraged scholarly publications relating to him. A revised and enlarged selection of his poems was published by Trent Editions in 2007. Recent studies of his poetry evaluate it within its social as well as its literary context. References Wikipedia—https://en.wikipedia.org/wiki/Robert_Bloomfield

Frank Bidart (born May 27, 1939 in Bakersfield, California) is an American academic and poet, and a three time Pulitzer Prize finalist in poetry. Biography Bidart is a native of California and considered a career in acting or directing when he was young. In 1957, he began to study at the University of California at Riverside, where he was introduced to writers such as T.S. Eliot and Ezra Pound and started to look at poetry as a career path. He then went on to Harvard, where he was a student and friend of Robert Lowell and Elizabeth Bishop. He began studying with Lowell and Reuben Brower in 1962. He has been an English professor at Wellesley College since 1972, and has taught at nearby Brandeis University. He lives in Cambridge, Massachusetts, and he is gay. In his early work, he was noted for his dramatic monologue poems like “Ellen West” which Bidart wrote from the point of view of a woman with an eating disorder and “Herbert White” which he wrote from the point of view of a psychopath. He has also written openly about his family in the style of confessional poetry. He co-edited the Collected Poems of Robert Lowell which was published in 2003 after years of working on the book’s voluminous footnotes with his co-editor David Gewanter. Bidart was the 2007 winner of Yale University’s Bollingen Prize in American Poetry. His chapbook, Music Like Dirt, later included in the collection Star Dust, was a finalist for the 2003 Pulitzer Prize in poetry. His 2013 book “Metaphysical Dog” was a finalist for the National Book Award in Poetry and won the National Book Critics Circle Award. He currently maintains a strong working relationship with actor and fellow poet James Franco, with whom he collaborated during the making of Franco’s short film “Herbert White” (2010), based on Bidart’s poem of the same name. In 2017, Bidart received the Griffin Poetry Prize Lifetime Recognition Award, as well as The National Book Award for Poetry, for his "Half-light: Collected Poems 1965-2016.” Bibliography Poetry * Golden State (1973) * The Book of the Body (1977) * The Sacrifice (1983) * In the Western Night: Collected Poems 1965–90 (1990) * Desire (1997) received the Theodore Roethke Memorial Poetry Prize and the 1998 Bobbitt Prize for Poetry; finalist for the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award * Music Like Dirt (Sarabande Books, 2002), nominated for the Pulitzer Prize * Star Dust (2005), in two sections * Watching the Spring Festival (2008) * Metaphysical Dog (2013), nominated for the National Book Award in Poetry and winner of the National Book Critics Circle Award * Half-Light: Collected Poems 1965-2016 (2017), winner of the National Book Award in Poetry Other * Editor, with David Gewanter, of Robert Lowell’s Collected Poems (2003) Awards and honors * 1981 The Paris Review’s first Bernard F. Conners Prize for “The War of Vaslav Nijinsky” * 1991 Lila Wallace-Reader’s Digest Foundation Writers’ Award * 1992 Fellow of the American Academy of Arts and Sciences * 1995 Morton Dauwen Zabel Award in Poetry given by the American Academy of Arts and Letters * 1997 Shelley Memorial Award of the Poetry Society of America * 2000 Wallace Stevens Award of The Academy of American Poets; subsequently elected a Chancellor of the Academy (2003) * 2007 Bollingen Prize in American Poetry * 2013 National Book Critics Circle Award (Poetry), winner for Metaphysical Dog * 2013 National Book Award (Poetry), finalist for Metaphysical Dog * 2014 PEN/Voelcker Award for Poetry * 2017 Griffin Poetry Prize Lifetime Recognition Award * 2017 National Book Award in Poetry References Wikipedia—https://en.wikipedia.org/wiki/Frank_Bidart

Louise Bogan (August 11, 1897– February 4, 1970) was an American poet. She was appointed the fourth Poet Laureate to the Library of Congress in 1945. As poetry editor of The New Yorker magazine for nearly 40 years, Bogan played a major role in shaping mainstream poetic sensibilities of the mid-20th Century. The Poetry Foundation notes that Bogan has been called by some critics the most accomplished woman poet of the twentieth century.

Charlotte Brontë (21 April 1816 – 31 March 1855) was an English novelist and poetese, the eldest of the three Brontë sisters who survived into adulthood, whose novels are English literature standards. She wrote Jane Eyre under the pen name Currer Bell. Charlotte was born in Thornton, Yorkshire in 1816, the third of six children, to Maria (née Branwell) and her husband Patrick Brontë (formerly surnamed Brunty or Prunty), an Irish Anglican clergyman. In 1820, the family moved a few miles to the village of Haworth, where Patrick had been appointed Perpetual Curate of St Michael and All Angels Church. Charlotte's mother died of cancer on 15 September 1821, leaving five daughters and a son to be taken care of by her sister Elizabeth Branwell.

Christopher John Brennan (1 November 1870– 5 October 1932) was an Australian poet and scholar. Brennan was born in Sydney, to Christopher Brennan (d. 1919), a brewer, and his wife Mary Ann née Carroll (d. 1924), both Irish immigrants. His education took place at two schools in Sydney: he first attended St Aloysius’ College, and after gaining a scholarship from Patrick Moran, he boarded at St Ignatius’ College, Riverview. Brennan entered the University of Sydney in 1888, taking up studies in the Classics, and won a travelling scholarship to Berlin. There he met his future wife, Anna Elisabeth Werth; there, also, he encountered the poetry of Stéphane Mallarmé. About this time, he decided to become a poet. In 1893 Brennan’s article “On the Manuscripts of Aeschylus” appeared in the Journal of Philology.

Gamaliel Bradford (October 9, 1863– April 11, 1932) was an American biographer, critic, poet, and dramatist. Born in Boston, Massachusetts, the sixth of seven men called Gamaliel Bradford in unbroken succession, of whom the first, Gamaliel Bradford, was a great-grandson of Governor William Bradford of the Plymouth Colony. Bradford attended Harvard University briefly with the class of 1886, then continued his education with a private tutor, but is said to have been educated “mainly by ill-health and a vagrant imagination.” As an adult, Bradford lived in Wellesley, Massachusetts. The building and student newspaper for the Wellesley High School (where Sylvia Plath received her secondary school education) were named after Gamaliel Bradford. The town changed the name of the building to Wellesley High School, but the newspaper maintains Bradford’s name. In his day Bradford was regarded as the “Dean of American Biographers.” He is acknowledged as the American pioneer of the psychographic form of written biographies, after the style developed by Lytton Strachey. Despite suffering poor health during most of his life, Bradford wrote 114 biographies over a period of 20 years. Bibliography * A Pageant of Life (poetry) * A Prophet of Joy (poetry) * Shadow Verses (poetry) * Unmade in Heaven (drama) * Lee, the American * American Portraits, 1875-1900 * Union Portraits * Confederate Portraits, 1914. * Portraits of Women * Portraits of American Women * Saints and Sinners * A Naturalist of Souls: Studies in Psychography * Life and I (autobiography) * Elizabethan Women, 1936. Articles * “Government in the United States,” The Contemporary Review, Vol. XLVIII, July/December 1885. * “Municipal Government,” Scribners, October 1887. * “Journalism and Permanence,” The North American Review, August 1915. * “A Confederate Pepys,” The American Mercury, December 1925. References Wikipedia—https://en.wikipedia.org/wiki/Gamaliel_Bradford_(biographer)

Richard Harris Barham (6 December 1788– 17 June 1845) was an English cleric of the Church of England, novelist, and humorous poet. He was known better by his nom de plume Thomas Ingoldsby. Life Richard Harris Barham was born in Canterbury. When he was seven years old his father died, leaving him a small estate, part of which was the manor of Tappington, mentioned so frequently in his later publications Ingoldsby Legends. At the age of nine he was sent to St Paul’s School, but his studies were interrupted by an accident which partially crippled his arm for life. Thus deprived of the power of vigorous bodily activity, he became a great reader and diligent student. During 1807 he entered Brasenose College, Oxford, intending at first to study for the Law. Circumstances, however, induced him to decide on a religious profession. In 1813 he was ordained and accepted a country curacy; he married during the next year, and in 1821 he obtained the appointment of minor canon of St. Paul’s Cathedral in London, where he served as a cardinal. Three years later he became one of the priests in ordinary of the King’s Chapel Royal. In 1826 Barham first contributed to Blackwood’s Magazine; and in 1837 he began to write for a recently initiated magazine, Bentley’s Miscellany, a series of tales (most of them metrical, some in prose) known as The Ingoldsby Legends. These became very popular. They were published in a collected form in three volumes between 1840 and 1847, and have since appeared in numerous editions. They may perhaps be compared to Hudibras. The stories are generally whimsical, but based on antiquarian learning. (There is also a collection of Barham’s miscellaneous poems, edited posthumously by his son, called The Ingoldsby Lyrics.) Barham was a Tory politically; yet he was a lifelong friend of the liberal Sydney Smith. Theodore Hook was one of his most intimate friends. Barham was a contributor to the Edinburgh Review and the Literary Gazette; he wrote articles for John Gorton’s Biographical Dictionary; and a novel, My Cousin Nicholas (1834). He died in London on 17 June 1845, after a long and painful illness. Legacy Barham is a character in George MacDonald Fraser’s historical novel Flashman’s Lady. His last poem As I laye a-thynkynge, was set to music by the English composer Edward Elgar, the song published in 1888. There is a pub in Burgate, Canterbury, near the cathedral, named The Thomas Ingoldsby. References Wikipedia—https://en.wikipedia.org/wiki/Richard_Barham_(priest)

Barcroft Henry Thomas Boake (26 March 1866 – 2 May 1892) was an Australian poet. Born in Sydney, Boake worked as a surveyor and a boundary rider, but is best remembered for his poetry, a volume of which was published five years after his death. Boake is believed to have committed suicide. His body was found hanging by the neck from a stockwhip at Middle Harbour in Sydney eight days after he disappeared on 2 May 1892. One writer on Boake’s life has mentioned that the suicide took place during the 1891-93 depression when the poet was unable to find work, also noting that “it has been suggested that he killed himself for the love of one of the McKeahnie girls,” sisters of the horseman Charlie McKeahnie.

Nicholas Breton (also Britton or Brittaine) (1545–1626), English poet and novelist, belonged to an old family settled at Layer Breton, Essex. Life His father, William Breton, a London merchant who had made a considerable fortune, died in 1559, and the widow (née Elizabeth Bacon) married the poet George Gascoigne before her sons had attained their majority. Nicholas Breton was probably born at the “capitall mansion house” in Red Cross Street, in the parish of St Giles without Cripplegate, mentioned in his father’s will. There is no official record of his residence at the university, but the diary of the Rev. Richard Madox tells us that he was at Antwerp in 1583 and was “once of Oriel College.” He married Ann Sutton in 1593, and had a family. He is supposed to have died shortly after the publication of his last work, Fantastickes (1626). Breton found a patron in Mary, countess of Pembroke, and wrote much in her honour until 1601, when she seems to have withdrawn her favour. It is probably safe to supplement the meagre record of his life by accepting as autobiographical some of the letters signed N.B. in A Poste with a Packet of Mad Letters (1603, enlarged 1637); the 19th letter of the second part contains a general complaint of many griefs, and proceeds as follows: “Hath another been wounded in the warres, fared hard, lain in a cold bed many a bitter storme, and beene at many a hard banquet? all these have I; another imprisoned? so have I; another long been sicke? so have I; another plagued with an unquiet life? so have I; another indebted to his hearts griefe, and fame would pay and cannot? so am I.” Works * Breton was a prolific author of considerable versatility and gift, popular with his contemporaries, and forgotten by the next generation. His work consists of religious and pastoral poems, satires, and a number of miscellaneous prose tracts. His religious poems are sometimes wearisome by their excess of fluency and sweetness, but they are evidently the expression of a devout and earnest mind. His lyrics are pure and fresh, and his romances, though full of conceits, are pleasant reading, remarkably free from grossness. His praise of the Virgin and his references to Mary Magdalene have suggested that he was a Roman Catholic, but his prose writings abundantly prove that he was an ardent Anglican. * Breton had little gift for satire, and his best work is to be found in his pastoral poetry. His Passionate Shepheard (1604) is full of sunshine and fresh air, and of unaffected gaiety. The third pastoral in this book—"Who can live in heart so glad As the merrie country lad"—is well known; with some other of Breton’s daintiest poems, among them the lullaby, “Come little babe, come silly soule,” (This poem, however, comes from The Arbor of Amorous Devises, which is only in part Breton’s work.)—it is incorporated in A. H. Bullen’s Lyrics from Elizabethan Romances (1890). His keen observation of country life appears also in his prose idyll, Wits Trenckrnour, “a conference betwixt a scholler and an angler,” and in his Fantastickes, a series of short prose pictures of the months, the Christian festivals and the hours, which throw much light on the customs of the times. Most of Breton’s books are very rare and have great bibliographical value. His works, with the exception of some belonging to private owners, were collected by Dr AB Grosart in the Chertsey Worthies Library in 1879, with an elaborate introduction quoting the documents for the poet’s history. * Breton’s poetical works, the titles of which are here somewhat abbreviated, include: * The Workes of a Young Wit (1577) * A Floorish upon Fancie (1577) * The Pilgrimage to Paradise (1592), with a prefatory letter by John Case * The Countess of Penbrook’s Passion (manuscript), first printed by JO Halliwell-Phillipps in 1853 [1] * Pasquil’s Fooles cappe (entered at Stationers’ Hall in 1600) * Pasquil’s Mistresse (1600) * Pasquil’s Passe and Passeth Not (1600) * Melancholike Humours (1600) - reprinted by Scholartis Press London. 1929. * Marie Magdalen’s Love: a Solemne Passion of the Soules Love (1595), the first part of which, a prose treatise, is probably by another hand; the second part, a poem in six-lined stanza, is certainly by Breton * A Divine Poem, including “The Ravisht Soul” and “The Blessed Weeper” (1601) * An Excellent Poem, upon the Longing of a Blessed heart (1601) * The Soules Heavenly Exercise (1601) * The Soules Harmony (1602) * Olde Madcappe newe Gaily mawfrey (1602) * The Mother’s Blessing (1602) * A True Description of Unthankfulnesse (1602) * The Passionate Shepheard (1604) * The Souies Immortail Crowne (1605) * The Honour of Valour (1605) * An Invective against Treason; I would and I would not (1614) * Bryton’s Bowre of Delights (1591), edited by Dr Grosart in 1893, an unauthorized publication which contained some poems disclaimed by Breton * The Arbor of Amorous Devises (entered at Stationers’ Hall, 1594), only in part Breton’s * contributions to England’s Helicon and other miscellanies of verse. * Of his twenty-two prose tracts may be mentioned Wit’s Trenchmour (1597), The Wil of Wit (1599), A Poste with a Packet of Mad Letters (1602-6). Sir Philip Sidney’s Ourania by N. B. (1606), A Mad World, my Masters, Adventures of Two Excellent Princes, Grimello’s Fortunes (1603), Strange News out of Divers Countries (1622), etc.; Mary Magdalen’s Lamentations (1604), and The Passion of a Discontented Mind (1601), are sometimes, but erroneously, ascribed to Breton. Footnotes References Wikipedia—https://en.wikipedia.org/wiki/Nicholas_Breton

Edmund Charles Blunden, CBE, MC (1 November 1896– 20 January 1974) was an English poet, author and critic. Like his friend Siegfried Sassoon, he wrote of his experiences in World War I in both verse and prose. For most of his career, Blunden was also a reviewer for English publications and an academic in Tokyo and later Hong Kong. He ended his career as Professor of Poetry at the University of Oxford. Biography Early years and World War I Born in London, Blunden was the eldest of the nine children of Charles Edmund Blunden (1871–1951) and his wife, Georgina Margaret née Tyler, who were joint-headteachers of Yalding school. Blunden was educated at Christ’s Hospital and The Queen’s College, Oxford. In August 1915 Blunden was commissioned as a second lieutenant in the Royal Sussex Regiment and served with them right up to the end of World War I, taking part in the actions at Ypres and the Somme, and receiving the Military Cross in the process. Unusually for a junior infantry officer, Blunden survived nearly two years in the front line without physical injury, but for the rest of his life bore mental scars from his experiences. With characteristic self-deprecation he attributed his survival to his diminutive size: he made “an inconspicuous target”. His own account of his frequently traumatic experiences was published in 1928 under the title Undertones of War. Career as a writer Blunden left the army in 1919 and took up the scholarship at Oxford that he had won while still at school. On the same English Literature course was Robert Graves, and the two were close friends during their time at Oxford together, but Blunden found university life unsatisfactory and left in 1920 to take up a literary career, at first acting as assistant to Middleton Murry on the Athenaeum. An early supporter was Siegfried Sassoon, who became a lifelong friend. In 1920 Blunden published a collection of poems, The Waggoner, and with Alan Porter edited the poems of John Clare (mostly from Clare’s manuscript). Blunden’s next book of poems, The Shepherd, published in 1922 won the Hawthornden Prize, but his poetry, though well reviewed, did not provide enough to live on, and in 1924 he accepted the post of Professor of English at the University of Tokyo. He returned to England in 1927, and was literary editor of the Nation for a year. In 1927 he published a short book, On the Poems of Henry Vaughan, Characteristics and Intimations, with his principal Latin poems carefully translated into English verse (London: H. Cobden-Sanderson, 1927), expanding and revising an essay that he had published in November 1926 in the London Mercury. In 1931 he returned to Oxford as a Fellow of Merton College, where he was highly regarded as a tutor. During his years in Oxford, Blunden published extensively: several collections of poetry including Choice or Chance (1934) and Shells by a Stream (1944), prose works on Charles Lamb; Edward Gibbon; Keats’s publisher; Percy Bysshe Shelley (Shelley: A Life Story); John Taylor; and Thomas Hardy; and a book about a game he loved, Cricket Country (1944). He returned to full-time writing in 1944, becoming assistant editor of The Times Literary Supplement. In 1947 he returned to Japan as a member of the British liaison mission in Tokyo. In 1953, after three years back in England he accepted the post of Professor of English Literature at the University of Hong Kong. Blunden retired in 1964 and settled in Suffolk. In 1966 he was nominated for the Oxford Professorship of Poetry in succession to Robert Graves; with some misgivings he agreed to stand and was elected by a large majority over the other candidate, Robert Lowell. However, he now found the strain of public lecturing too much for him, and after two years he resigned. He died of a heart attack at his home at Long Melford, Suffolk, on 20 January 1974, and is buried in the churchyard of Holy Trinity Church, Long Melford. Personal life Blunden was married three times. While still in the army he met and married Mary Daines in 1918. They had three children, the first of whom died in infancy. They divorced in 1931, and in 1933 Blunden married Sylva Norman, a young novelist and critic. That marriage, which was childless, was dissolved in 1945, and in the same year he married Claire Margaret Poynting (1918-2000), a former pupil of his; they had four daughters. While in Japan in the summer of 1925, he met Aki Hayashi, with whom he began a relationship. When Blunden returned to England in 1927, Aki accompanied him and would become his secretary. The relationship later changed from a romantic one to a platonic friendship, and they remained in contact for the rest of her life. Blunden’s love of cricket, celebrated in his book Cricket Country, is described by the biographer Philip Ziegler as fanatical. Blunden and his friend Rupert Hart-Davis regularly opened the batting for a publisher’s eleven in the 1930s (Blunden insisted on batting without gloves). An affectionate obituary tribute in The Guardian commented, “He loved cricket... and played it ardently and very badly”, while in a review of Cricket Country, George Orwell described him as “the true cricketer”: The test of a true cricketer is that he shall prefer village cricket to 'good’ cricket [.... Blunden’s] friendliest memories are of the informal village game, where everyone plays in braces, where the blacksmith is liable to be called away in mid-innings on an urgent job, and sometimes, about the time when the light begins to fail, a ball driven for four kills a rabbit on the boundary. In a 2009 appreciation of the book and its author, Bangalore writer Suresh Menon writes, Any cricket book that talks easily of Henry James and Siegfried Sassoon and Ranji and Grace and Richard Burton (the writer, not the actor) and Coleridge is bound to have a special charm of its own. As Blunden says, “The game which made me write at all, is not terminated at the boundary, but is reflected beyond, is echoed and varied out there among the gardens and the barns, the dells and the thickets, and belongs to some wider field.” Perhaps that is what all books on cricket are trying to say. Blunden had a robust sense of humour. In Hong Kong he relished linguistic misunderstandings such as those of the restaurant that offered “fried prawn’s balls” and the schoolboy who wrote, “In Hong Kong there is a queer at every bus-stop.” His fellow poets’ regard for Blunden was illustrated by the contributions to a dinner in his honour for which poems were specially written by Cecil Day-Lewis and William Plomer; T. S. Eliot and Walter de la Mare were guests; and Siegfried Sassoon provided the Burgundy. Honours Blunden’s public honours included the C.B.E., 1951; the Queen’s Gold Medal for Poetry, 1956; The Royal Society of Literature’s Benson Medal; the Order of the Rising Sun, 3rd Class (Japan), 1963; and Honorary Membership of the Japan Academy. On 11 November 1985, Blunden was among 16 Great War poets commemorated on a slate stone unveiled in Poets’ Corner in Westminster Abbey The inscription on the stone was written by fellow Great War poet, Wilfred Owen. It reads: “My subject is War, and the pity of War. The Poetry is in the pity.” Works * = * Blunden’s output was prolific. To those who thought he published too much he quoted Walter de la Mare’s observation that time was the poet’s best editor. His books of poetry include Poems 1913 and 1914 (1914); Poems Translated from the French (1914); Three Poems (1916); The Barn (1916); The Silver Bird of Herndyke Mill; Stane Street; The Gods of the World Beneath, (1916); The Harbingers (1916); Pastorals (1916); The Waggoner and Other Poems (1920); The Shepherd, and Other Poems of Peace and War (1922); Old Homes (1922); To Nature: New Poems (1923); Dead Letters (1923); Masks of Time: A New Collection of Poems Principally Meditative (1925); Japanese Garland (1928); Retreat (1928); Winter Nights: A Reminiscence (1928); Near and Far: New Poems (1929); A Summer’s Fancy (1930); To Themis: Poems on Famous Trials (1931); Constantia and Francis: An Autumn Evening, (1931); Halfway House: A Miscellany of New Poems, (1932); Choice or Chance: New Poems (1934); Verses: To H. R. H. The Duke of Windsor, (1936); An Elegy and Other Poems (1937); On Several Occasions (1938); Poems, 1930–1940 (1940); Shells by a Stream (1944); After the Bombing, and Other Short Poems (1949); Eastward: A Selection of Verses Original and Translated (1950); Records of Friendship (1950); A Hong Kong House (1959); Poems on Japan (1967). * Artists Rifles, an audiobook CD published in 2004, includes a reading of Concert Party, Busseboom by Blunden himself, recorded in 1964 by the British Council. Other Great War poets heard on the CD include Siegfried Sassoon, Edgell Rickword, Robert Graves, David Jones and Lawrence Binyon. Blunden can also be heard on Memorial Tablet, an audiobook of readings by Sassoon issued in 2003. References Wikipedia—https://en.wikipedia.org/wiki/Edmund_Blunden

Joel Barlow (March 24, 1754– December 26, 1812) was an American poet, diplomat, and politician. In politics, he supported the French Revolution and was an ardent Jeffersonian. In his own time, Barlow was known especially for the epic Vision of Columbus, though modern readers may be more familiar with The Hasty-Pudding (1793). He also helped draft the Treaty of Tripoli in 1796, which includes the controversial and disputed phrase: “the Government of the United States of America is not, in any sense, founded on the Christian religion”.

Basil Cheesman Bunting (1 March 1900– 17 April 1985) was a significant British modernist poet whose reputation was established with the publication of Briggflatts in 1966. He had a lifelong interest in music that led him to emphasise the sonic qualities of poetry, particularly the importance of reading poetry aloud. He was an accomplished reader of his own work. Life and career Born into a Quaker family in Scotswood-on-Tyne, Northumberland, he studied at two Quaker schools: from 1912 to 1916 at Ackworth School in the West Riding of Yorkshire and from 1916 to 1918 at Leighton Park School in Berkshire. His Quaker education strongly influenced his pacifist opposition to the First World War, and in 1918 he was arrested as a conscientious objector having been refused recognition by the tribunals and refusing to comply with a notice of call-up. Handed over to the military, he was court-martialled for refusing to obey orders, and served a sentence of more than a year in Wormwood Scrubs and Winchester prisons. Bunting’s friend Louis Zukofsky described him as a "conservative/anti-fascist/imperialist", though Bunting himself listed the major influences on his artistic and personal outlook somewhat differently as “Jails and the sea, Quaker mysticism and socialist politics, a lasting unlucky passion, the slums of Lambeth and Hoxton ...” These events were to have an important role in his first major poem, “Villon” (1925). “Villon” was one of a rather rare set of complex structured poems that Bunting labelled “sonatas,” thus underlining the sonic qualities of his verse and recalling his love of music. Other “sonatas” include “Attis: or, Something Missing,” “Aus Dem Zweiten Reich,” “The Well of Lycopolis,” “The Spoils” and, finally, “Briggflatts.” After his release from prison in 1919, traumatised by the time spent there, Bunting went to London, where he enrolled in the London School of Economics, and had his first contacts with journalists, social activists and Bohemia. Bunting was introduced to the works of Ezra Pound by Nina Hamnett who lent him a copy of Homage to Sextus Propertius. The glamour of the cosmopolitan modernist examples of Nina Hamnett and Mina Loy seems to have influenced Bunting in his later move from London to Paris. After travelling in Northern Europe, Bunting left the London School of Economics without a degree and went to France. There, in 1923, he became friendly with Ezra Pound, who years later would dedicate his Guide to Kulchur (1938) to both Bunting and Louis Zukofsky, “strugglers in the desert”. Between February and October 1927, Bunting wrote articles and reviews for The Outlook, and then became its music critic until the magazine ceased publication in 1928. Bunting’s poetry began to show the influence of the friendship with Pound, whom he visited in Rapallo, Italy, and later settled there with his family from 1931 to 1933. He was published in the Objectivist issue of Poetry magazine, in the Objectivist Anthology, and in Pound’s Active Anthology. During the Second World War, Bunting served in British Military Intelligence in Persia. After the war, in 1948, he left government service to become the correspondent for The Times of London, in Iran. He married an Iranian woman– Sima Alladian– whilst continuing his intelligence work with the Anglo-Iranian Oil Company Tehran, until he was expelled by Mohammad Mossadegh in 1952. Back in Newcastle, he worked as a journalist on the Evening Chronicle until his rediscovery during the 1960s by young poets, notably Tom Pickard and Jonathan Williams, who were interested in working in the modernist tradition. In 1965, he published his major long poem, Briggflatts, named after the Quaker village in Cumbria where he is now buried. In later life he published Advice to Young Poets, beginning "I SUGGEST / 1. Compose aloud; poetry is a sound.” Bunting died in 1985 in Hexham, Northumberland. The Basil Bunting Poetry Award and Young Person’s Prize, administered by Newcastle University, are open internationally to any poet writing in English. Briggflatts Divided into five parts, Briggflatts is an autobiographical long poem, looking back on teenage love and on Bunting’s involvement in the high modernist period. In addition, Briggflatts can be read as a meditation on the limits of life and a celebration of Northumbrian culture and dialect, as symbolised by events and figures like the doomed Viking King Eric Bloodaxe. The critic Cyril Connolly was among the first to recognise the poem’s value, describing it as “the finest long poem to have been published in England since T. S. Eliot’s Four Quartets”. Portrait bust of Basil Bunting Basil Bunting sat in Northumberland for sculptor Alan Thornhill, with a resulting terracotta (for bronze) in existence. The correspondence file relating to the Bunting portrait bust is held as part of the Thornhill Papers (2006:56) in the archive of the Henry Moore Foundation’s Henry Moore Institute in Leeds and the terracotta remains in the collection of the artist. The 1973 portrait is displayed in the Burton (2014) biography of Bunting. In popular culture Mark Knopfler wrote a song, titled 'Basil’, about his time as a Saturday afternoon copy boy on the Newcastle Evening Chronicle when Bunting worked there. The song was recorded for Knopfler’s 2015 album Tracker. Books * 1930: Redimiculum Matellarum (privately printed) * 1950: Poems (Cleaners’ Press, 1950) revised and published as Loquitur (Fulcrum Press, 1965). * 1951: The Spoils * 1965: First Book of Odes * 1965: Ode II/2 * 1966: Briggflatts: An Autobiography * 1967: Two Poems * 1967: What the Chairman Told Tom * 1968: Collected Poems * 1972: Version of Horace * 1991: Uncollected Poems (posthumous, edited by Richard Caddel) * 1994: The Complete Poems (posthumous, edited by Richard Caddel) * 1999: Basil Bunting on Poetry (posthumous, edited by Peter Makin) * 2000: Complete Poems (posthumous, edited by Richard Caddel) * 2009: Briggflatts (with audio CD and video DVD) * 2012: Bunting’s Persia (Translations by Basil Bunting. Edited by Don Share) References Wikipedia—https://en.wikipedia.org/wiki/Basil_Bunting

Gastón Baquero (Banes, Cuba, 4 de mayo de 1914 - Madrid, 15 de mayo de 1997) fue un importante escritor y poeta cubano del siglo XX, que después de la revolución cubana vivió exiliado en España. Baquero nació en Banes, pueblo perteneciente a la antigua provincia de Oriente, zona que hoy es parte de la provincia de Holguín. Estudió Agronomía, pero nunca ejerció la profesión: prefirió consagrarse a las actividades literarias y periodísticas.

Stephen Vincent Benét (July 22, 1898– March 13, 1943) was an American author, poet, short story writer, and novelist. Benét is best known for his book-length narrative poem of the American Civil War, John Brown’s Body (1928), for which he won a Pulitzer Prize in 1929, and for two short stories, “The Devil and Daniel Webster” (1936) and “By the Waters of Babylon” (1937). In 2009, The Library of America selected Benét’s story “The King of the Cats” (1929) for inclusion in its two-century retrospective of American Fantastic Tales, edited by Peter Straub.

William Craig Berkson (August 30, 1939– June 16, 2016) was an American poet, critic, and teacher who was active in the art and literary worlds from his early twenties on. Early life and education Born in New York City on August 30, 1939, Bill Berkson grew up on Manhattan’s Upper East Side, the only child of Seymour Berkson, general manager of International News Service and later publisher of the New York Journal American, and the fashion publicist Eleanor Lambert. He attended The Day School of the Church of the Heavenly Rest and transferred to Trinity School in 1945. He graduated from Lawrenceville School in 1957. He dropped out of Brown University to return to New York after his father died. He studied poetry at The New School for Social Research with Kenneth Koch. He attended Columbia University and New York University’s Institute of Fine Arts. Having begun writing poetry at Lawrenceville, encouraged there by such teachers as John Silver and the eminent Emily Dickinson scholar, Thomas H. Johnson, he went on to study short story writing with John Hawkes and prosody with S. Foster Damon at Brown. But his full commitment to poetry was prompted under the tutelage of Kenneth Koch in spring, 1959 at the New School for Social Research. It was also through Koch that he was introduced to the poetry and arts community loosely termed the New York School, which in turn led to close friendships with Frank O’Hara and such senior artists as Philip Guston and Alex Katz, as well as with poets and artists of his own generation such as Ron Padgett, Joe Brainard, George Schneeman, Ted Berrigan, Anne Waldman, Jim Carroll and others. Career After leaving Columbia in 1960, Berkson started work as an editorial associate at ARTnews, where he continued for the next three years. During the remainder of the 1960s, he was a regular contributor to both ARTnews and Arts, guest editor at the Museum of Modern Art, an associate producer of a program on art for public television, and taught literature and writing workshops at the New School for Social Research and Yale University. After moving to Northern California in 1970, Berkson began editing and publishing a series of poetry books and magazines under the Big Sky imprint and taught regularly in the California Poets in the Schools program. In 1975 he married the artist Lynn O’Hare; their son Moses Edwin Clay Berkson was born in Bolinas, California, on January 23, 1976. He also has a daughter, Siobhan O’Hare Mora Lopez (b. 1969), and three grandchildren, Henry Berkson and Estella and Lourdes Mora Lopez. His friendships during his California years included those with; Joanne Kyger, Duncan McNaughton and Philip Whalen. Berkson is the author of some twenty collections and pamphlets of poetry—including most recently Portrait and Dream: New & Selected Poems and Expect Delays, both from Coffee House Press. His poems have also appeared in many magazines and anthologies and have been translated into French, Russian, Hungarian, Dutch, Czechoslovakian, Romanian, Italian, German and Spanish. Les Parties du Corps, a selection of his poetry translated into French, appeared from Joca Seria, Nantes, in 2011. Other recent books are What’s Your Idea of a Good Time?: Letters & Interviews 1977-1985 with Bernadette Mayer; BILL with drawings by Colter Jacobsen; Ted Berrigan with George Schneeman; Not an Exit with Léonie Guyer and Repeat After Me with John Zurier. Beside the aforementioned collaborations, he executed extensive projects with visual artists Philip Guston, Alex Katz, Joe Brainard, Lynn O’Hare and Greg Irons, as well as with the poets Frank O’Hara, Larry Fagin, Ron Padgett, Anne Waldman and Bernadette Mayer. In the mid-1980s, Berkson resumed writing art criticism on a regular basis, contributing monthly reviews and articles to Artforum from 1985 to 1991; he became a corresponding editor for Art in America in 1988 and contributing editor for artcritical.com and has also written frequently for such magazines as Aperture, Modern Painters, Art on Paper and others. In 1984, he began teaching art history and literature and organizing the public lectures program at the San Francisco Art Institute, where he also served as interim dean in 1990 and Director of Letters and Science from 1993 to 1998. He retired from SFAI in 2008 and later held the position of Professor Emeritus. During the same period, he was also on the visiting faculty of Naropa Institute, California College of Arts and Crafts and Mills College. Berkson continued until the end of his life to lecture widely in colleges and universities. He published three collections of art criticism, to date, the last being For the Ordinary Artist: Short Reviews, Occasional Pieces & More. As a sometime curator, he organized or co-curated such exhibitions as Ronald Bladen: Early and Late (SFMoMA), Albert York (Mills College), Why Painting I & II (Susan Cummins Gallery), Homage to George Herriman (Campbell-Thiebaud Gallery), Facing Eden: 100 years of Northern California Landscape Art (M.H. de Young Museum), George Schneeman (CUE Foundation), Gordon Cook: Out There (Nelson Gallery, University of California, Davis), George Schneeman in Italy (Instituto di Cultura Italiano, San Francisco), and, with Ron Padgett, A Painter and His Poets: The Art of George Schneeman (Poets House, New York). In 1998, he married the curator Constance Lewallen, with whom he lived in the Eureka Valley section of San Francisco. Berkson died of a heart attack in San Francisco on June 16, 2016 at the age of 76. Berkson’s archive of literary, artistic and other materials, including extensive correspondence and collaborations with O’Hara, Guston, Brainard, Mayer and others through the years is maintained in the Special Collections at the Thomas J. Dodd Research Center, University of Connecticut, Storrs. Bibliography * Poetry * Saturday Night: Poems 1960-61 (Tibor de Nagy, 1961; reprint, Sand Dollar, 1975) * Shining Leaves (Angel Hair, 1969) * Recent Visitors (with drawings by George Schneeman) (Angel Hair, 1973) * Enigma Variations (with drawings by Philip Guston) (Big Sky, 1975) * 100 Women (Simon & Schuchat, 1975) * Blue Is the Hero (Poems 1960-75) (L, 1976) * Red Devil (Smithereens Press, 1983) * Start Over (Tombouctou Books, 1983) * Lush Life (Z Press, 1984) * A Copy of the Catalogue (Labyrinth, Vienna, 1999) * Serenade (Poetry & Prose 1975-1989) (Zoland Books, 2000) * Fugue State (Zoland Books, 2001) * 25 Grand View (San Francisco Center for the Book, 2002) * Gloria (with etchings by Alex Katz) (Arion Press, 2005) * Parts of the Body: a 1970s/80s scrapbook (Fell Swoop, 2006) * Same Here, online chapbook (Big Bridge, 2006) * Our Friends Will Pass Among You Silently (The Owl Press, 2007) * Goods and Services (Blue Press, 2008) * Portrait and Dream: New & Selected Poems (Coffee House Press, 2009) * Lady Air (Perdika Press, 2010) * Parties du Corps, trans. Olivier Brossard, Vincent Broqua et alia (Joca Seria, Nantes, 2011) * Snippets (Omerta, 2014) * Expect Delays (Coffee House Press, 2014) * Invisible Oligarchs (Ugly Duckling Presse, 2016) * Collaborations * Recent Visitors with Joe Brainard (Boke Press, 1971) * Hymns of St. Bridget with Frank O’Hara (Adventures in Poetry, 1975) * Ants with drawings by Greg Irons (Arif, 1975) * Two Serious Poems & One Other with Larry Fagin (Big Sky, 1972) * Hymns of St. Bridget & Other Writings with Frank O’ Hara (The Owl Press, 2001) * The World of Leon with Ron Padgett, Larry Fagin, & Michael Brownstein (Big Sky, 1976) * BILL, with Colter Jacobsen (Gallery 16, 2008) * Ted Berrigan, with George Schneeman (Cuneiform Press. 2009) * Not an Exit, with Léonie Guyer (Jungle Garden Press, 2010) * Repeat After Me, with John Zurier (Gallery Paule Anglim, 2011) * Amsterdam Souvenirs, with Joanne Kyger (Blue Press, 2016) * Memoirs * Young Manhattan (w/ Anne Waldman) (Erudite Fangs, 1999) * The Far Flowered Shore: Japan 2006/2010 (Cuneiform Press, 2013) * Since When [memoirs, forthcoming] * Prose * What’ s Your Idea of a Good Time?: Letters & Interviews (w/ Bernadette Mayer) (Tuumba Press, 2006) * Criticism * The Sweet Singer of Modernism & Other Art Writings 1985-2003 (Qua Books, 2004) * Sudden Address: Selected Lectures 1981-2006 (Cuneiform Press, 2007) * For The Ordinary Artist: Short Reviews, Interviews, Occasional Pieces & More (BlazeVox, 2010) * "Hands On/Hands Off," in The Art of Collaboration, Cuneiform Press, 2015 * “New Energies: Philip Guston Among the Poets,” in Philip Guston/ Drawings for Poets (Sievekind Verlag, 2015) * “Empathy and Sculpture,” in Joel Shapiro (Craig Starr Gallery, 2014) * “Eclipse, the View from the Cave” in Larry Deyab, 2014 * “Canan Tolon’s Open Limits,” in Cana Tolon (Parasol Unit, London, 2013) * “Larry Thomas’s Natural Wonders,” in Larry Thomas (Sonoma Valley Art Museum, 2012) * “Piero, Guston and their Followers,” Philip Guston/ Roma: a symposium (New York Review of * Books, 2014) * “ The Elements of Drawing” in Wayne Thiebaud: Still-Life Drawings (Paul Thiebaud Gallery, 2010) * “ Dean Smith in Action,” Dean Smith, (Gallery Paule Anglim San Francisco) * “ Dewey Crumpler’ s Metamorphoses,” in Dewey Crumpler (California African American Museum, Los Angeles, 2008) * “ Seeing with Bechtle,” in Robert Bechtle/ Plein Air (Gallery Paule Anglim, 2007) * “ On Adelie Landis Bischoff” (Salander O’ Reilly, 2006) * “ Ultramodern Park,” in David Park: the 1930s and 40s, 2006 * “ Introduction,” in Jo Babcock, The Invented Camera, 2005 * “ A New Luminist,” in Tim Davis, Permanent Collection, 2005 * “ George’ s House of Mozart,” in Painter Among Poets: The Collaborative Art of George Schneeman (Granary books, 2004) * “ George Schneeman’ s Italian Hours,” CUE Art Foundation, 2003 * “ Without The Rose: Jay DeFeo & 16 Americans,” in Jay DeFeo & The Rose (University of California Press, 2003) * “ Pyramid and Shoe” (Guston and Comics) in Philip Guston (Thames & Hudson, 2003) * “ The Abstract Bischoff,” Salander-O’ Reilly, 2002 * “ DeKooning, With Attitude,” in Writers on Artists, Modern Painters, 2002 * “ Spellbound” (Vija Celmins), McKee Gallery, 2002 * “ Warhol’ s History Lesson,” John Berggruen, 2001 * “ Join the Aminals” (Tom Neely), Jernigan-Wicker, 2001 * “ What the Ground Looks Like” in Aerial Muse: the Art of Yvonne Jacquette, Hudson Hills / Stanford Art Museum, 2001 * “ The Searcher” in Elmer Bischoff, University of California Press, 2001 * “ Ceremonial Surfaces” in Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, 2000 * “ Existing Light” in Henry Wessel, Bransten Gallery, 2000 * “Jackson Pollock: The Colored Paper Drawings”, Washburn, 2000 * “ The Portraitist” in Elaine de Kooning / Portraits, Salander O’ Reilly Gallery, New York, 1999 * “ Hung Liu, Action Painter,” in Hung Liu, Rena Bransten Gallery, San Francisco,1998 * “ Things in Place,” in Table Tops: Morandi to Mapplethorpe, California Center for the Arts, Escondido, CA, 1997 * “ Autograph Hounds,” in Hall of Fame of Halls of Fame, Yerba Buena Center for the Arts, San Francisco, 1997 * Homage to George Herriman, Campbell-Thiebaud Gallery, 1997 * “ The Romance of the Rose,” in Jay DeFeo, Moore College of Art, 1996 * “ Changes like the Weather,” in Facing Eden, University of California Press, 1995 * “ The Ideal Reader,” in Philip Guston: Poem Pictures, Addison Gallery, 1994 * “ Poet and Painter Coda,” in Franz Kline, Tàpies Foundation/Tate Gallery, 1994 * “ Apparition as Knowledge” in Deborah Oropallo, Wirtz Gallery, 1993 * “ The Thiebaud Papers,” in Wayne Thiebaud: Vision and Revision, Fine Arts Museums, 1992 * “Air and Such” in Biotherm by Frank O’Hara, Arion Press, 1990 * Ronald Bladen: Early and Late, SFMOMA, 1991 * Editor * In Memory of My Feelings by Frank O’Hara (posthumous collection of poetry, illustrated by 30 American artists) (The Museum of Modern Art, New York, 1967; reprint 2005) * Best & Company, a one-shot anthology of art & literature, 1969 * Alex Katz (with Irving Sandler) (Praeger, 1971) * Big Sky magazine (12 issues) and books (20 volumes), 1971–78 * Homage to Frank O’Hara (ith/ Joe LeSueur) (Big Sky, 1978; reprint * Creative Arts, 1980; 3rd edition, Big Sky, 1988) * The World Record (with Bob Rosenthal), LP of poets’ readings, St. Marks Poetry Project, 1980. * Art Journal, Special de Kooning Issue (with Rackstraw Downes), 1989 * What’s With Modern Art? By Frank O’ Hara (Mike & Dale’ s Press, 1998) * Anthologies * The Young American Poets,10 American Poets, The Young American Writers, The World Anthology, An Anthology of New York Poets, Best & Company, On the Mesa, Calafia, One World Poetry, Another World, Poets & Painters, The Ear, Aerial, Broadway, Broadway 2, Hills/Talks, Wonders, Up Late: American Poetry Since 1970, Best Minds, Out of This World, Reading Jazz, A Norton Anthology of Postmodern American Poetry, American Poets Say Goodbye to the 20th Century, Euro-San Francisco Poetry Festival, The Blind See Only this World, The Angel Hair Anthology, Evidence of the Paranormal, Enough, The New York Poets II, Bay Area Poetics, Hom(m)age to Whitman, POEM, The i.e. Reader, Nuova Poesia Americana: New York, A Norton Anthology of Postmodern American Poetry, Second Edition. * 'Other * Recordings of poetry on Disconnected (Giorno Poetry Systems) and The World Record (St Marks Poetry Project); Daniel Kane, All Poets Welcome; and in the American Poetry Archive (San Francisco State University), PennSound (University of Pennsylvania) & elsewhere. * Poetry translated into French, Italian, Turkish, Spanish, German, Dutch, Romanian, Arabic, Czechoslovakian and Hungarian. * Art reviews & essays regularly contributed to ARTnews 1961-64; Arts 1964-66; Art in America 1980- ; Artforum 1985-1990; Modern Painters, 1998–2003; artcritical.com 2009. Awards * * Dylan Thomas Memorial Poetry Award, The New School for Social Research, 1959 * Poets Foundation Grant, 1968 * Yaddo Fellowship, 1968 * Creative Writing Fellowship in Poetry, National Endowment for the Arts, 1980 * Briarcombe Fellowship, 1983 * Marin Arts Council Poetry Award, 1987 * Artspace Award for New Writing in Art Criticism, 1990 * Visiting Artist/Scholar, American Academy in Rome, 1991 * Fund for Poetry Grant, 1994, 2001 * San Francisco Public Library Laureate, 2001 * Guest of Honor, Small Press Distribution Open House, 2004 * Paul Mellon Distinguished Fellow (lecture), Skowhegan School of Painting and Sculpture, 2006 * “Goldie” for Literature, the San Francisco Bay Guardian, 2008 * Balcones Poetry Prize, Austin, Texas, 2010 * Coordinating Council of Literary Magazines (CCLM) grants for publishing, 1972, 1974, 1976, 1978 * Honorable Mention, Editor’s Fellowship, CCLM, 1979 * NEA, Small Press Publishing Grants, 1975, 1977 References Wikipedia—https://en.wikipedia.org/wiki/Bill_Berkson

Francis William Bourdillon (22 March 1852 at Runcorn, Cheshire– 13 January 1921 at Buddington, Midhurst) was a British poet and translator. He is known also as bibliophile and scholar. Life Born in Runcorn, Cheshire, he was the eldest son of Rev. Francis Bourdillon, the author, at that time perpetual curate of Runcorn. He was educated at Haileybury College and Worcester College, Oxford, graduating B.A. 1877, M.A. 1882. From 1876 to 1879, he acted as tutor to the sons of Prince Christian of Schleswig-Holstein. Later Bourdillon lived in Eastbourne, and near Midhurst, Sussex. His friends included Audrey Boyle (1853/4–1916), later as wife of Hallam Tennyson, 2nd Baron Tennyson known as Audrey Lady Tennyson. Writer Bourdillon is known for his poetry, and in particular for the single short poem “The Night Has a Thousand Eyes”. He had many collections published, including Among The Flowers, And Other Poems (1878), Minuscula: lyrics of nature, art and love (1897, siftings of three smaller volumes of verse published anonymously at Oxford in 1891, 1892, and 1894), Gerard and Isabel: a Romance in Form of Cantefable (1921), and also Chryseis, and Preludes and Romances (1908). In 1896 he published Nephelé, a romantic novel. He translated Aucassin et Nicolette as Aucassin and Nicolet (1887), and he wrote the scholarly The Early Editions of the Roman de la Rose (1906) as well as Russia Reborn (1917) and various essays which the Religious Tract Society published. Family Bourdillon married Agnes Smyth, and they lived at Buddington, near Midhurst. They had three children. References Wikipedia—https://en.wikipedia.org/wiki/Francis_William_Bourdillon

Robert Williams Buchanan (18 August 1841 – 10 June 1901) was a Scottish poet, novelist and dramatist. He was the son of Robert Buchanan (1813–1866), Owenite lecturer and journalist, and was born at Caverswall, Staffordshire, England. Buchanan senior, a native of Ayr, Scotland, lived for some years in Manchester, then moved to Glasgow, where Buchanan junior was educated, at the high school and the university, one of his fellow-students being the poet David Gray. His essay on Gray, originally published in the Cornhill Magazine, tells the story of their close friendship, and of their journey to London in 1860 in search of fame.

Francis Beaumont (1584– 6 March 1616) was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher. Beaumont was the son of Sir Francis Beaumont of Grace Dieu, near Thringstone in Leicestershire, a justice of the common pleas. His mother was Anne, the daughter of Sir George Pierrepont (d. 1564), of Holme Pierrepont, and his wife Winnifred Twaits. Beaumont was born at the family seat and was educated at Broadgates Hall (now Pembroke College, Oxford) at age thirteen. Following the death of his father in 1598, he left university without a degree and followed in his father’s footsteps by entering the Inner Temple in London in 1600.

Aphra Behn (14 December 1640? April 1689) was an English playwright, poet, translator and fiction writer from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors’ prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. She wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.She is remembered in Virginia Woolf’s A Room of One’s Own: “All women together ought to let flowers fall upon the tomb of Aphra Behn which is, most scandalously but rather appropriately, in Westminster Abbey, for it was she who earned them the right to speak their minds.” Her grave is not included in the Poets’ Corner but lies in the East Cloister near the steps to the church. Life and work Versions of her early life Information regarding Behn’s life is scant, especially regarding her early years. This may be due to intentional obscuring on Behn’s part. One version of Behn’s life tells that she was born to a barber named John Amis and his wife Amy. Another story has Behn born to a couple named Cooper. The Histories And Novels of the Late Ingenious Mrs. Behn (1696) states that Behn was born to Bartholomew Johnson, a barber, and Elizabeth Denham, a wet-nurse. Colonel Thomas Colepeper, the only person who claimed to have known her as a child, wrote in Adversaria that she was born at “Sturry or Canterbury” to a Mr Johnson and that she had a sister named Frances. Another contemporary, Anne Finch, wrote that Behn was born in Wye in Kent, the “Daughter to a Barber”. In some accounts the profile of her father fits Eaffrey Johnson.Behn was born during the buildup of the English Civil War, a child of the political tensions of the time. One version of Behn’s story has her travelling with a Bartholomew Johnson to Surinam. He was said to die on the journey, with his wife and children spending some months in the country, though there is no evidence of this. During this trip Behn said she met an African slave leader, whose story formed the basis for one of her most famous works, Oroonoko. It is possible that she acted a spy in the colony. There is little verifiable evidence to confirm any one story. In Oroonoko Behn gives herself the position of narrator and her first biographer accepted the assumption that Behn was the daughter of the lieutenant general of Surinam, as in the story. There is little evidence that this was the case, and none of her contemporaries acknowledge any aristocratic status. There is also no evidence that Oroonoko existed as an actual person or that any such slave revolt, as is featured in the story, really happened. Writer Germaine Greer has called Behn “a palimpsest; she has scratched herself out,” and biographer Janet Todd noted that Behn “has a lethal combination of obscurity, secrecy and staginess which makes her an uneasy fit for any narrative, speculative or factual. She is not so much a woman to be unmasked as an unending combination of masks”. It is notable that her name is not mentioned in tax or church records. During her lifetime she was also known as Ann Behn, Mrs Bean, agent 160 and Astrea. Career Shortly after her supposed return to England from Surinam in 1664, Behn may have married Johan Behn (also written as Johann and John Behn). He may have been a merchant of German or Dutch extraction, possibly from Hamburg. He died or the couple separated soon after 1664, however from this point the writer used “Mrs Behn” as her professional name.Behn may have had a Catholic upbringing. She once commented that she was “designed for a nun,” and the fact that she had so many Catholic connections, such as Henry Neville who was later arrested for his Catholicism, would have aroused suspicions during the anti-Catholic fervour of the 1680s. She was a monarchist, and her sympathy for the Stuarts, and particularly for the Catholic Duke of York may be demonstrated by her dedication of her play The Rover II to him after he had been exiled for the second time. Behn was dedicated to the restored King Charles II. As political parties emerged during this time, Behn became a Tory supporter.By 1666 Behn had become attached to the court, possibly through the influence of Thomas Culpeper and other associates. The Second Anglo-Dutch War had broken out between England and the Netherlands in 1665, and she was recruited as a political spy in Antwerp on behalf of King Charles II, possibly under the auspices of courtier Thomas Killigrew. This is the first well-documented account we have of her activities. Her code name is said to have been Astrea, a name under which she later published many of her writings. Her chief role was to establish an intimacy with William Scot, son of Thomas Scot, a regicide who had been executed in 1660. Scot was believed to be ready to become a spy in the English service and to report on the doings of the English exiles who were plotting against the King. Behn arrived in Bruges in July 1666, probably with two others, as London was wracked with plague and fire. Behn’s job was to turn Scot into a double agent, but there is evidence that Scot betrayed her to the Dutch.Behn’s exploits were not profitable however; the cost of living shocked her, and she was left unprepared. One month after arrival, she pawned her jewellry. King Charles was slow in paying (if he paid at all), either for her services or for her expenses whilst abroad. Money had to be borrowed so that Behn could return to London, where a year’s petitioning of Charles for payment was unsuccessful. It may be that she was never paid by the crown. A warrant was issued for her arrest, but there is no evidence it was served or that she went to prison for her debt, though apocryphally it is often given as part of her history. Forced by debt and her husband’s death, Behn began to work for the King’s Company and the Duke’s Company players as a scribe. She had, however, written poetry up until this point. While she is recorded to have written before she adopted her debt, John Palmer said in a review of her works that, “Mrs. Behn wrote for a livelihood. Playwriting was her refuge from starvation and a debtor’s prison.” The theatres that had been closed under Cromwell were now re-opening under Charles II, plays enjoying a revival. Her first play, The Forc’d Marriage, was staged in 1670, followed by The Amorous Prince (1671). After her third play, The Dutch Lover, failed, Behn falls off the public record for three years. It is speculated that she went travelling again, possibly in her capacity as a spy. She gradually moved towards comic works, which proved more commercially successful. Her most popular works included The Rover. Behn became friends with notable writers of the day, including John Dryden, Elizabeth Barry, John Hoyle, Thomas Otway and Edward Ravenscroft, and was acknowledged as a part of the circle of the Earl of Rochester. Behn often used her writings to attack the parliamentary Whigs claiming, “In public spirits call’d, good o’ th’ Commonwealth... So tho’ by different ways the fever seize... in all ’tis one and the same mad disease.” This was Behn’s reproach to parliament which had denied the king funds. Final years and death In 1688, in the year before her death, she published A Discovery of New Worlds, a translation of a French popularisation of astronomy, Entretiens sur la pluralité des mondes, by Bernard le Bovier de Fontenelle, written as a novel in a form similar to her own work, but with her new, religiously oriented preface. In all she would write and stage 19 plays, contribute to more, and become one of the first prolific, high-profile female dramatists in Britain. During the 1670s and 1680s she was one of the most productive playwrights in Britain, second only to Poet Laureate John Dryden.In her last four years, Behn’s health began to fail, beset by poverty and debt, but she continued to write ferociously, though it became increasingly hard for her to hold a pen. In her final days, she wrote the translation of the final book of Abraham Cowley’s Six Books of Plants. She died on 16 April 1689, and was buried in the East Cloister Westminster Abbey. The inscription on her tombstone reads: “Here lies a Proof that Wit can never be Defence enough against Mortality.” She was quoted as stating that she had led a “life dedicated to pleasure and poetry.” Published works Behn earned a living writing, one of the earliest Englishwoman to do so. After John Dryden she was the most prolific writer of the English Restoration. Behn was not the first woman in England to publish a play. In 1613 Lady Elizabeth Cary had published The Tragedy of Miriam, in the 1650s Margaret Cavendish published two volumes of plays, and in 1663 a translation of Corneille’s Pompey by Katherine Philips was performed in Dublin and London. Women had been excluded from theatre in the Elizabethan era, but in Restoration England they made up a significant part of the audience and professional actresses played the women’s parts. This changed the nature and themes of Restoration theatre.Behn’s first play The Forc’d Marriage was a romantic tragicomedy on arranged marriages and was staged by the Duke’s Company in September 1670. The performance ran for six nights, which was regarded as a good run for an unknown author. Six months later Behn’s play The Amorous Prince was successfully staged. Again, Behn used the play to comment on the harmful effects of arranged marriages. Behn did not hide the fact that she was a woman, instead she made a point of it. When in 1673 the Dorset Garden Theatre staged The Dutch Lover, critics sabotaged the play on the grounds that the author was a woman. Behn tackled the critics head on in Epistle to the Reader. She argued that women had been held back by their unjust exclusion from education, not their lack of ability. After a three-year publication pause, Behn published four plays in close succession. In 1676 she published Abdelazar, The Town Fop and The Rover. In early 1678 Sir Patient Fancy was published. This succession of box-office successes led to frequent attacks on Behn. She was attacked for her private life, the morality of her plays was questioned and she was accused of plagiarising The Rover. Behn countered these public attacks in the prefaces of her published plays. In the preface to Sir Patient Fancy she argued that she was being singled out because she was a woman, while male playwrights were free to live the most scandalous lives and write bawdy plays.Under Charles II of England prevailing Puritan ethics was reversed in the fashionable society of London. The King associated with playwrights that poured scorn on marriage and the idea of consistency in love. Among the King’s favourite was the Earl of Rochester John Wilmot, who became famous for his cynical libertinism. Behn was a friend of Wilmot and Behn became a bold proponent of sexual freedom for both women and men. Like her contemporary male libertines, she wrote freely about sex. In the infamous poem The Disappointment she wrote a comic account of male impotence from a woman’s perspective. Critics Lisa Zeitz and Peter Thoms contend that the poem “playfully and wittily questions conventional gender roles and the structures of oppression which they support”. In The Dutch Lover Behn forthrightly acknowledged female sexual desire. Critics of Behn were provided with ammunition because of her public liaison with John Hoyle, a bisexual lawyer who scandalised his contemporaries.By the late 1670s Behn was among the leading playwrights of England. Her plays were staged frequently and attended by the King. The Rover became a favourite at the King’s court. Behn became heavily involved in the political debate about the succession. Because Charles II had no heir a prolonged political crisis ensued. Mass hysteria commenced as in 1678 the rumoured Popish Plot suggested the King should be replaced with his Roman Catholic brother James. Political parties developed, the Whigs wanted to exclude James, while the Tories did not believe succession should be altered in any way. Charles II eventually dissolved the Cavalier Parliament and James II succeeded him in 1685. Behn supported the Tory position and in the two years between 1681 and 1682 produced five plays to discredit the Whigs. The London audience, mainly Tory sympathisers, attended the plays in large numbers. But Behn was arrested on the order of King Charles II when she used one of the plays to attack James Scott, Duke of Monmouth, the illegitimate son of the King.As audience numbers declined, theatres staged mainly old works to save costs. Nevertheless, Behn published The Luckey Chance in 1686. In response to the criticism levelled at they play she articulated a long and passionate defence of women writers. Her play The Emperor of the Moon was published and staged in 1687, it became one of her longest running plays. Behn stopped writing plays and turned to prose fiction. Today she is mostly known for the novels she wrote in the later part of her life. Her first novel was the three-part Love-Letters Between a Nobleman and His Sister, published between 1682 and 1687. The novels were inspired by a contemporary scandal, which saw Lord Grey elope with his sister-in-law Lady Henrietta Berkeley. At the time of publication Love Letters was very popular and went through more than 16 editions. Today Behn’s prose work is critically acknowledged as having been important to the development of the English novel. Following Behn’s death, new female dramatists such as Delarivier Manley, Mary Pix, Susanna Centlivre and Catherine Trotter acknowledged Behn as their most vital predecessor, who opened up public space for women writers.In 1688, less than a year before her death, Behn published Oroonoko: or, The Royal Oroonoko, the story of the enslaved Oroonoko and his love Imoinda. It was based on Behn’s travel to Surinam twenty years earlier. The novel became a great success. In 1696 it was adapted for the stage by Thomas Southerne and continuously performed throughout the 18th century. In 1745 the novel was translated into French, going through seven French editions. As abolitionism gathered pace in the late 18th century the novel was celebrated as the first anti-slavery novel. Legacy and re-evaluation After her death in 1689 Behn’s literary work was marginalised and dismissed outright. Until the mid-20th century Behn was repeatedly dismissed as morally depraved minor writer. In the 18th century her literary work was scandalised as lewd by Thomas Brown, William Wycherley, Richard Steele and John Duncombe. Alexander Pope penned the famous lines “The stage how loosely does Astrea tread, Who fairly puts all characters to bed!”. In the 19th century Mary Hays, Matilda Betham, Alexander Dyce, Jane Williams and Julia Kavanagh decided that Behn’s writings were unfit to read, because they were corrupt and deplorable. Among the few critics who believed that Behn was an important writer were Leigh Hunt, William Forsyth and William Henry Hudson.The life and times of Behn were recounted by a long line of biographers, among them Dyce, Edmund Gosse, Ernest Bernbaum, Montague Summers, Vita Sackville-West, Virginia Woolf, George Woodcock, William J. Cameron and Frederick Link.Of Behn’s considerable literary output only Oroonoko was seriously considered by literary scholars. The late 18th century the novel is regarded as one of the first abolitionist and humanitarian novel published in the English language. It is credited as precursor to Jean-Jaques Rousseau’s Discourses on Inequality. Since the 1970s Behn’s literary works have been re-evaluated by feminist critics and writers. Behn was rediscovered as a significant female writer by Maureen Duffy, Angeline Goreau, Ruth Perry, Hilda Lee Smith, Moira Ferguson, Jane Spencer, Dale Spender, Elaine Hobby and Janet Todd. This led to the reprinting of her works. The Rover was republished in 1967, Oroonoko was republished in 1973, Love Letters between a Nobleman and His Sisters was published again in 1987 and The Lucky Chance was reprinted in 1988. Montague Summers, an author of scholarly works on the English drama of the 17th century, published a six-volume collection of her work, in hopes of rehabilitating her reputation. Summers was fiercely passionate about the work of Behn and found himself incredibly devoted to the appreciation of 17th century literature. Felix Schelling wrote in The Cambridge History of English Literature, that she was “a very gifted woman, compelled to write for bread in an age in which literature... catered habitually to the lowest and most depraved of human inclinations,” and that, “Her success depended upon her ability to write like a man.” Edmund Gosse remarked that she was, “...the George Sand of the Restoration”.The criticism of Behn’s poetry focuses on the themes of gender, sexuality, femininity, pleasure, and love. A feminist critique tends to focus on Behn’s inclusion of female pleasure and sexuality in her poetry, which was a radical concept at the time she was writing. One critic, Alison Conway, views Behn as instrumental to the formation of modern thought around the female gender and sexuality: "Behn wrote about these subjects before the technologies of sexuality we now associate were in place, which is, in part, why she proves so hard to situate in the trajectories most familiar to us”. Virginia Woolf wrote, in A Room of One’s Own: All women together, ought to let flowers fall upon the grave of Aphra Behn... for it was she who earned them the right to speak their minds... Behn proved that money could be made by writing at the sacrifice, perhaps, of certain agreeable qualities; and so by degrees writing became not merely a sign of folly and a distracted mind but was of practical importance. Adaptations of Behn in Literature Behn’s life has been adapted for the stage in the 2014 play Empress of the Moon: The Lives of Aphra Behn by Chris Braak, and the 2015 play [exit Mrs Behn] or, The Leo Play by Christopher VanderArk. She is one of the characters in the 2010 play Or, by Liz Duffy Adams. Behn appears as a character in Daniel O’Mahony’s Newtons Sleep, in Phillip Jose Farmer’s The Magic Labyrinth and Gods of Riverworld, in Molly Brown’s Invitation to a Funeral (1999), and in Diana Norman’s The Vizard Mask. She is referred to in Patrick O’Brian’s novel Desolation Island.

Robert Bly (born December 23, 1926) is an American poet, author, activist and leader of the mythopoetic men’s movement. His most commercially successful book to date was Iron John: A Book About Men (1990), a key text of the mythopoetic men’s movement, which spent 62 weeks on The New York Times Best Seller list. He won the 1968 National Book Award for Poetry for his book The Light Around the Body. Life Bly was born in Lac qui Parle County, Minnesota, to Jacob and Alice Bly, who were of Norwegian ancestry. Following graduation from high school in 1944, he enlisted in the United States Navy, serving two years. After one year at St. Olaf College in Minnesota, he transferred to Harvard University, joining the later famous group of writers who were undergraduates at that time, including Donald Hall, Will Morgan, Adrienne Rich, Kenneth Koch, Frank O’Hara, John Ashbery, Harold Brodkey, George Plimpton and John Hawkes. He graduated in 1950 and spent the next few years in New York. Beginning in 1954, Bly spent two years at the University of Iowa at the Iowa Writers Workshop, completing a master’s degree in fine arts, along with W. D. Snodgrass, Donald Justice, and others. In 1956, he received a Fulbright Grant to travel to Norway and translate Norwegian poetry into English. While there, he found not only his relatives, but became acquainted with the work of a number of major poets whose work was barely known in the United States, among them Pablo Neruda, Cesar Vallejo, Antonio Machado, Gunnar Ekelof, Georg Trakl, Rumi, Hafez, Kabir, Mirabai, and Harry Martinson. Bly determined then to start a literary magazine for poetry translation in the United States. The Fifties, The Sixties, and The Seventies introduced many of these poets to the writers of his generation. He also published essays on American poets. During this time, Bly lived on a farm in Minnesota, with his wife and children. His first marriage was to award-winning short story novelist Carol Bly. They had four children, including Mary Bly—a best-selling novelist and Literature Professor at Fordham University as of 2011—and they divorced in 1979. Since 1980 Bly has been married to the former Ruth Counsell; by that marriage he had a stepdaughter and stepson, although the stepson died in a pedestrian–train incident. Career Bly’s early collection of poems, Silence in the Snowy Fields, was published in 1962, and its plain, imagistic style had considerable influence on American verse of the next two decades. The following year, he published “A Wrong Turning in American Poetry”, an essay in which he argued that the vast majority of American poetry from 1917 to 1963 was lacking in soul and “inwardness” as a result of a focus on impersonality and an objectifying, intellectual view of the world that Bly believed was instigated by the Modernists and formed the aesthetic of most post-World War II American poetry. He criticized the influence of American-born Modernists like Eliot, Pound, Marianne Moore, and William Carlos Williams and argued that American poetry needed to model itself on the more inward-looking work of European and South American poets like Pablo Neruda, César Vallejo, Juan Ramón Jiménez, Antonio Machado, and Rainer Maria Rilke. In 1966, Bly co-founded American Writers Against the Vietnam War and went on to lead much of the opposition to that war among writers. In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the war. In his speech accepting the National Book Award for The Light Around the Body, he announced that he would be contributing the $1000 prize to draft resistance organizations. During the sixties he was of great help to the Bengali Hungryalist poets who faced anti-establishment trial at Kolkata, India. Bly became one of the most important of American protest poets during the Vietnam War; his 1970 poem “The Teeth Mother Naked At Last,” later collected in his collection Sleepers Joining Hands (1973) is a major contribution to this poetry. During the 1970s, he published eleven books of poetry, essays, and translations, celebrating the power of myth, Indian ecstatic poetry, meditation, and storytelling. During the 1980s he published Loving a Woman in Two Worlds, The Wingéd Life: Selected Poems and Prose of Thoreau, The Man in the Black Coat Turns, and A Little Book on the Human Shadow. In 1975, he organized the first annual Great Mother Conference. Throughout the ten-day event, poetry, music, and dance were utilized to examine human consciousness. The conference has been held annually through 2015 in Nobleboro Maine. In the beginning one of its major themes was the goddess or “Great Mother” as she has been known throughout human history. Much of Bly’s 1973 book of poems “Sleepers Joining Hands” is concerned with this theme. In the context of the Vietnam War, a focus on the divine feminine was seen as urgent and necessary. Since that time, the Conference has expanded to consider a wide variety of poetic, mythological, and fairy tale traditions. In the ’80s and ’90s there was much discussion among the conference community about the changes contemporary men were (and are) going through; “the New Father” was then added to the Conference title, in recognition of this and in order to keep the Conference as inclusive as possible. Perhaps his most famous work is Iron John: A Book About Men (1990), an international bestseller which has been translated into many languages and is credited with starting the Mythopoetic men’s movement in the United States. Bly frequently conducts workshops for men with James Hillman, Michael J. Meade, and others, as well as workshops for men and women with Marion Woodman. He maintains a friendly correspondence with Clarissa Pinkola Estés, author of Women Who Run With the Wolves. Bly wrote The Maiden King: The Reunion of Masculine and Feminine with Marion Woodman. Bly was the University of Minnesota Library’s 2002 Distinguished Writer. He received the McKnight Foundation’s Distinguished Artist Award in 2000, and the Maurice English Poetry Award in 2002. He has published more than 40 collections of poetry, edited many others, and published translations of poetry and prose from such languages as Swedish, Norwegian, German, Spanish, Persian and Urdu. His book The Night Abraham Called to the Stars was nominated for a Minnesota Book Award. He also edited the prestigious Best American Poetry 1999 (Scribners). In 2006 the University of Minnesota purchased Bly’s archive, which contained more than 80,000 pages of handwritten manuscripts; a journal spanning nearly 50 years; notebooks of his “morning poems”; drafts of translations; hundreds of audio and videotapes, and correspondence with many writers such as James Wright, Donald Hall and James Dickey. The archive is housed at Elmer L. Andersen Library on the University of Minnesota campus. The university paid $775,000 from school funds and private donors. In February 2008, Bly was named Minnesota’s first poet laureate. In that year he also contributed a poem and an Afterword to From the Other World: Poems in Memory of James Wright. In February 2013, he was awarded the Robert Frost Medal, a lifetime achievement recognition given by the Poetry Society of America. Thought and the Men’s Movement Much of Bly’s writing focuses on what he saw as the particularly troubled situation in which many males find themselves today. He understood this to be a result of, among other things, the decline of traditional fathering which left young boys unguided through the stages of life leading to maturity. He claimed that in contrast with women who are better informed by their bodies (notably by the beginning and end of their menstrual cycle), men need to be actively guided out of boyhood and into manhood by their elders. Pre-modern cultures had elaborate myths, often enacted as rites of passage, as well as “men’s societies” where older men would teach young boys about these gender-specific issues. As modern fathers have become increasingly absent, this knowledge is no longer being passed down the generations, resulting in what he referred to as a Sibling Society. The “Absence of the Father” is a recurrent theme in Bly’s work and many of the phenomena of depression, juvenile delinquency and lack of leadership in business and politics are linked to it. Bly therefore sees today’s men as half-adults, trapped between boyhood and maturity, in a state where they find it hard to become responsible in their work as well as leaders in their communities. Eventually they might become weak or absent fathers themselves which will lead this behaviour to be passed down to their children. In his book The Sibling Society (1997), Bly argues that a society formed of such men is inherently problematic as it lacks creativity and a deep sense of empathy. The image of half-adults is further reinforced by popular culture which often portrays fathers as naive, overweight and almost always emotionally co-dependent. Historically this represents a recent shift from a traditional patriarchal model and Bly believes that women rushed to fill the gap that was formed through the various youth movements during the 1960s, enhancing men’s emotional capacities and helping them to connect with women’s age-old pain of repression. It has however also led to the creation of “soft males” which lacked the outwardly directed strength to revitalize the community with assertiveness and a certain warrior strength. In Bly’s view, a potential solution lies in the rediscovery of the meanings hidden in traditional myths and fairytales as well as works of poetry. He researched and collected myths that concern male maturity, often originating from the Grimms’ Fairy Tales and published them in various books, Iron John being the best known example. In contrast to the continual pursuit of higher achievements, that is constantly taught to young men today, the theme of spiritual descent (often being referred to by its Greek term κατάβασις) which is to be found in many of these myths, is presented as a necessary step for coming in contact with the deeper aspects of the masculine self and achieving its full potential. This is often presented as hero, often during the middle of his quest, going underground to pass a period of solitude and sorrow in semi-bestial mode. Bly notices that a cultural space existed in most traditional societies for such a period in a man’s life, in the absence of which, many men today go into a depression and alcoholism as they subconsciously try to emulate this innate ritual. Bly was influenced by the Swiss psychiatrist Carl Jung who developed the theory of archetypes, as the discrete structures of the Psyche which emerge as images in both art and myths. The Powerful King, the Evil Witch and the Beautiful Maiden are, according to Jung, imprints of the collective unconscious and Bly wrote extensively about their meaning and relations to modern life. As an example and in accordance with Jung, he considered the Witch to be that part of the male psyche upon which the negative and destructive side of a woman is imprinted and which first developed during infancy to store the imperfections of one’s own mother’s. As a consequence, the Witch’s symbols are essentially inverted motherly symbols, where the loving act of cooking is transformed into the brewing of evil potions and knitting clothes takes the form of spider’s web. The feeding process is also reversed, with the child now in danger of being eaten to feed the body of the Witch rather than being fed by the mother’s own body. In that respect, the Witch is a mark of arrested development on the part of the man as it guards against feminine realities that the his psyche is not yet able to incorporate fully. Fairy tales according to this interpretation mostly describe internal battles laid out in externally, where the hero saves his future bride by killing a witch, as in “The Drummer” (Grimms tale 193). This particular concept is expanded in Bly’s 1989 talk “The Human Shadow” and the book it presented. Works References Wikipedia—https://en.wikipedia.org/wiki/Robert_Bly

Thomas Lovell Beddoes (30 June 1803– 26 January 1849) was an English poet, dramatist and physician. Biography Born in Clifton, Bristol, England, he was the son of Dr. Thomas Beddoes, a friend of Samuel Taylor Coleridge, and Anna, sister of Maria Edgeworth. He was educated at Charterhouse and Pembroke College, Oxford. He published in 1821 The Improvisatore, which he afterwards endeavoured to suppress. His next venture, a blank-verse drama called The Bride’s Tragedy (1822), was published and well reviewed, and won for him the friendship of Barry Cornwall. Beddoes’ work shows a constant preoccupation with death. In 1824, he went to Göttingen to study medicine, motivated by his hope of discovering physical evidence of a human spirit which survives the death of the body. He was expelled, and then went to Würzburg to complete his training. He then wandered about practising his profession, and expounding democratic theories which got him into trouble. He was deported from Bavaria in 1833, and had to leave Zürich, where he had settled, in 1840. He continued to write, but published nothing. He led an itinerant life after leaving Switzerland, returning to England only in 1846, before going back to Germany. He became increasingly disturbed, and committed suicide by poison at Basel, in 1849, at the age of 45. For some time before his death he had been engaged on a drama, Death’s Jest Book, which was published in 1850 with a memoir by his friend, T. F. Kelsall. His Collected Poems were published in 1851. Evaluation Critics have faulted Beddoes as a dramatist. According to Arthur Symons, “of really dramatic power he had nothing. He could neither conceive a coherent plot, nor develop a credible situation.” His plots are convoluted, and such was his obsession with the questions posed by death that his characters lack individuation; they all struggle with the same ideas that vexed Beddoes. But his poetry is “full of thought and richness of diction”, in the words of John William Cousin, who praised Beddoes’ short pieces such as “If thou wilt ease thine heart” (from Death’s Jest-Book, Act II) and “If there were dreams to sell” ("Dream-Pedlary") as “masterpieces of intense feeling exquisitely expressed”. Lytton Strachey referred to Beddoes as “the last Elizabethan”, and said that he was distinguished not for his “illuminating views on men and things, or for a philosophy”, but for the quality of his expression. Philip B. Anderson said the lyrics of Death’s Jest Book, exemplified by “Sibylla’s Dirge” and “The Swallow Leaves Her Nest”, are “Beddoes’ best work. These lyrics display a delicacy of form, a voluptuous horror, an imagistic compactness and suggestiveness, and, occasionally, a grotesque comic power that are absolutely unique.” References Wikipedia—https://en.wikipedia.org/wiki/Thomas_Lovell_Beddoes

James Beattie FRSE (/ˈbiːti/; 25 October 1735– 18 August 1803) was a Scottish poet, moralist and philosopher. Life James Beattie was born the son of a shopkeeper and small farmer at Laurencekirk in the Mearns, and educated at Marischal College (later part of Aberdeen University), graduating in 1753. In 1760, he was appointed Professor of moral philosophy there as a result of the interest of his intimate friend, Robert Arbuthnot of Haddo. In the following year he published a volume of poems, The Judgment of Paris (1765), which attracted attention. The two works, however, which brought him most fame were An Essay on the Nature and Immutability of Truth, and his poem of The Minstrel. The Essay, intended as an answer to David Hume, had great immediate success, and led to an introduction to the King, a pension of £200, and the degree of LL.D. from Oxford. The first book of The Minstrel was published in 1771 and the second in 1774, and constitutes his true title to remembrance, winning him the praise of Samuel Johnson. It contains much beautiful descriptive writing. Beattie was prominent in arguing against the institution of slavery, notably in his Essay on the Nature and Immutability of Truth (1770) and Elements of Moral Science. Beattie was an amateur cellist and member of the Aberdeen Musical Society. He considered questions of music philosophy in his essay On Poetry and Music (written 1762, published 1776), which was republished several times and translated into French in 1798. His poem “The Hermit” was set to music by Tommaso Giordani (1778). Beattie was co-founder of the Royal Society of Edinburgh in 1783. Beattie underwent much domestic sorrow in the death of his wife, Mary Dunn, whom he had married in 1767, and two promising sons, which broke down his own health and spirits. He died in Aberdeen in 1803 and is buried there in St Nicholas’ Churchyard. Recognition A biographical sketch, An Account of the Life of James Beattie, LL.D., was published in 1804 by Alexander Bower. The poet Robert Burns informed Mrs Frances Dunlop in a letter that the idea of using Coila as the name of his poetic muse first came to him from Beattie’s use of a muse named 'Scota’ in his Scots language poem of 1768 titled To Mr Alexander at Lochlee. Beattie is one of the sixteen Scottish poets and writers depicted on the Scott Monument on Princes Street in Edinburgh. He appears on the left side of the east face. Works * Original Poems and Translations (1760) * The Judgement of Paris (1765) * Poems on Several Subjects (1766) * An Essay on the Nature and Immutability of Truth (1770) * The Minstrel; or, The Progress of Genius (1771/2) two volumes * Essays, on the nature and immutability of truth in opposition to sophistry and scepticism. On poetry and music as they affect the mind. On laughter and ludicrous composition. On the utility of classical learning (1776) * Essays on Poetry (1778) * Scoticisms, Arranged in Alphabetical Order, Designed to Correct Improprieties of Speech and Writing (1779) * Poems on several occasions (1780) * Dissertations Moral and Critical (1783) * The Evidence of the Christian Religion Briefly and Plainly Stated (1786) 2 vols. * The theory of language. Part I. Of the origin and general nature of speech. Part II. Of universal grammar (1788) * Elements of Moral Science (1790–1793) two volumes * The Poetical Works of James Beattie (1831) edited by A. Dyce * The poetical works of Beattie, Blair, and Falconer (1868) edited by Charles Cowden Clarke * James Beattie’s Day-Book, 1773-1778 (1948) edited by R. S. Walker * James Beattie’s Diary (1948) edited by R. S. Walker References Wikipedia—https://en.wikipedia.org/wiki/James_Beattie_(poet)

References Wikipedia—https://en.wikipedia.org/wiki/

Francis Bacon, 1st Viscount St Alban, PC KC (/ˈbeɪkən/; 22 January 1561– 9 April 1626) was an English philosopher, statesman, scientist, jurist, orator, and author. He served both as Attorney General and as Lord Chancellor of England. After his death, he remained extremely influential through his works, especially as philosophical advocate and practitioner of the scientific method during the scientific revolution. Bacon has been called the father of empiricism. His works argued for the possibility of scientific knowledge based only upon inductive and careful observation of events in nature. Most importantly, he argued this could be achieved by use of a skeptical and methodical approach whereby scientists aim to avoid misleading themselves. While his own practical ideas about such a method, the Baconian method, did not have a long lasting influence, the general idea of the importance and possibility of a skeptical methodology makes Bacon the father of scientific method. This marked a new turn in the rhetorical and theoretical framework for science, the practical details of which are still central in debates about science and methodology today. Bacon was generally neglected at court by Queen Elizabeth, but after the accession of King James I in 1603, Bacon was knighted. He was later created Baron Verulam in 1618 and Viscount St. Alban in 1621. Because he had no heirs, both titles became extinct upon his death in 1626, at 65 years of age. Bacon died of pneumonia, with one account by John Aubrey stating that he had contracted the condition while studying the effects of freezing on the preservation of meat. Biography Early life Francis Bacon was born on 22 January 1561 at York House near the Strand in London, the son of Sir Nicholas Bacon by his second wife, Anne (Cooke) Bacon, the daughter of the noted humanist Anthony Cooke. His mother’s sister was married to William Cecil, 1st Baron Burghley, making Burghley Bacon’s uncle. Biographers believe that Bacon was educated at home in his early years owing to poor health, which would plague him throughout his life. He received tuition from John Walsall, a graduate of Oxford with a strong leaning toward Puritanism. He entered Trinity College, Cambridge, on 5 April 1573 at the age of 12, living for three years there, together with his older brother Anthony Bacon under the personal tutelage of Dr John Whitgift, future Archbishop of Canterbury. Bacon’s education was conducted largely in Latin and followed the medieval curriculum. He was also educated at the University of Poitiers. It was at Cambridge that he first met Queen Elizabeth, who was impressed by his precocious intellect, and was accustomed to calling him “The young lord keeper”. His studies brought him to the belief that the methods and results of science as then practised were erroneous. His reverence for Aristotle conflicted with his rejection of Aristotelian philosophy, which seemed to him barren, disputatious and wrong in its objectives. On 27 June 1576, he and Anthony entered de societate magistrorum at Gray’s Inn. A few months later, Francis went abroad with Sir Amias Paulet, the English ambassador at Paris, while Anthony continued his studies at home. The state of government and society in France under Henry III afforded him valuable political instruction. For the next three years he visited Blois, Poitiers, Tours, Italy, and Spain. During his travels, Bacon studied language, statecraft, and civil law while performing routine diplomatic tasks. On at least one occasion he delivered diplomatic letters to England for Walsingham, Burghley, and Leicester, as well as for the queen. The sudden death of his father in February 1579 prompted Bacon to return to England. Sir Nicholas had laid up a considerable sum of money to purchase an estate for his youngest son, but he died before doing so, and Francis was left with only a fifth of that money. Having borrowed money, Bacon got into debt. To support himself, he took up his residence in law at Gray’s Inn in 1579, his income being supplemented by a grant from his mother Lady Anne of the manor of Marks near Romford in Essex, which generated a rent of £46. Parliamentarian Bacon stated that he had three goals: to uncover truth, to serve his country, and to serve his church. He sought to further these ends by seeking a prestigious post. In 1580, through his uncle, Lord Burghley, he applied for a post at court that might enable him to pursue a life of learning, but his application failed. For two years he worked quietly at Gray’s Inn, until he was admitted as an outer barrister in 1582. His parliamentary career began when he was elected MP for Bossiney, Cornwall, in a by-election (similar to a special election in the US) in 1581. In 1584 he took his seat in parliament for Melcombe in Dorset, and in 1586 for Taunton. At this time, he began to write on the condition of parties in the church, as well as on the topic of philosophical reform in the lost tract Temporis Partus Maximus. Yet he failed to gain a position that he thought would lead him to success. He showed signs of sympathy to Puritanism, attending the sermons of the Puritan chaplain of Gray’s Inn and accompanying his mother to the Temple Church to hear Walter Travers. This led to the publication of his earliest surviving tract, which criticised the English church’s suppression of the Puritan clergy. In the Parliament of 1586, he openly urged execution for the Catholic Mary, Queen of Scots. About this time, he again approached his powerful uncle for help; this move was followed by his rapid progress at the bar. He became a bencher in 1586 and was elected a Reader in 1587, delivering his first set of lectures in Lent the following year. In 1589, he received the valuable appointment of reversion to the Clerkship of the Star Chamber, although he did not formally take office until 1608; the post was worth £1,600 a year. In 1588 he became MP for Liverpool and then for Middlesex in 1593. He later sat three times for Ipswich (1597, 1601, 1604) and once for Cambridge University (1614). He became known as a liberal-minded reformer, eager to amend and simplify the law. Though a friend of the crown, he opposed feudal privileges and dictatorial powers. He spoke against religious persecution. He struck at the House of Lords in its usurpation of the Money Bills. He advocated for the union of England and Scotland, which made him a significant influence toward the consolidation of the United Kingdom; and he later would advocate for the integration of Ireland into the Union. Closer constitutional ties, he believed, would bring greater peace and strength to these countries. Attorney General Bacon soon became acquainted with Robert Devereux, 2nd Earl of Essex, Queen Elizabeth’s favourite. By 1591 he acted as the earl’s confidential adviser. In 1592 he was commissioned to write a tract in response to the Jesuit Robert Parson’s anti-government polemic, which he titled Certain observations made upon a libel, identifying England with the ideals of democratic Athens against the belligerence of Spain. Bacon took his third parliamentary seat for Middlesex when in February 1593 Elizabeth summoned Parliament to investigate a Roman Catholic plot against her. Bacon’s opposition to a bill that would levy triple subsidies in half the usual time offended the Queen: opponents accused him of seeking popularity, and for a time the Court excluded him from favour. When the office of Attorney General fell vacant in 1594, Lord Essex’s influence was not enough to secure the position for Bacon and it was given to Sir Edward Coke. Likewise, Bacon failed to secure the lesser office of Solicitor General in 1595, the Queen pointedly snubbing him by appointing Sir Thomas Fleming instead. To console him for these disappointments, Essex presented him with a property at Twickenham, which Bacon subsequently sold for £1,800. In 1596 Bacon became Queen’s Counsel, but missed the appointment of Master of the Rolls. During the next few years, his financial situation remained embarrassing. His friends could find no public office for him, and a scheme for retrieving his position by a marriage with the wealthy and young widow Lady Elizabeth Hatton failed after she broke off their relationship upon accepting marriage to Sir Edward Coke, a further spark of enmity between the men. In 1598 Bacon was arrested for debt. Afterward, however, his standing in the Queen’s eyes improved. Gradually, Bacon earned the standing of one of the learned counsels, though he had no commission or warrant, and received no salary. His relationship with the Queen further improved when he severed ties with Essex—a shrewd move, as Essex would be executed for treason in 1601. With others, Bacon was appointed to investigate the charges against Essex. A number of Essex’s followers confessed that Essex had planned a rebellion against the Queen. Bacon was subsequently a part of the legal team headed by the Attorney General Sir Edward Coke at Essex’s treason trial. After the execution, the Queen ordered Bacon to write the official government account of the trial, which was later published as A DECLARATION of the Practices and Treasons attempted and committed by Robert late Earle of Essex and his Complices, against her Majestie and her Kingdoms... after Bacon’s first draft was heavily edited by the Queen and her ministers. According to his personal secretary and chaplain, William Rawley, as a judge Bacon was always tender-hearted, “looking upon the examples with the eye of severity, but upon the person with the eye of pity and compassion”. And also that “he was free from malice”, “no revenger of injuries”, and “no defamer of any man”. James I comes to the throne The succession of James I brought Bacon into greater favour. He was knighted in 1603. In another shrewd move, Bacon wrote his Apologies in defence of his proceedings in the case of Essex, as Essex had favoured James to succeed to the throne. The following year, during the course of the uneventful first parliament session, Bacon married Alice Barnham. In June 1607 he was at last rewarded with the office of solicitor general. The following year, he began working as the Clerkship of the Star Chamber. Despite a generous income, old debts still could not be paid. He sought further promotion and wealth by supporting King James and his arbitrary policies. In 1610 the fourth session of James’s first parliament met. Despite Bacon’s advice to him, James and the Commons found themselves at odds over royal prerogatives and the king’s embarrassing extravagance. The House was finally dissolved in February 1611. Throughout this period Bacon managed to stay in the favour of the king while retaining the confidence of the Commons. In 1613 Bacon was finally appointed attorney general, after advising the king to shuffle judicial appointments. As attorney general, Bacon, by his zealous efforts—which included torture—to obtain the conviction of Edmund Peacham for treason, raised legal controversies of high constitutional importance; and successfully prosecuted Robert Carr, 1st Earl of Somerset, and his wife, Frances Howard, Countess of Somerset, for murder in 1616. The so-called Prince’s Parliament of April 1614 objected to Bacon’s presence in the seat for Cambridge and to the various royal plans that Bacon had supported. Although he was allowed to stay, parliament passed a law that forbade the attorney general to sit in parliament. His influence over the king had evidently inspired resentment or apprehension in many of his peers. Bacon, however, continued to receive the King’s favour, which led to his appointment in March 1617 as temporary Regent of England (for a period of a month), and in 1618 as Lord Chancellor. On 12 July 1618 the king created Bacon Baron Verulam, of Verulam, in the Peerage of England; he then became known as Francis, Lord Verulam. Bacon continued to use his influence with the king to mediate between the throne and Parliament, and in this capacity he was further elevated in the same peerage, as Viscount St Alban, on 27 January 1621. Lord Chancellor and public disgrace Bacon’s public career ended in disgrace in 1621. After he fell into debt, a parliamentary committee on the administration of the law charged him with 23 separate counts of corruption. His lifelong enemy, Sir Edward Coke, who had instigated these accusations, was one of those appointed to prepare the charges against the chancellor. To the lords, who sent a committee to enquire whether a confession was really his, he replied, “My lords, it is my act, my hand, and my heart; I beseech your lordships to be merciful to a broken reed.” He was sentenced to a fine of £40,000 and committed to the Tower of London at the king’s pleasure; the imprisonment lasted only a few days and the fine was remitted by the king. More seriously, parliament declared Bacon incapable of holding future office or sitting in parliament. He narrowly escaped undergoing degradation, which would have stripped him of his titles of nobility. Subsequently, the disgraced viscount devoted himself to study and writing. There seems little doubt that Bacon had accepted gifts from litigants, but this was an accepted custom of the time and not necessarily evidence of deeply corrupt behaviour. While acknowledging that his conduct had been lax, he countered that he had never allowed gifts to influence his judgement and, indeed, he had on occasion given a verdict against those who had paid him. He even had an interview with King James in which he assured: The law of nature teaches me to speak in my own defence: With respect to this charge of bribery I am as innocent as any man born on St. Innocents Day. I never had a bribe or reward in my eye or thought when pronouncing judgment or order... I am ready to make an oblation of myself to the King He also wrote the following to Buckingham: My mind is calm, for my fortune is not my felicity. I know I have clean hands and a clean heart, and I hope a clean house for friends or servants; but Job himself, or whoever was the justest judge, by such hunting for matters against him as hath been used against me, may for a time seem foul, especially in a time when greatness is the mark and accusation is the game. The true reason for his acknowledgement of guilt is the subject of debate, but some authors speculate that it may have been prompted by his sickness, or by a view that through his fame and the greatness of his office he would be spared harsh punishment. He may even have been blackmailed, with a threat to charge him with sodomy, into confession. The British jurist Basil Montagu wrote in Bacon’s defence, concerning the episode of his public disgrace: Bacon has been accused of servility, of dissimulation, of various base motives, and their filthy brood of base actions, all unworthy of his high birth, and incompatible with his great wisdom, and the estimation in which he was held by the noblest spirits of the age. It is true that there were men in his own time, and will be men in all times, who are better pleased to count spots in the sun than to rejoice in its glorious brightness. Such men have openly libelled him, like Dewes and Weldon, whose falsehoods were detected as soon as uttered, or have fastened upon certain ceremonious compliments and dedications, the fashion of his day, as a sample of his servility, passing over his noble letters to the Queen, his lofty contempt for the Lord Keeper Puckering, his open dealing with Sir Robert Cecil, and with others, who, powerful when he was nothing, might have blighted his opening fortunes for ever, forgetting his advocacy of the rights of the people in the face of the court, and the true and honest counsels, always given by him, in times of great difficulty, both to Elizabeth and her successor. When was a “base sycophant” loved and honoured by piety such as that of Herbert, Tennison, and Rawley, by noble spirits like Hobbes, Ben Jonson, and Selden, or followed to the grave, and beyond it, with devoted affection such as that of Sir Thomas Meautys. Personal life When he was 36, Bacon courted Elizabeth Hatton, a young widow of 20. Reportedly, she broke off their relationship upon accepting marriage to a wealthier man, Bacon’s rival, Edward Coke. Years later, Bacon still wrote of his regret that the marriage to Hatton had not taken place. At the age of 45, Bacon married Alice Barnham, the 14-year-old daughter of a well-connected London alderman and MP. Bacon wrote two sonnets proclaiming his love for Alice. The first was written during his courtship and the second on his wedding day, 10 May 1606. When Bacon was appointed lord chancellor, “by special Warrant of the King”, Lady Bacon was given precedence over all other Court ladies. Reports of increasing friction in his marriage to Alice appeared, with speculation that some of this may have been due to financial resources not being as readily available to her as she had been accustomed to. Alice was reportedly interested in fame and fortune, and when reserves of money were no longer available there were complaints about where all the money was going. Alice Chambers Bunten wrote in her Life of Alice Barnham that, upon their descent into debt, she actually went on trips to ask for financial favours and assistance from their circle of friends. Bacon disinherited her upon discovering her secret romantic relationship with Sir John Underhill. He rewrote his will, which had previously been very generous—leaving her lands, goods, and income—revoking it all. Bacon’s personal secretary and chaplain, William Rawley, however, wrote in his biography of Bacon that his marriage was one of “much conjugal love and respect”, mentioning a robe of honour that he gave to Alice and which “she wore unto her dying day, being twenty years and more after his death”. The well-connected antiquary John Aubrey noted in his Brief Lives concerning Bacon, “He was a Pederast. His Ganimeds and Favourites tooke Bribes”, biographers continue to debate Bacon’s sexual inclinations and the precise nature of his personal relationships. Some authors believe that despite his marriage, Bacon was primarily attracted to men. Forker, for example, has explored the “historically documentable sexual preferences” of both King James and Bacon, and concluded they were all oriented to “masculine love”, a contemporary term that “seems to have been used exclusively to refer to the sexual preference of men for members of their own gender.” The Jacobean antiquarian Sir Simonds D’Ewes implied there had been a question of bringing him to trial for buggery, which his brother Anthony Bacon had also been charged with. This conclusion has been disputed by others, who point to lack of consistent evidence, and consider the sources to be more open to interpretation. In his “New Atlantis”, Bacon describes his utopian island as being “the chastest nation under heaven”, in which there was no prostitution or adultery, and further saying that “as for masculine love, they have no touch of it”. Death On 9 April 1626, Bacon died of pneumonia while at Arundel mansion at Highgate outside London. An influential account of the circumstances of his death was given by John Aubrey’s Brief Lives, with Aubrey stating he contracted pneumonia while studying the effects of freezing on the preservation of meat. Aubrey has been criticised for his evident credulousness in this and other works; on the other hand, he knew Thomas Hobbes, Bacon’s fellow-philosopher and friend. Aubrey’s vivid account, which portrays Bacon as a martyr to experimental scientific method, had him journeying to Highgate through the snow with the King’s physician when he is suddenly inspired by the possibility of using the snow to preserve meat: “They were resolved they would try the experiment presently. They alighted out of the coach and went into a poor woman’s house at the bottom of Highgate hill, and bought a fowl, and made the woman exenterate it.” After stuffing the fowl with snow, Bacon contracted a fatal case of pneumonia. Some people, including Aubrey, consider these two contiguous, possibly coincidental events as related and causative of his death: "The Snow so chilled him that he immediately fell so extremely ill, that he could not return to his Lodging... but went to the Earle of Arundel’s house at Highgate, where they put him into... a damp bed that had not been layn-in... which gave him such a cold that in 2 or 3 days as I remember Mr Hobbes told me, he died of Suffocation.” Being unwittingly on his deathbed, the philosopher wrote his last letter to his absent host and friend Lord Arundel: My very good Lord,—I was likely to have had the fortune of Caius Plinius the elder, who lost his life by trying an experiment about the burning of Mount Vesuvius; for I was also desirous to try an experiment or two touching the conservation and induration of bodies. As for the experiment itself, it succeeded excellently well; but in the journey between London and Highgate, I was taken with such a fit of casting as I know not whether it were the Stone, or some surfeit or cold, or indeed a touch of them all three. But when I came to your Lordship’s House, I was not able to go back, and therefore was forced to take up my lodging here, where your housekeeper is very careful and diligent about me, which I assure myself your Lordship will not only pardon towards him, but think the better of him for it. For indeed your Lordship’s House was happy to me, and I kiss your noble hands for the welcome which I am sure you give me to it. I know how unfit it is for me to write with any other hand than mine own, but by my troth my fingers are so disjointed with sickness that I cannot steadily hold a pen. Another account appears in a biography by William Rawley, Bacon’s personal secretary and chaplain: He died on the ninth day of April in the year 1626, in the early morning of the day then celebrated for our Saviour’s resurrection, in the sixty-sixth year of his age, at the Earl of Arundel’s house in Highgate, near London, to which place he casually repaired about a week before; God so ordaining that he should die there of a gentle fever, accidentally accompanied with a great cold, whereby the defluxion of rheum fell so plentifully upon his breast, that he died by suffocation. At the news of his death, over 30 great minds collected together their eulogies of him, which were then later published in Latin. He left personal assets of about £7,000 and lands that realised £6,000 when sold. His debts amounted to more than £23,000, equivalent to more than £3m at current value. Philosophy and works Francis Bacon’s philosophy is displayed in the vast and varied writings he left, which might be divided into three great branches: Scientific works– in which his ideas for an universal reform of knowledge into scientific methodology and the improvement of mankind’s state using the Scientific method are presented. Religious and literary works– in which he presents his moral philosophy and theological meditations. Juridical works– in which his reforms in English Law are proposed. Influence Science Bacon’s seminal work Novum Organum was influential in the 1630s and 1650s among scholars, in particular Sir Thomas Browne, who in his encyclopaedia Pseudodoxia Epidemica (1646–72) frequently adheres to a Baconian approach to his scientific enquiries. During the Restoration, Bacon was commonly invoked as a guiding spirit of the Royal Society founded under Charles II in 1660. During the 18th-century French Enlightenment, Bacon’s non-metaphysical approach to science became more influential than the dualism of his French contemporary Descartes, and was associated with criticism of the ancien regime. In 1733 Voltaire introduced him to a French audience as the “father” of the scientific method, an understanding which had become widespread by the 1750s. In the 19th century his emphasis on induction was revived and developed by William Whewell, among others. He has been reputed as the “Father of Experimental Philosophy”. He also wrote a long treatise on Medicine, History of Life and Death, with natural and experimental observations for the prolongation of life. One of his biographers, the historian William Hepworth Dixon, states: “Bacon’s influence in the modern world is so great that every man who rides in a train, sends a telegram, follows a steam plough, sits in an easy chair, crosses the channel or the Atlantic, eats a good dinner, enjoys a beautiful garden, or undergoes a painless surgical operation, owes him something.” In 1902 Hugo von Hofmannsthal published a fictional letter addressed to Bacon and dated 1603, about a writer who is experiencing a crisis of language. Known as The Lord Chandos Letter, it has been proposed that Bacon was identified as its recipient as having laid the foundation for the work of scientists such as Ernst Mach, notable both for his academic distinction in the history and philosophy of the inductive sciences, and for his own contributions to physics. North America Bacon played a leading role in establishing the British colonies in North America, especially in Virginia, the Carolinas and Newfoundland in northeastern Canada. His government report on “The Virginia Colony” was submitted in 1609. In 1610 Bacon and his associates received a charter from the king to form the Tresurer and the Companye of Adventurers and planter of the Cittye of London and Bristoll for the Collonye or plantacon in Newfoundland, and sent John Guy to found a colony there. Thomas Jefferson, the third President of the United States, wrote: “Bacon, Locke and Newton. I consider them as the three greatest men that have ever lived, without any exception, and as having laid the foundation of those superstructures which have been raised in the Physical and Moral sciences”. In 1910 Newfoundland issued a postage stamp to commemorate Bacon’s role in establishing the colony. The stamp describes Bacon as "the guiding spirit in Colonization Schemes in 1610". Moreover, some scholars believe he was largely responsible for the drafting, in 1609 and 1612, of two charters of government for the Virginia Colony. William Hepworth Dixon considered that Bacon’s name could be included in the list of Founders of the United States. Law Although few of his proposals for law reform were adopted during his lifetime, his legal legacy was considered by the magazine New Scientist in 1961 as having influenced the drafting of the Napoleonic Code as well as the law reforms introduced by 19th-century British Prime Minister Sir Robert Peel. The historian William Hepworth Dixon had referred to the Napoleonic Code as “the sole embodiment of Bacon’s thought”, saying that Bacon’s legal work “has had more success abroad than it has found at home”, and that in France “it has blossomed and come into fruit”. Harvey Wheeler attributed to Bacon, in Francis Bacon’s Verulamium—the Common Law Template of The Modern in English Science and Culture, the creation of these distinguishing features of the modern common law system: using cases as repositories of evidence about the “unwritten law”; determining the relevance of precedents by exclusionary principles of evidence and logic; treating opposing legal briefs as adversarial hypotheses about the application of the “unwritten law” to a new set of facts. As late as the 18th century some juries still declared the law rather than the facts, but already before the end of the 17th century Sir Matthew Hale explained modern common law adjudication procedure and acknowledged Bacon as the inventor of the process of discovering unwritten laws from the evidences of their applications. The method combined empiricism and inductivism in a new way that was to imprint its signature on many of the distinctive features of modern English society. Paul H. Kocher writes that Bacon is considered by some jurists to be the father of modern Jurisprudence. Bacon is commemorated with a statue in Gray’s Inn, South Square in London where he received his legal training, and where he was elected Treasurer of the Inn in 1608. James McClellan, a political scientist from the University of Virginia, considered Bacon to have had “a great following” in the American colonies. More recent scholarship on Bacon’s jurisprudence has focused on his advocating torture as a legal recourse for the crown. Bacon himself was not a stranger to the torture chamber: in his various legal capacities in both Elizabeth I’s and James I’s reigns, Bacon was listed as a commissioner on five torture warrants. In 1613(?), in a letter addressed to King James I on the question of torture’s place within English law, Bacon identifies the scope of torture: a means to further the investigation of threats to the state: “In the cases of treasons, torture is used for discovery, and not for evidence.” For Bacon, torture was not a punitive measure, an intended form of state repression, but instead offered a modus operandi for the government agent tasked with uncovering acts of treason. Historical debates Bacon and Shakespeare The Baconian hypothesis of Shakespearean authorship, first proposed in the mid-19th century, contends that Francis Bacon wrote some or even all of the plays conventionally attributed to William Shakespeare. Occult hypotheses Francis Bacon often gathered with the men at Gray’s Inn to discuss politics and philosophy, and to try out various theatrical scenes that he admitted writing. Bacon’s alleged connection to the Rosicrucians and the Freemasons has been widely discussed by authors and scholars in many books. However, others, including Daphne du Maurier in her biography of Bacon, have argued that there is no substantive evidence to support claims of involvement with the Rosicrucians. Frances Yates does not make the claim that Bacon was a Rosicrucian, but presents evidence that he was nevertheless involved in some of the more closed intellectual movements of his day. She argues that Bacon’s movement for the advancement of learning was closely connected with the German Rosicrucian movement, while Bacon’s New Atlantis portrays a land ruled by Rosicrucians. He apparently saw his own movement for the advancement of learning to be in conformity with Rosicrucian ideals. The link between Bacon’s work and the Rosicrucians ideals which Yates allegedly found was the conformity of the purposes expressed by the Rosicrucian Manifestos and Bacon’s plan of a “Great Instauration”, for the two were calling for a reformation of both “divine and human understanding”, as well as both had in view the purpose of mankind’s return to the “state before the Fall”. Another major link is said to be the resemblance between Bacon’s New Atlantis and the German Rosicrucian Johann Valentin Andreae’s Description of the Republic of Christianopolis (1619). Andreae describes a utopic island in which Christian theosophy and applied science ruled, and in which the spiritual fulfillment and intellectual activity constituted the primary goals of each individual, the scientific pursuits being the highest intellectual calling—linked to the achievement of spiritual perfection. Andreae’s island also depicts a great advancement in technology, with many industries separated in different zones which supplied the population’s needs—which shows great resemblance to Bacon’s scientific methods and purposes. The Rosicrucian organisation AMORC claims that Bacon was the “Imperator” (leader) of the Rosicrucian Order in both England and the European continent, and would have directed it during his lifetime. Bacon’s influence can also be seen on a variety of religious and spiritual authors, and on groups that have utilised his writings in their own belief systems. Bibliography * Some of the more notable works by Bacon are: * Essays (1st edition 1597) * The Advancement and Proficience of Learning Divine and Human (1605) * Essays (2nd edition– 38 essays, 1612) * Novum Organum Scientiarum ('New Method’, 1620) * Essays, or Counsels Civil and Moral (3rd/final edition– 58 essays, 1625) * New Atlantis (1627) References Wikipedia—https://en.wikipedia.org/wiki/Francis_Bacon

John Allyn Berryman (October 25, 1914– January 7, 1972) was an American poet and scholar, born in McAlester, Oklahoma. He was a major figure in American poetry in the second half of the 20th century and was considered a key figure in the Confessional school of poetry. His best-known work is The Dream Songs. Life and career John Berryman was born John Allyn Smith, Jr. in Oklahoma where he was raised until the age of ten, when his father, John Smith, a banker, and his mother, Martha (also known as Peggy), a schoolteacher, moved to Tampa, Florida. In 1926, in Florida, when the poet was eleven years old, his father shot and killed himself, Berryman was haunted by his father’s death for the rest of his life and would later write about his struggle to come to terms with it in his book The Dream Songs. In "Dream Song #143", he wrote, "That mad drive [to commit suicide] wiped out my childhood. I put him down/while all the same on forty years I love him/stashed in Oklahoma/besides his brother Will". In "Dream Song #145", he also wrote the following lines about his father: he only, very early in the morning, rose with his gun and went outdoors by my window and did what was needed. I cannot read that wretched mind, so strong & so undone. I've always tried. I–I'm trying to forgive whose frantic passage, when he could not live an instant longer,in the summer dawn left Henry to live on. Similarly, in Dream Song #384, Berryman wrote: The marker slants, flowerless, day's almost done, I stand above my father's grave with rage, often, often before I've made this awful pilgrimage to one who cannot visit me, who tore his page out: I come back for more, I spit upon this dreadful bankers grave who shot his heart out in a Florida dawn After his father’s death at the rear entrance to Kipling Arms, where the Smiths rented an apartment, the poet’s mother, within months, married John Angus McAlpin Berryman in New York City. The poet was renamed John Allyn McAlpin Berryman. Berryman’s mother also changed her first name from Peggy to Jill. Although his stepfather would later divorce his mother, Berryman and his stepfather stayed on good terms. With both his mother and stepfather working, his mother decided to send him away to the South Kent School, a private boarding school in Connecticut. Then Berryman went on to college at Columbia College where he was president of the Philolexian Society, joined the Boar’s Head Society, edited the Columbia Review, and studied under the literary scholar and poet Mark Van Doren. Berryman would later credit Van Doren with sparking his interest in writing poetry seriously. For two years, Berryman also studied overseas at Clare College, Cambridge, on a Kellett Fellowship, awarded by Columbia. He graduated in 1936. Regarding Berryman’s earliest success in poetry, the Norton Anthology of Modern Poetry editors note that "Berryman’s early work formed part of a volume entitled Five Young American Poets, published by New Directions in 1940". One of the other young poets included in the book was Randall Jarrell. Berryman would soon publish some of this early verse in his first book, also with New Directions Publishing, simply titled Poems, in 1942. However, his first mature collection of poems, The Dispossessed, appeared six years later, published by William Sloane Associates. The book received largely negative reviews from poets like Randall Jarrell who wrote, in The Nation, that Berryman was "a complicated, nervous, and intelligent [poet]" whose poetry in The Dispossessed was too derivative of W. B. Yeats. Berryman would later concur with this assessment of his early work, stating, “I didn’t want to be like Yeats; I wanted to be Yeats.” In October 1942, Berryman married Eileen Mulligan (later Simpson) in a ceremony at St. Patrick’s Catherdral, with poet Mark Van Doren as his best man. The pair moved to Beacon Hill, where Berryman lectured at Harvard. The marriage ended in 1953 (a divorce was formalized in 1956), when Simpson finally grew weary of tolerating Berryman’s affairs and acting as “net-holder” throughout his self-destructive personal crises. Simpson would memorialize her time with Berryman and his circle in her 1982 book Poets in Their Youth. In 1947, Berryman started an affair with a married woman named Chris, documented in a long sonnet sequence that he refrained from publishing, in part, because publication of the sonnets would have revealed the affair to his wife. However, he did eventually decide to publish the work, titled Berryman’s Sonnets, in 1967. The work included over one hundred sonnets. In 1950, Berryman published a biography of the fiction writer and poet Stephen Crane whom he greatly admired becoming, “the only biography by a leading American poet of the great American writer, Stephen Crane.” This book was followed by his next significant poem, Homage to Mistress Bradstreet (1956), which featured illustrations by the artist Ben Shahn and was Berryman’s first poem to receive “national attention” and a positive response from critics. Edmund Wilson wrote that it was “the most distinguished long poem by an American since T. S. Eliot’s The Waste Land.” When “Homage to Mistress Bradstreet and Other Poems” was published in 1959, the poet Conrad Aiken praised the shorter poems in the book which he thought were actually better than “Homage to Mistress Bradstreet”. Despite the relative success of his third book of verse, Berryman’s great poetic breakthrough occurred after he published 77 Dream Songs in 1964. It won the 1965 Pulitzer Prize for poetry and solidified Berryman’s standing as one of the most important poets of the post-World War II generation that included Robert Lowell, Elizabeth Bishop, and Delmore Schwartz. Soon afterwards, Berryman started receiving a great deal of national attention from the press, from arts organizations, and even from the White House which sent him an invitation to dine with President Lyndon B. Johnson (though Berryman had to decline because he was in Ireland at the time). Berryman was elected a Fellow of the American Academy of Arts and Sciences in 1967, and that same year Life magazine ran a feature story on him. Also, that year the newly created National Endowment for the Arts awarded him a ten thousand dollar grant (though he admitted, when asked about the award by a Minneapolis reporter, that he had never heard of the organization before). Berryman also continued to work on the “dream song” poems at a feverish pace and published a second, significantly longer, volume entitled His Toy, His Dream, His Rest, in 1968, which won the National Book Award for Poetry and the Bollingen Prize. The following year Berryman republished 77 Dreams Songs and His Toy, His Dream, His Rest as one book titled The Dream Songs, in which the character Henry serves as Berryman’s alter ego. But in Love & Fame (1970), he dropped the mask of Henry to write more plainly about his life. Responses to the poems from critics and most of Berryman’s peers ranged from tepid, at best, to hostile; now the collection is generally “considered a minor work”. The character of Henry reappeared in a couple of poems published in Delusions Etc., (1972), Berryman’s last collection, which focused on his religious concerns and his own spiritual rebirth. The book was published posthumously and, like its predecessor, Love & Fame, it is considered a minor work. Berryman taught or lectured at a number of universities including University of Iowa (in their Writer’s Workshop), Harvard University, Princeton University, the University of Cincinnati, and the University of Minnesota, where he spent the majority of his career, except for his sabbatical year in 1962-3, when he taught at Brown University. Some of his illustrious students included W. D. Snodgrass, William Dickey, Donald Justice, Philip Levine, Robert Dana, Jane Cooper, Donald Finkel, and Henri Coulette. Philip Levine stated, in a recorded interview from 2009, that Berryman took his class extremely seriously and that "he was entrancing... magnetic and inspiring and very hard on [his students’] work... [and] he was [also] the best teacher that I ever had". Berryman was fired from the University of Iowa after a fight with his landlord led to him being arrested, jailed overnight, and fined for disorderly conduct and public intoxication. He turned to his friend, the poet Allen Tate, who helped him get his teaching job at the University of Minnesota. Berryman was married three times. And according to the editors of The Norton Anthology of Modern Poetry, he lived turbulently. During one of the many times he was hospitalized in order to detox from alcohol abuse, in 1970, he experienced what he termed “a sort of religious conversion”. According to his biographer Paul Mariani, Berryman experienced “a sudden and radical shift from a belief in a transcendent God... to a belief in a God who cared for the individual fates of human beings and who even interceded for them.” Nevertheless, Berryman continued to abuse alcohol and to struggle with depression, as he had throughout much of his adult life, and on the morning of January 7, 1972, he killed himself by jumping from the Washington Avenue Bridge in Minneapolis, Minnesota, onto the west bank of the Mississippi River. Newspaper reports of the event indicate that he missed the water and smothered in mud. Poetry Berryman’s poetry, which often revolved around the sordid details of his personal problems (in The Dream Songs but also in his other poems as well) is closely associated with the Confessional poetry movement. In this sense, his poetry had much in common with the poetry of his friend, Robert Lowell. The editors of The Norton Anthology of Modern Poetry note that “the influence of Yeats, Auden, Hopkins, Crane, and Pound on him was strong, and Berryman’s own voice—by turns nerve-racked and sportive—took some time to be heard.” Berryman’s first major work, in which he began to develop his own unique style of writing, was Homage to Mistress Bradstreet, published in 1956. In the long, title poem, which first appeared in Partisan Review in 1953, Berryman addressed the 17th century American poet Anne Bradstreet, combining the history of her life with his own fantasies about her (and inserting himself into the poem). Joel Athey noted, “This difficult poem, a tribute to the Puritan poet of colonial America, took Berryman five years to complete and demanded much from the reader when it first appeared with no notes. The Times Literary Supplement hailed it as a path-breaking masterpiece; poet Robert Fitzgerald called it ‘the poem of his generation.’” Edward Hirsch observed that "the 57 stanzas of Homage to Mistress Bradstreet combine the concentration of an extended lyric with the erudition and amplitude of a historical novel". Berryman’s major poetic breakthrough came after he began to publish the first volume of The Dream Songs, 77 Dream Songs, in 1964. The dream song form consisted of short, eighteen-line lyric poems in three stanzas. The poems are written in free verse although some stanzas contain irregular rhyme. 77 Dream Songs (and its sequel His Toy, His Dream, His Rest) centers on a character named “Henry” who bears a striking resemblance to John Berryman. However, Berryman was careful about making sure that his readers realized that “Henry” was not his equivalent, but rather a fictional version of himself (or a literary alter ego). In an interview, Berryman stated, “Henry does resemble me, and I resemble Henry; but on the other hand I am not Henry. You know, I pay income tax; Henry pays no income tax. And bats come over and they stall in my hair—and fuck them, I’m not Henry; Henry doesn’t have any bats.” In The New York Times review of 77 Dream Songs, John Malcolm Brinnin praised the book, declaring that "[the book’s] excellence calls for celebration". And in The New York Review of Books, Robert Lowell also reviewed the book, writing, “At first the brain aches and freezes at so much darkness, disorder and oddness. After a while, the repeated situations and their racy jabber become more and more enjoyable, although even now I wouldn’t trust myself to paraphrase accurately at least half the sections.” In response to the perceived difficulty of the dream songs, in his 366th “Dream Song”, Berryman facetiously wrote, "These Songs are not meant to be understood, you understand. / They are only meant to terrify & comfort". In His Toy, His Dream, His Rest, many of the dream songs are elegies for Berryman’s recently deceased poet friends, including Delmore Schwartz, Randall Jarrell, and Theodore Roethke. Since this volume contained four times the number of poems that appeared in the previous volume, Berryman covered a lot more subject matter. For instance, in addition to the elegies, Berryman writes about his trip to Ireland as well as his own burgeoning literary fame. Berryman’s last two volumes of poetry, Love & Fame and Delusions, Etc. featured free-verse poems that were much more straightforward and less idiosyncratic than The Dream Songs. Prior to the publication of Love & Fame, Berryman sent his manuscript to several peers for feedback, including the poets Adrienne Rich and Richard Wilbur, both of whom were disappointed with the poems which they considered inferior to the poems in The Dream Songs. However, a number of Berryman’s old friends and supporters, including the novelist Saul Bellow and the poets Robert Lowell and William Meredith, offered high praise for a number of the Love & Fame poems. Both Love & Fame and Delusions, Etc. were more openly “confessional” than Berryman’s earlier verse, and since he embraced religion when he wrote these volumes, he also explored the nature of his spiritual rebirth in poems like “Eleven Addresses to the Lord” (which Lowell thought was one of Berryman’s best poems and “one of the great poems of the age”), as a well as “Certainty Before Lunch”. In 1977 John Haffenden published Henry’s Fate & Other Poems, a selection of dream songs that Berryman wrote after His Toy, His Dream, His Rest, but had never published. In reviewing the book, Time magazine noted, “Posthumous selections of unpublished poetry should be viewed suspiciously. The dead poet may have had good aesthetic reasons for keeping some of his work to himself. Fortunately, Henry’s Fate does not malign the memory of John Berryman”. Berryman’s Collected Poems—1937-1971 edited and introduced by Charles Thornbury, was published in 1989. However, Robert Giroux decided to leave out The Dream Songs from the collection. In his review of the Collected Poems, Edward Hirsch commented on this decision, stating, "It is obviously practical to continue to publish the 385 dream songs separately, but reading the Collected Poems without them is a little like eating a seven-course meal without a main course." Hirsch also notes that, "[Collected Poems features] a thorough nine-part introduction and a chronology as well as helpful appendixes that include Berryman’s published prefaces, notes and dedications; a section of editor’s notes, guidelines and procedures; and an account of the poems in their final stages of composition and publication.” In 2004, the Library of America published John Berryman: Selected Poems, edited by the poet Kevin Young. In Poetry magazine, David Orr wrote: Young includes all the Greatest Hits [from Berryman’s career]... but there are also substantial excerpts from Berryman’s Sonnets (the peculiar book that appeared after The Dream Songs, but was written long before) and Berryman’s later, overtly religious poetry. Young argues that “if his middle, elegiac period... is most in need of rediscovery, then these late poems are most in need of redemption.” It’s a good point. Although portions of Berryman’s late work are sloppy and erratic, these poems help clarify the spiritual struggle that motivates and sustains his best writing. After surveying Berryman’s career and accomplishments, the editors of The Norton Anthology of Modern Poetry stated, “What seems likely to survive of his poetry is its pungent and many-leveled portrait of a complex personality which, for all its eccentricity, stayed close to the center of the intellectual and emotional life of the mid-century and after.” In popular culture The ghost of John Berryman is a character in Thomas Disch’s novel The Businessman: A Tale of Terror, published in 1984. The Hold Steady’s song “Stuck Between Stations” from the 2006 album Boys and Girls in America relates a loose rendition of Berryman’s death, describing the isolation he felt, despite his critical acclaim, and depicting him walking with “the devil” on the Washington Avenue Bridge where he committed suicide. Okkervil River’s song “John Allyn Smith Sails” from their 2007 album The Stage Names is about John Berryman. Australian singer/songwriter Nick Cave has admiringly referenced Berryman in the song “We Call Upon the Author” from the 2007 album Dig, Lazarus, Dig!!!. Phish bassist Mike Gordon’s side-project band has performed "Dream Song 22-'Of 1826", releasing it on a live album, The Egg. Additionally, on March 30, 2014, their show featured a rendition of “The Poet’s Final Instructions”. Berryman and his poem Dream Song 235 is referenced in Elizabeth Strout’s novel and HBO’s adaption of Olive Kitteridge with the quote "Save us from shotguns & fathers’ suicides.” Berryman and his poem “The Curse” are referenced in the prologue of Tracy Letts’s play August: Osage County by the character Beverly, a poet who later commits suicide. Bibliography * Poems. Norfolk, Ct.: New Directions Press, 1942. * The Dispossessed. New York: William Sloan Associates, 1948. * Stephen Crane. New York: Sloan, 1950. * Homage to Mistress Bradstreet. New York: Farrar, Straus & Giroux, 1956. * 77 Dream Songs. New York: Farrar, Straus & Giroux, 1964. * Berryman’s Sonnets. New York: Farrar, Straus & Giroux, 1967. * His Toy, His Dream His Rest. New York: Farrar, Straus & Giroux, 1968. * The Dream Songs. New York: Farrar, Straus & Giroux, 1969. * Love & Fame. New York: Farrar, Straus & Giroux, 1970. * Delusions, Etc. New York: Farrar, Straus & Giroux, 1972. * Recovery. New York: Farrar, Straus & Giroux, 1973. * The Freedom of the Poet. New York: Farrar, Straus, & Giroux, 1976. * Henry’s Fate & Other Poems, 1967-1972. New York: Farrar, Straus, & Giroux, 1977. * Collected Poems 1937-1971. Ed. Charles Thornbury. New York: Farrar, Straus & Giroux, 1989. * Berryman’s Shakespeare. Ed. John Haffenden. New York: Farrar, Straus & Giroux, 1999. * Selected Poems. Ed. Kevin Young. New York: Library of America, 2004. * The Heart Is Strange. Ed. Daniel Swift. New York: Farrar, Straus & Giroux, 2014. References Wikipedia—https://en.wikipedia.org/wiki/John_Berryman

Bruce Bond (born June 25, 1954) is an American poet and creative writing educator at the University of North Texas.